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Hyperion Records

Artist Hyperion Records
Chance, Michael (countertenor)  
© Gerald Place

Michael Chance (countertenor)

"Despite the abundance of younger star countertenors these days, none of them yet match Chance's intelligent delivery and supreme ability to get inside the English language." The Guardian

Michael Chance has established a worldwide reputation as one of the foremost exponents of the male alto voice in all areas of the classical repertoire, and is in equal demand as an opera, concert and recording artist.

His vocal training with Rupert Bruce Lockhart followed an English degree at King's College, Cambridge where he was also a choral scholar. His first operatic appearance was in the Buxton Festival in Ronald Eyre's staging of Cavilli's Giasone which was followed by appearances in Lyon, Cologne, and three seasons with Kent opera. Subsequently, he has performed in the Sydney Opera House, Teatro Colon in Buenos Aires, La Scala Milan, New York, Lisbon, Oviedo, Paris, Amsterdam and with Covent Garden, Glyndebourne, and English National Opera. Festival appearances include Edinburgh, Aix-en-Provence, BBC Proms in London and Salzburg.

His appearances in oratorio and recital have taken him to concert halls all over the world including Carnegie Hall, Concertgebouw, Musikverein, Neue Gewandhaus and Berlin's Philharmonie. He has given recitals in Frankfurt, Vienna, Amsterdam, Israel, New York and London's Wigmore Hall with a variety of programmes, ranging from Elizabethan lute songs to new works commissioned for him.

Michael Chance's list of recordings is numerous and widespread. He received a Grammy award for his participation in Handel's Semele for Deutsche Grammophon with John Nelson and Kathleen Battle. He has recorded frequently with John Eliot Gardiner, including the Bach Passions and Cantatas, B Minor Mass, Monterverdi's Orfeo and L'Incoronazione di Poppea and Handel's Jeptha, Tamerlano and Agrippina. Other conductors he has recorded with include Trevor Pinnock, Franz Bruggen, Ton Koopman and Nicholas McGegan.

His belief in extending the counter-tenor repertoire has prompted new work to be composed for him by Richard Rodney Bennett, Alexander Goehr, Tan Dun, Anthony Powers, John Tavener, and Elvis Costello—amongst others. He sings regularly with the viol consort Fretwork, and recently toured with them to Japan and the United States.

Ingpen & Williams Ltd, 7 St George's Court, 131 Putney Bridge Road, London SW15 2PA

Telephone [0]208 874 3222; fax [0]20 8877 3113.

email info@ingpen.co.uk

Albums
Cover of 'A Musicall Dreame' (CDA66335)
Cover of 'Blow & Draghi: Odes for St Cecilia' (CDH55257)
Cover of 'Blow & Purcell: Countertenor duets' (CDA66253)
Cover of 'Britten: A Boy was Born & other choral works' (CDH55307)
Cover of 'Britten: The Five Canticles' (CDH55244)
Cover of 'Couperin: Leçons de Ténèbres' (CDA66474)
Couperin: Leçons de Ténèbres
Buy by post £13.99 (ARCHIVE SERVICE)
CDA66474  Archive Service Only   Download currently discounted
Cover of 'Draghi & Blow: Odes for St Cecilia' (CDH55257)
Cover of 'Essential Purcell' (KING2)
Cover of 'Howells: Requiem; Vaughan Williams: Mass in G minor' (CDH55220)
Cover of 'Pergolesi: Stabat mater' (CDA66294)
Cover of 'Purcell & Blow: Countertenor duets' (CDA66253)
Cover of 'Purcell: Odes, Vol. 1 – Royal and Ceremonial Odes' (CDA66314)
Purcell: Odes, Vol. 1 – Royal and Ceremonial Odes
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CDA66314  Archive Service; also available on CDS44031/8   Download currently discounted
Cover of 'Purcell: Odes, Vol. 8 – Come ye sons of Art' (CDA66598)
Purcell: Odes, Vol. 8 – Come ye sons of Art
Buy by post £13.99 (ARCHIVE SERVICE)
CDA66598  Archive Service; also available on CDS44031/8   Download currently discounted
Cover of 'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
Cover of 'Vaughan Williams: Mass in G minor; Howells: Requiem' (CDH55220)
Cover of 'Zelenka: Lamentations' (CDH55106)
Zelenka: Lamentations
Buy by post £6.99
CDH55106  Helios (Hyperion's budget label)  
Alphabetical listing of all musical works
Ah, heav'n! What is't I hear? (Blow)
Arise, my muse, Z320 (Purcell)
Bonduca, or The British Heroine, Z574 (Purcell)
Canticle II 'Abraham and Isaac', Op 51 (Britten)
Canticle IV 'The Journey of the Magi', Op 86 (Britten)
Come ye sons of Art, away, Z323 (Purcell)
Evening hymn, Z193 (Purcell/Britten)
Farewell, fond youth (Jones)
From harmony, from heav'nly harmony (Draghi)
Grief of my best love's absenting (Jones)
Hail! bright Cecilia, Z328 (Purcell)
Hark! Wot ye what? (Jones)
In caelestibus regnis (Pergolesi)
In darkness let me dwell (Coprario)
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 (Purcell)
Intenerite voi (Notari)
Ite caldi sospiri (Jones)
Laetentur caeli 'Motet de St Barthélémy' (Couperin)
Lamentationes pro die Mercurii Sancto 'Lamentations for Maundy Thursday' (Zelenka)
Lamentationes pro die Veneris Sancto 'Lamentations for Easter Eve' (Zelenka)
Magnificat (Couperin)
Mass in G minor (Vaughan Williams)
My complaining is but feigning (Jones)
Now does the glorious day appear, Z332 (Purcell)
O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514 (Purcell)
Ode on the death of Mr Henry Purcell (Blow)
On a time in summer season (Jones)
Once did I serve a cruel heart (Jones)
Rejoice in the Lamb, Op 30 (Britten)
Requiem (Howells)
Stabat mater (Pergolesi)
Sweet Kate (Jones)
The glorious day is come (Blow)
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell)
Though your strangeness frets my heart (Jones)
Timon of Athens, Z632 (Purcell)
Trois Leçons de Ténèbres (Couperin)
Venite, exsultemus (Couperin)
Welcome to all the pleasures, Z339 (Purcell)
Welcome, vicegerent of the mighty King, Z340 (Purcell)
Why, why are all the Muses mute?, Z343 (Purcell)
Will said to his mammy (Jones)
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