Hyperion Records

Artist Hyperion Records
Kirkby, Emma (soprano)
© Hanya Chlala

Emma Kirkby (soprano)

Originally, Emma Kirkby had no expectations of becoming a professional singer. As a classics student at Oxford and then a schoolteacher she sang for pleasure in choirs and small groups, always feeling at home most in Renaissance and Baroque repertoire. She joined the Taverner Choir in 1971 and in 1973 began her long association with the Consort of Musicke. Emma took part in the early Decca Florilegium recordings with both the Consort of Musicke and the Academy of Ancient Music, at a time when most college-trained sopranos were not seeking a sound appropriate for early music instruments. She therefore had to find her own approach, with enormous help from Jessica Cash in London, and from the directors, fellow singers and instrumentalists with whom she has worked over the years.

Emma feels privileged to have been able to build long term relationships with chamber groups and orchestras, in particular London Baroque, the Freiburger Barockorchester, L’Orfeo (of Linz) and the Orchestra of the Age of Enlightenment , and now with some of the younger groups – the Palladian Ensemble and Florilegium.

To date, she has made well over a hundred recordings of all kinds, from sequences of Hildegarde of Bingen to madrigals of the Italian and English Renaissance, cantatas and oratorios of the Baroque, works of Mozart, Haydn and J. C. Bach. In 1999 Emma was voted Artist of the Year by Classic FM Radio listeners, and in November 2000 she received the Order of the British Empire.

Despite all the recording activity, Emma still prefers live concerts, especially the pleasure of repeating programmes with colleagues; every occasion, every venue and every audience will combine to create something new from this wonderful repertoire.

The Consort of Musicke,

email consort@easynet.co.uk

Albums
'Arne: Dr Arne at Vauxhall Gardens' (CDA66237)
Arne: Dr Arne at Vauxhall Gardens
'Bach: Wedding Cantata & Hunt Cantata' (CDD22041)
Bach: Wedding Cantata & Hunt Cantata
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDD22041  2CDs Dyad (2 for the price of 1)  
'Benda: Cephalus and Aurora' (CDA66649)
Benda: Cephalus and Aurora
MP3 £3.50FLAC £3.50ALAC £3.50Buy by post £13.99 (ARCHIVE SERVICE) CDA66649  Archive Service   Download currently discounted
'Gothic Voices Gramophone Award Winners Collection' (CDS44251/3)
Gothic Voices Gramophone Award Winners Collection
MP3 £15.00FLAC £15.00ALAC £15.00Buy by post £16.50 CDS44251/3  3CDs Boxed set (at a special price)  
'Handel: Chandos Anthems Nos 7, 9 & 11a' (CDA67737)
Handel: Chandos Anthems Nos 7, 9 & 11a
'Handel: Essential Handel' (KING6)
Handel: Essential Handel
MP3 £4.50FLAC £4.50ALAC £4.50Buy by post £4.50 KING6  Super-budget price sampler — Last few CD copies remaining  
'Handel: Joshua' (CDA66461/2)
Handel: Joshua
'Handel: Judas Maccabaeus' (CDA66641/2)
Handel: Judas Maccabaeus
'Handel: Opera Arias' (CDS44271/3)
Handel: Opera Arias
MP3 £15.00FLAC £15.00ALAC £15.00Buy by post £16.50 CDS44271/3  3CDs Boxed set (at a special price)  
'Handel: Opera Arias and Overtures, Vol. 1' (CDA66860)
