Hyperion Records

Artist Hyperion Records
Invocation
© David Farrell

Invocation

Albums
'Enchanting Harmonist' (CDA66698)
Enchanting Harmonist
'Moore: Thomas Moore's Irish Melodies' (CDA66774)
Moore: Thomas Moore's Irish Melodies
'The Romantic Music' (CDA66740)
The Romantic Music
MP3 £4.00FLAC £4.00ALAC £4.00Buy by post £10.50 CDA66740  Download currently discounted
Complete works available for download
ANONYMOUS - TRADITIONAL
At the mid hour of night with Timothy Roberts (conductor)
Avenging and bright with Timothy Roberts (conductor)
Come o'er the sea with Timothy Roberts (conductor)
Come, rest in this bosom with Timothy Roberts (conductor)
Dear harp of my country 'The Farewell to My Harp' with Timothy Roberts (conductor)
Erin! the smile and the tear in thine eyes with Timothy Roberts (conductor)
Fill the bumper fair! with Timothy Roberts (conductor)
Fly not yet with Timothy Roberts (conductor)
Girls, have you seen George? with Timothy Roberts (conductor)
How dear to me the hour with Timothy Roberts (conductor)
How sweet the answer Echo makes with Timothy Roberts (conductor)
John, heir of the glen with Timothy Roberts (conductor)
Joice's Tune with Timothy Roberts (conductor)
Love in secret with Timothy Roberts (conductor)
Rich and rare were the gems she wore with Timothy Roberts (conductor)
She is far from the land with Timothy Roberts (conductor)
Silent, oh Moyle! be the roar of thy water 'The Song of Fiionnulala' with Timothy Roberts (conductor)
The harp that once, thro' Tara's halls with Timothy Roberts (conductor)
The jointure with Timothy Roberts (conductor)
The Minstrel-Boy with Timothy Roberts (conductor)
The pretty girl milking the cows with Timothy Roberts (conductor)
The summer is coming with Timothy Roberts (conductor)
The twisting of the rope with Timothy Roberts (conductor)
The valley lay smiling before me 'The Song of O'Ruark, Prince of Breffni' with Timothy Roberts (conductor)
'Tis believed that this harp 'The Origin of the Harp' with Timothy Roberts (conductor)
'Tis the last rose of summer with Timothy Roberts (conductor)
What the bee is to the floweret with Timothy Roberts (conductor)
THOMAS ATTWOOD  (1765-1838)
Coronach with Timothy Roberts (conductor), Christopher Purves (bass), Frances Kelly (harp)
Ellen's Song with Timothy Roberts (conductor), Julia Gooding (soprano), Timothy Roberts (fortepiano)
The Soldier's Dream with Timothy Roberts (conductor), Rufus Müller (tenor), Frances Kelly (harp)
TURLOUGH CAROLAN  (1670-1738)
Abigail Judge with Timothy Roberts (conductor)
Carolan's Concerto with Timothy Roberts (conductor)
Lament for Owen O'Neill with Timothy Roberts (conductor)
Nanny McDermotroe with Timothy Roberts (conductor)
JOSEPH CORFE  (1740-1820)
Lady Anne Bothwell's Lament with Timothy Roberts (conductor)
WILLIAM BENSON EARLE  (1740-1796)
Go, rose! my Chloe's bosom grace with Julia Gooding (soprano), Rufus Müller (tenor), Charles Daniels (tenor), Christopher Purves (bass)
HENRY HARINGTON  (1727-1816)
Damon and Clora with Julia Gooding (soprano), Christopher Purves (bass)
Enchanting harmonist with Julia Gooding (soprano), Christopher Purves (bass)
Ode to the memory of Italian virtuosi with Julia Gooding (soprano), Ana-María Rincón (soprano), Charles Daniels (tenor), Christopher Purves (bass)
The lyre with Rufus Müller (tenor)
JOSEPH HAYDN  (1732-1809)
The spirit's song, Hob XXVIa:41 with Timothy Roberts (conductor), Charles Daniels (tenor), Timothy Roberts (fortepiano)
The wanderer, Hob XXVIa:32 with Timothy Roberts (conductor), Charles Daniels (tenor), Timothy Roberts (fortepiano)
SIR WILLIAM HERSCHEL  (1738-1822)
Sonata in D, Op 4 No 4
WILLIAM JACKSON  (1730-1803)
Could he whom my dissembled rigour grieves, Op 3 No 3 with Rufus Müller (tenor), Charles Daniels (tenor), Christopher Purves (bass)
Love in thine eyes for ever plays, Op 13 No 7 with Julia Gooding (soprano), Ana-María Rincón (soprano)
Sonata in A minor, Op 2 No 3
Where the bee sucks, Op 11 No 6 with Julia Gooding (soprano), Ana-María Rincón (soprano), Rufus Müller (tenor), Christopher Purves (bass)
WILLIAM KNYVETT  (1779-1856)
Jessie with Timothy Roberts (conductor)
THOMAS LINLEY  (1733-1795)
Ah! what avails the sprightly morn of life with Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
Alas, from the day my poor heart with Julia Gooding (soprano)
Awake, my lyre with Rufus Müller (tenor)
Fly to my aid, O mighty Love with Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
He who could first two gentle hearts unbind with Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
In thousand thoughts of love and thee with Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
Ye sportive loves, that round me wait with Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
