Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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With the ensembles Suonatori della Gioiosa Marca, I Barocchisti, Il Capriccio and Seicentonovecento, as well as the ensemble he founded in 1997, Auser Musici, Carlo Ipata has played at the European Festival of Ljubljana, the Italian Festival of Dortmund, Berliner Tage für Alte Musik, Festival Antiqua, the Musikinstrumenten-Museum in Berlin, Festivoce (France), the Miami Bach Festival, Celebrations of Boccherini (Madrid) and for Swiss Radio; he has also recorded for various labels including EMI and Amadeus, as well as Hyperion.
Carlo Ipata is dedicated to early-music research, and together with the ensemble Auser Musici he enables modern audiences to hear the music of composers such as Nardini, Gasparini, Barsanti, Brunelli, Boccherini, Lidarti, Campioni, Geraso, Porpora, Vincenzo Manfredini and Della Ciaia.
As director of the Tuscan Musical Treasures Project Carlo Ipata has worked with the musicology departments of the University of Cremona, the University of Pisa and the Scuola Normale Superiore, and the Italian Society of Musicology. He is one of the authors of Il flauto in Italia (Istituto Poligrafico dello Stato, 2005), and he has given courses and seminars at the New York University, at the CNR d’Angers, and in several Italian conservatories and musical institutes. He is professor of chamber music at the Rossini Conservatory in Pesaro.
|Cesti: Le disgrazie d'Amore|
with Auser Musici
A delightful blend of slapstick and highly allusive banter, Cesti’s comic moral opera mocks the pagan gods and the morally reprehensible excesses caused by amorous passion. Le disgrazie d’Amore dates from Cesti’s period at the Viennese cour ...» More
|Cherubini: Arias and Overtures from Florence to Paris|
Character, drama and virtuoso vocalizing combine in this thrilling disc of theatre music by the man Beethoven regarded as the finest of his contemporaries, Luigi Cherubini. The period-instrument Auser Musici together with director Carlo Ipata are ...» More
|Porpora: Or sì m’avveggio, oh Amore|
Porpora is best known for his open rivalry with Handel on the London operatic scene. But this dazzling new disc from Auser Musici shows the composer to be a profound musician with a rich and wideranging output, a mastery of compositional technique an ...» More
|LUIGI CHERUBINI (1760-1842)|
|D'un dolce ardor la facewith Maria Grazia Schiavo (soprano), Auser Musici» More|
|Ti lascio adorato mio benwith Maria Grazia Schiavo (soprano), Auser Musici» More|
|NICOLA PORPORA (1686-1768)|
|Credimi pur che t'amowith Elena Cecchi Fedi (soprano), Auser Musici» More|
|Già la notte s'avvicina 'La pesca'with Elena Cecchi Fedi (soprano), Auser Musici» More|
|Or che d'orrido Vernowith Elena Cecchi Fedi (soprano), Auser Musici» More|
|Or sì m'avveggio, oh Amorewith Elena Cecchi Fedi (soprano), Auser Musici» More|
|Armida abbandonata (Cherubini)|
|Balletto dei Ciclopi (Schmelzer)|
|Ballo delle Scimmie (Schmelzer)|
|Credimi pur che t'amo (Porpora)|
|D'un dolce ardor la face (Cherubini)|
|Già la notte s'avvicina 'La pesca' (Porpora)|
|I mesti affetti miei (Epponina)|
|Ifigenia in Aulide (Cherubini)|
|Il Giulio Sabino (Cherubini)|
|Le disgrazie d'Amore (Cesti)|
|Mesenzio, re d'Etruria (Cherubini)|
|Or che d'orrido Verno (Porpora)|
|Or sì m'avveggio, oh Amore (Porpora)|
|Qual da venti combattuta (Zelmira)|
|Ti lascio adorato mio ben (Cherubini)|
|Turbata ai dubbi accenti (Ifigenia)|