Handel: Opera Arias and Overtures, Vol. 1
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDA66860  Archive Service; also available on CDS44271/3  
'Handel: Opera Arias and Overtures, Vol. 2' (CDA67128)
Handel: Opera Arias and Overtures, Vol. 2
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDA67128  Archive Service; also available on CDS44271/3  
'Handel: The Rival Queens' (CDA66950)
Handel: The Rival Queens
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDA66950  Archive Service; also available on CDS44271/3  
'Handel: The Triumph of Time and Truth' (CDD22050)
Handel: The Triumph of Time and Truth
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDD22050  2CDs Dyad (2 for the price of 1)  
'Hildegard of Bingen: A feather on the breath of God' (CDA66039)
Hildegard of Bingen: A feather on the breath of God
'India & Monteverdi: Olympia's Lament' (CDA66106)
India & Monteverdi: Olympia's Lament
'Lawes: Sitting by the streams' (CDA66135)
Lawes: Sitting by the streams
MP3 £5.25FLAC £5.25ALAC £5.25Buy by post £13.99 (ARCHIVE SERVICE) CDA66135  Archive Service   Download currently discounted
'Machaut: The Mirror of Narcissus' (CDA66087)
Machaut: The Mirror of Narcissus
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'Madrigals and Wedding Songs for Diana' (CDA66019)
Madrigals and Wedding Songs for Diana
'Monteverdi & India: Olympia's Lament' (CDA66106)
Monteverdi & India: Olympia's Lament
'Monteverdi: Sacred vocal music' (CDH55345)
Monteverdi: Sacred vocal music
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55345  Helios (Hyperion's budget label)  
'O tuneful voice' (CDA66497)
O tuneful voice
'Purcell: Songs and Dialogues' (CDH55065)
Purcell: Songs and Dialogues
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55065  Helios (Hyperion's budget label)  
'The Emma Kirkby Collection' (CDA66227)
The Emma Kirkby Collection
Buy by post £10.50 This album is not yet available for download CDA66227 
'The Spirits of England & France, Vol. 2' (CDH55282)
The Spirits of England & France, Vol. 2
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55282  Helios (Hyperion's budget label)  
'Time stands still' (CDH55462)
Time stands still
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55462  Helios (Hyperion's budget label)  
'Vivaldi: Cantatas, Concertos & Magnificat' (CDH55190)
Vivaldi: Cantatas, Concertos & Magnificat
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £13.99 (ARCHIVE SERVICE) CDH55190  Helios (Hyperion's budget label) — Archive Service  
'Vivaldi: Opera Arias and Sinfonias' (CDH55279)
Vivaldi: Opera Arias and Sinfonias
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55279  Helios (Hyperion's budget label)  
'Ward: Sweet Philomel & other madrigals' (CDA66256)
Ward: Sweet Philomel & other madrigals
'The Essential Hyperion, Vol. 1' (HYP12)
The Essential Hyperion, Vol. 1
This album is not yet available for download HYP12  Super-budget price sampler — Deleted  
'The Essential Hyperion, Vol. 2' (HYP20)
The Essential Hyperion, Vol. 2
This album is not yet available for download HYP20  2CDs Super-budget price sampler — Deleted  
Complete works available for download