THOMAS LINLEY  (1756-1778)
To heal the wound a bee had made with Rufus Müller (tenor)
WILLIAM LINLEY  (1771-1835)
Down in the gleamy vale with Timothy Roberts (conductor)
PHILIPPE-JACQUES MEYER  (1737-1819)
Duet in D minor on Scottish Airs with Timothy Roberts (conductor), Frances Kelly (harp), Timothy Roberts (fortepiano)
GEORGE FREDERICK PINTO  (1785-1806)
The Distress'd Mother with Timothy Roberts (conductor), Ana-María Rincón (soprano), Timothy Roberts (fortepiano)
JOHN STAFFORD SMITH  (1750-1836)
Blest pair of sirens with Timothy Roberts (conductor)
STEPHEN STORACE  (1762-1796)
Captivity with Timothy Roberts (conductor), Ana-María Rincón (soprano), Frances Kelly (harp)
SAMUEL WEBBE  (c1770-1843)
Love wakes and weeps with Timothy Roberts (conductor), Rufus Müller (tenor), Timothy Roberts (fortepiano)
The Death of the common soldier with Timothy Roberts (conductor), Julia Gooding (soprano), Timothy Roberts (fortepiano)
SAMUEL WESLEY  (1766-1837)
O sing unto me roundelaie with Timothy Roberts (conductor)
Alphabetical listing of all musical works
Abigail Judge (Carolan/Bunting)
Ah! what avails the sprightly morn of life (Linley Sr.)
Alas, from the day my poor heart (Linley Sr.)
At the mid hour of night (Anon/Stevenson)
Ave Maria! maiden mild!  First line to Ellen's Song (Attwood)
Avenging and bright (Anon/Stevenson)
Awake, my lyre (Linley Sr.)
Balow, my babe, lye still and sleep  First line to Lady Anne Bothwell's Lament (Corfe)
Blest pair of sirens (Smith)
Captivity (Storace)
Carolan's Concerto (Carolan/Bunting)
Come o'er the sea (Anon/Stevenson)
Come, rest in this bosom (Anon/Stevenson)
Coronach (Attwood)
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Damon and Clora (Harington)
Dear harp of my country 'The Farewell to My Harp' (Anon/Stevenson)
Down in the gleamy vale (Linley)
Duet in D minor on Scottish Airs (Meyer)
Ellen's Song (Attwood)
Enchanting harmonist (Harington)
Erin! the smile and the tear in thine eyes (Anon/Stevenson)
Fill the bumper fair! (Anon/Stevenson)
Fly not yet (Anon/Stevenson)
Fly to my aid, O mighty Love (Linley Sr.)
Girls, have you seen George? (Anon/Bunting)
Go, rose! my Chloe's bosom grace (Earle)
Hark! Hark, what I tell to thee  First line to The spirit's song, Hob XXVIa:41 (Haydn)
Hark! what I tell to thee  First line to The spirit's song, Hob XXVIa:41 (Haydn)
He is gone on the mountain  First line to Coronach (Attwood)
He who could first two gentle hearts unbind (Linley Sr.)
How dear to me the hour (Anon/Stevenson)
How sweet the answer Echo makes (Anon/Stevenson)
In thousand thoughts of love and thee (Linley Sr.)
It was a winter's evening, and fast came down the snow  First line to The Distress'd Mother (Pinto)
Jessie (Knyvett)
John, heir of the glen (Anon/Bunting)
Joice's Tune (Anon/Bunting)
Lady Anne Bothwell's Lament (Corfe)
Lament for Owen O'Neill (Carolan/Bunting)
Love in secret (Anon/Bunting)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Love wakes and weeps (Webbe Jr.)
My foes prevail, my friends are fled  First line to Captivity (Storace)
Nanny McDermotroe (Carolan/Bunting)
O sing unto me roundelaie (Wesley)
Ode to the memory of Italian virtuosi (Harington)
Of unrecorded name  First line to The Death of the common soldier (Webbe Jr.)
Our bugles sung truce, for the night cloud had lower'd  First line to The Soldier's Dream (Attwood)
Rich and rare were the gems she wore (Anon/Stevenson)
She is far from the land (Anon/Stevenson)
Silent, oh Moyle! be the roar of thy water 'The Song of Fiionnulala' (Anon/Stevenson)
Sonata in A minor, Op 2 No 3 (Jackson)
Sonata in D, Op 4 No 4 (Herschel)
The Death of the common soldier (Webbe Jr.)
The Distress'd Mother (Pinto)
The harp that once, thro' Tara's halls (Anon/Stevenson)
The jointure (Anon/Bunting)
The lyre (Harington)
The Minstrel-Boy (Anon/Stevenson)
The pretty girl milking the cows (Anon/Bunting)
The Soldier's Dream (Attwood)
The spirit's song, Hob XXVIa:41 (Haydn)
The summer is coming (Anon/Bunting)
The twisting of the rope (Anon/Bunting)
The valley lay smiling before me 'The Song of O'Ruark, Prince of Breffni' (Anon/Stevenson)
The wanderer, Hob XXVIa:32 (Haydn)
'Tis believed that this harp 'The Origin of the Harp' (Anon/Stevenson)
'Tis the last rose of summer (Anon/Stevenson)
To heal the wound a bee had made (Linley Jr.)
To wander alone when the moon, faintly beaming  First line to The wanderer, Hob XXVIa:32 (Haydn)
True-hearted was he, the sad swain o' the Yarrow  First line to Jessie (Knyvett)
What the bee is to the floweret (Anon/Stevenson)
Where the bee sucks, Op 11 No 6 (Jackson)
Ye sportive loves, that round me wait (Linley Sr.)
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