ANONYMOUS - MEDIEVAL
Donna pos vos ay chausida with Gothic Voices, Christopher Page (conductor), Christopher Page (lute)
ANONYMOUS - RENAISSANCE
Mignonne allons with Anthony Rooley (lute)
THOMAS ARNE  (1710-1778)
The lover's recantation with The Parley of Instruments, Roy Goodman (conductor)
The Morning with The Parley of Instruments, Roy Goodman (conductor)
JOHANN SEBASTIAN BACH  (1685-1750)
Was mir behagt, ist nur die muntre Jagd!, BWV208 with The Parley of Instruments, Roy Goodman (conductor)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 with The Taverner Players, Andrew Parrott (conductor)
GEORG BENDA  (1722-1795)
Belise starb, und sprach im Scheiden with Timothy Roberts (fortepiano)
Cephalus und Aurore with Timothy Roberts (fortepiano)
Das Andenken with Timothy Roberts (fortepiano)
Du fehlest mir, wie einsam und wie stille with Timothy Roberts (fortepiano)
Mein Geliebter hat versprochen with Timothy Roberts (fortepiano)
Mein Thyrsis! dürft ich dir doch sagen with Timothy Roberts (fortepiano)
THOMAS CAMPION  (1567-1620)
Come, cheerful day with Anthony Rooley (lute)
Move now with measured sound with The Consort of Musicke, Anthony Rooley (director)
Now hath Flora robbed her bowers with The Consort of Musicke, Anthony Rooley (director)
Though you are young and I am old with Anthony Rooley (lute)
JOHN DANYEL  (1564-1626)
He whose desires are still abroad with Anthony Rooley (lute)
Time, cruel Time with Anthony Rooley (lute)
JOHN DOWLAND  (1563-1626)
Far from triumphing court with Anthony Rooley (lute)
Flow not so fast, ye fountains with Anthony Rooley (lute)
His golden locks Time hath to silver turned with Anthony Rooley (lute)
It was a time when silly bees could speak with Anthony Rooley (lute)
Time stands still with Anthony Rooley (lute)
MICHAEL EAST  (1580-1648)
You meaner beauties of the night with The Consort of Musicke, Anthony Rooley (director)
THOMAS FORD  (d1648)
Go, passions, to the cruel fair with Anthony Rooley (lute)
THOMAS GILES  (?-?)
Triumph now with joy and mirth with The Consort of Musicke, Anthony Rooley (director)
GUIBERT KAUKESEL  (fl c1230-1255)
Un chant novel with Gothic Voices, Christopher Page (conductor), Nick Bicat (percussion)
GEORGE FRIDERIC HANDEL  (1685-1759)
Joshua with The King's Consort, Robert King (conductor)
Judas Maccabaeus with The King's Consort, Robert King (conductor)
Let God arise 'Chandos Anthem No 11a', HWV256a with Trinity College Choir Cambridge, Academy of Ancient Music, Stephen Layton (conductor)
My song shall be alway 'Chandos Anthem No 7', HWV252 with Trinity College Choir Cambridge, Academy of Ancient Music, Stephen Layton (conductor)
O praise the Lord with one consent 'Chandos Anthem No 9', HWV254 with Trinity College Choir Cambridge, Academy of Ancient Music, Stephen Layton (conductor)
The Triumph of Time and Truth, HWV71 with The London Handel Orchestra, Denys Darlow (conductor)
GEORGE HANDFORD  (1582/5-1647)
Now each creature with Anthony Rooley (lute)
JOSEPH HAYDN  (1732-1809)
O tuneful voice, Hob XXVIa:42 with Timothy Roberts (fortepiano)
SAINT HILDEGARD OF BINGEN  (1098-1179)
Columba aspexit with Gothic Voices, Christopher Page (conductor)
O Jerusalem with Gothic Voices, Christopher Page (conductor)
SIGISMONDO D'INDIA  (c1582-c1629)
Amico hai vint'io with Anthony Rooley (chitarrone)
Diana 'Questo dardo, quest' arco' with Anthony Rooley (chitarrone)
Lamento d'Olimpia with Anthony Rooley (chitarrone)
Piangono al pianger mio with Anthony Rooley (chitarrone)
Sfere fermate with Anthony Rooley (chitarrone)
Torna il sereno zefiro with Anthony Rooley (chitarrone)
WILLIAM JACKSON  (1730-1803)
Time has not thinn'd my flowing hair with Rufus Müller (tenor), Frances Kelly (harp)
NICHOLAS LANIER  (1588-1666)
The Marigold with Anthony Rooley (lute)
HENRY LAWES  (1596-1662)
A Dialogue with Evelyn Tubb (soprano), Anthony Rooley (lute)
The Lark with Anthony Rooley (lute)
The Mournful Lovers with Anthony Rooley (lute)
WILLIAM LAWES  (1602-1645)
Gather your rosebuds while you may with Anthony Rooley (lute)
THOMAS LINLEY  (1733-1795)
The lark sings high in the cornfield with Timothy Roberts (harpsichord/spinet/virginals)
Think not, my love, when secret grief with Frances Kelly (harp)
THOMAS LUPO  (d1628)
Shows and nightly revels with The Consort of Musicke, Anthony Rooley (director)
Time, that leads the fatal round with The Consort of Musicke, Anthony Rooley (director)
GUILLAUME DE MACHAUT  (c1300-1377)
Dame, a vous sans retollir
Foy porter, honneur garder
CLAUDIO MONTEVERDI  (1567-1643)
Confitebor tibi Domine 'Alla francese', SV267 with The Parley of Instruments, Roy Goodman (conductor), Peter Holman (conductor)
Confitebor tibi Domine, SV194 with Ian Partridge (tenor), The Parley of Instruments
Confitebor tibi Domine, SV266 with Ian Partridge (tenor), David Thomas (bass), The Parley of Instruments
Deus tuorum militum, SV280 with Ian Partridge (tenor), David Thomas (bass), The Parley of Instruments
Lamento d'Olimpia with Anthony Rooley (chitarrone)
Maledetto sia l'aspetto with Anthony Rooley (chitarrone)
Nisi Dominus, SV200 with Ian Partridge (tenor), David Thomas (bass), The Parley of Instruments
Ohime ch'io cado with Anthony Rooley (chitarrone)
Quel sguardo sdegnosetto with Anthony Rooley (chitarrone)
Voglio di vita uscir with Anthony Rooley (chitarrone)
GEORGE FREDERICK PINTO  (1785-1806)
Eloisa to Abelard with Timothy Roberts (fortepiano)
Invocation to Nature with Timothy Roberts (fortepiano)
HENRY PURCELL  (1659-1695)
Go, tell Amynta, gentle swain, Z489 with David Thomas (bass), Anthony Rooley (lute)
Hence, fond deceiver 'Love and despair', Z492 with David Thomas (bass), Anthony Rooley (lute)
In all our Cynthia's shining sphere, Z496 with David Thomas (bass), Anthony Rooley (lute)
In some kind dream, Z497 with David Thomas (bass), Anthony Rooley (lute)
Lost is my quiet for ever, Z502 with David Thomas (bass), Anthony Rooley (lute)
Stript of their green our groves appear, Z444 with Anthony Rooley (lute)
What can we poor females do?, Z518 with David Thomas (bass), Anthony Rooley (lute)
Why, my Daphne, why complaining?, Z525 with David Thomas (bass), Anthony Rooley (lute)
PHILIP ROSSETER  (1567/8-1623)
What then is love but mourning? with Anthony Rooley (lute)
JOHANN PETER SALOMON  (1745-1815)
Why still before these streaming eyes with Timothy Roberts (fortepiano)
WILLIAM SHIELD  (1748-1829)
Hope and love with Timothy Roberts (harpsichord/spinet/virginals)
'Tis only no harm to know it, you know with Timothy Roberts (fortepiano)
STEPHEN STORACE  (1762-1796)
The curfew with Frances Kelly (harp)
ANTONIO VIVALDI  (1678-1741)
In turbato mare, RV627 with Tafelmusik Baroque Orchestra, Jean Lamon (conductor)
Lungi dal vago volto, RV680 with Tafelmusik Baroque Orchestra, Jean Lamon (conductor)
JOHN WARD  (1571-1638)
Come, sable night with The Consort of Musicke
Cruel unkind with The Consort of Musicke
Die not, fond man with The Consort of Musicke
Hope of my heart with The Consort of Musicke
I have entreated with The Consort of Musicke
If heaven's just wrath with The Consort of Musicke
If the deep sighs with The Consort of Musicke
Oft have I tender'd with The Consort of Musicke
Out from the vale with The Consort of Musicke
Retire, my troubled soul with The Consort of Musicke
Sweet Philomel with The Consort of Musicke
Alphabetical listing of all musical works
A Dialogue (Lawes)
Admeto, Re di Tessaglia, HWV22 (Handel)
Agitata da due venti (Costanza)  Act 2 Scene 2 of Griselda (Vivaldi)
Ah! Ruggiero crudel, tu non mi amasti! (Alcina)  Act 3 Scene 13, Aria of Alcina, HWV34 (Handel)
Ah! spietato! e non ti muove (Melissa)  Act 1, Aria of Amadigi di Gaula, HWV11 (Handel)
Ah, sommi dei, cui la giustizia arruota  First line to Perché viva il caro sposa (Esilena), Act 3, Aria of Rodrigo, HWV5 (Handel)
Al lampo dell'armi (Cesare)  Act 2, Aria from Giulio Cesare in Egitto, HWV17 (Handel)
Alcina, HWV34 (Handel)
Alessandro, HWV21 (Handel)
Almira, HWV1 (Handel)
Amadigi di Gaula, HWV11 (Handel)
Amico hai vint'io (India)
Amphitryon, or The Two Sosias, Z572 (Purcell)
An Ode upon dedicating a building to Shakespeare (Arne)
Arianna in Creta, HWV32 (Handel)
As Amoret and Thyrsis lay  Movement of The Old Batchelor, Z607 (Purcell)
Aure, fonti, ombre gradite (Rossane)  Act 2, Aria of Alessandro, HWV21 (Handel)
Belise starb, und sprach im Scheiden (Benda)
Berenice, Regina d'Egitto, HWV38 (Handel)
Cara sposa (Rinaldo)  Act 1, Aria from Rinaldo, HWV7a (Handel)
Caro padre, a me non dei  Act 1 Scene 3, Aria of Ezio, HWV29 (Handel)
Catone in Utica (Vivaldi)
Cephalus und Aurore (Benda)
Che tirannia d'amor! (Lisaura)  Act 2, Aria of Alessandro, HWV21 (Handel)
Chi t'intende? o cieca instabile! (Berenice)  Act 3 Scene 4, Aria of Berenice, Regina d'Egitto, HWV38 (Handel)
Columba aspexit (Hildegard of Bingen)
Come, cheerful day (Campion)
Come, sable night (Ward)
Come, sad Turtle, mateless moaning  First line to The Mournful Lovers (Lawes)
Confitebor tibi Domine 'Alla francese', SV267 (Monteverdi)
Confitebor tibi Domine, SV194 (Monteverdi)
Confitebor tibi Domine, SV266 (Monteverdi)
Cor di padre, e cor d' amante (Asteria)  Act 3, Aria of Tamerlano, HWV18 (Handel)
Correte pur a fiumi, amare lacrime  First line to Vorrei, né pur saprei (Elmira), Act 3 Scene 8, Aria of Sosarme, Re di Media, HWV30 (Handel)
Cruel unkind (Ward)
Dame, a vous sans retollir (Machaut)
Das Andenken (Benda)
Deidamia, HWV42 (Handel)
Desterò dall' empia Dite (Melissa)  Act 2, Aria of Amadigi di Gaula, HWV11 (Handel)
Deus tuorum militum, SV280 (Monteverdi)
Diana 'Questo dardo, quest' arco' (India)
Dica il falso, dica il vero (Rossane)  Act 2, Aria of Alessandro, HWV21 (Handel)
Die Lüfte deckte noch der dunkle Flor der Nacht  First line to Cephalus und Aurore (Benda)
Die not, fond man (Ward)
Dite pace, e fulminate (Elmira)  Act 1 Scene 9, Aria of Sosarme, Re di Media, HWV30 (Handel)
Donna pos vos ay chausida (Anon)
Drey Sommer grünet mir bereits  First line to Das Andenken (Benda)
Du fehlest mir, wie einsam und wie stille (Benda)
Eloisa to Abelard (Pinto)
Ezio, HWV29 (Handel)
Fair Iris and her swain  Movement of Amphitryon, or The Two Sosias, Z572 (Purcell)
Fairest isle, all isles excelling  Act 5, Song of King Arthur, or The British Worthy, Z628 (Purcell)
Far from triumphing court (Dowland)
Father of heav'n! From thy eternal throne (Priest)  Act 3 No 1, Air from Judas Maccabaeus (Handel)
Ferma, Teodosio (Atenaide)  Act 3 Scene 7 of L'Atenaide (Vivaldi)
Flow not so fast, ye fountains (Dowland)
Fonti amiche, aure leggiere (Seleuce)  Act 1, Aria of Tolomeo, Re di Egitto, HWV25 (Handel)
For love ev'ry creature is formed by his nature  Movement of King Arthur, or The British Worthy, Z628 (Purcell)
Foy porter, honneur garder (Machaut)
Gather your rosebuds while you may (Lawes)
Gelosia, tu già rendi l'alma mia (Caio)  Act 1 Scene 11 of Ottone in villa (Vivaldi)
Giulio Cesare in Egitto, HWV17 (Handel)
Go, passions, to the cruel fair (Ford)
Go, tell Amynta, gentle swain, Z489 (Purcell)
Griselda (Vivaldi)
He whose desires are still abroad (Danyel)
Hence, fond deceiver 'Love and despair', Z492 (Purcell)
His golden locks Time hath to silver turned (Dowland)
Hope and love (Shield)
Hope of my heart (Ward)
I have entreated (Ward)
I'd fain ask you a this, but in pops a that  First line to 'Tis only no harm to know it, you know (Shield)
If heaven's just wrath (Ward)
If the deep sighs (Ward)
Il crudel m' abbandona, e mi detesta  First line to Ah! spietato! e non ti muove (Melissa), Act 1, Aria of Amadigi di Gaula, HWV11 (Handel)
In all our Cynthia's shining sphere, Z496 (Purcell)
In some kind dream, Z497 (Purcell)
In turbato mare, RV627 (Vivaldi)
Invocation to Nature (Pinto)
Io ti levo l'impero dell'armi (Partenope)  Act 1 Scene 11 of Partenope, HWV27 (Handel)
It was a time when silly bees could speak (Dowland)
Joshua (Handel)
Judas Maccabaeus (Handel)
King Arthur, or The British Worthy, Z628 (Purcell)
La sorte mia vacilla (Antigona)  Act 2, Aria of Admeto, Re di Tessaglia, HWV22 (Handel)
Lamento d'Olimpia (India)
Lamento d'Olimpia (Monteverdi)
L'Atenaide (Vivaldi)
L'aura non sempre (Laodice)  Act 2, Aria of Siroe, Re di Persia, HWV24 (Handel)
Let God arise 'Chandos Anthem No 11a', HWV256a (Handel)
Let us dance, let us sing  Song of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
L'incoronazione di Dario (Vivaldi)
L'ombre, L'aure, e ancora il rio (Caio)  Act 2 Scene 3 of Ottone in villa (Vivaldi)
Lost is my quiet for ever, Z502 (Purcell)
Lotario, HWV26 (Handel)
Lungi dal vago volto, RV680 (Vivaldi)
Maledetto sia l'aspetto (Monteverdi)
Mark how the blushful morn  First line to The Marigold (Lanier)
Mein Geliebter hat versprochen (Benda)
Mein Thyrsis! dürft ich dir doch sagen (Benda)
M'hai resa infelice (Deidamia)  Act 3 Scene 2, Aria of Deidamia, HWV42 (Handel)
Mi deride l'amante  First line to Desterò dall' empia Dite (Melissa), Act 2, Aria of Amadigi di Gaula, HWV11 (Handel)
Mignonne allons (Anon)
Move now with measured sound (Campion)
My song shall be alway 'Chandos Anthem No 7', HWV252 (Handel)
Nature! sweet mistress of the pensive mind  First line to Invocation to Nature (Pinto)
Nel mondo e nell'abisso (Isacio)  Act 3 Scene 4, Aria from Riccardo Primo, Re d'Inghilterra, HWV23 (Handel)
Nisi Dominus, SV200 (Monteverdi)
No, più soffrir non voglio (Lisaura)  Act 1, Aria of Alessandro, HWV21 (Handel)
Non mi lusinga vana speranza (Oronte)  Act 2 Scene 6 of L'incoronazione di Dario (Vivaldi)
Non ti lusinghi la crudeltade (Lucio)  Act 2 Scene 1 of Tito Manlio (Vivaldi)
Non vi piacque, ingiusti dei (Emira)  Act 2, Aria of Siroe, Re di Persia, HWV24 (Handel)
Now each creature (Handford)
Now hath Flora robbed her bowers (Campion)
O diva Ecate, sian d'effetto vuoti  First line to Dite pace, e fulminate (Elmira), Act 1 Scene 9, Aria of Sosarme, Re di Media, HWV30 (Handel)
O Jerusalem (Hildegard of Bingen)
O liberty, thou choicest treasure (Israelitish woman)  Act 1 No 14, Air of Judas Maccabaeus (Handel)
O praise the Lord with one consent 'Chandos Anthem No 9', HWV254 (Handel)
O tuneful voice, Hob XXVIa:42 (Haydn)
Oft have I tender'd (Ward)
Ohime ch'io cado (Monteverdi)
Ombre vane, ingiusti orrori (Costanza)  Act 3 Scene 5 of Griselda (Vivaldi)
Ombre, piante, urne funeste! (Rodelinda)  Act 1, Aria of Rodelinda, regina de' Longobardi, HWV19 (Handel)
Or la tromba – Battaglia (Rinaldo)  Act 3, Aria from Rinaldo, HWV7a (Handel)
Or la tromba (Rinaldo)  Act 3, Aria from Rinaldo, HWV7a (Handel)
Ottone in villa (Vivaldi)
Out from the vale (Ward)
Partenope, HWV27 (Handel)
Pena tiranna (Dardano)  Act 2, Aria from Amadigi di Gaula, HWV11 (Handel)
Perché viva il caro sposa (Esilena)  Act 3, Aria of Rodrigo, HWV5 (Handel)
Piangono al pianger mio (India)
Placa l'alma (Rossane/Lisaura)  Act 1, Aria of Alessandro, HWV21 (Handel)
Quando non vede la cara madre (Pulcheria)  Act 3, Aria of Riccardo Primo, Re d'Inghilterra, HWV23 (Handel)
Quanto più fien tenaci  First line to Scherz in mar la navicella (Adelaide), Act 1 Scene 9, Aria of Lotario, HWV26 (Handel)
Quel sguardo sdegnosetto (Monteverdi)
Quest'è dunque la fede? (Alceste)  Act 2, Recitative of Admeto, Re di Tessaglia, HWV22 (Handel)
Retire, my troubled soul (Ward)
Riccardo Primo, Re d'Inghilterra, HWV23 (Handel)
Rinaldo, HWV7a (Handel)
Rodelinda, regina de' Longobardi, HWV19 (Handel)
Rodrigo, HWV5 (Handel)
Scherz in mar la navicella (Adelaide)  Act 1 Scene 9, Aria of Lotario, HWV26 (Handel)
Scipione, HWV20 (Handel)
Scoglio d' immota fronte (Berenice)  Act 2, Aria of Scipione, HWV20 (Handel)
Se in campo armato (Cesare)  Act 2 Scene 9 of Catone in Utica (Vivaldi)
Se mai senti spirarti sul volto (Cesare)  Act 2 Scene 5 of Catone in Utica (Vivaldi)
See, the conqu'ring hero comes! (Chorus of youths/Chorus of virgins)  Act 3 No 5, Chorus of Judas Maccabaeus (Handel)
Sfere fermate (India)
Shows and nightly revels (Lupo)
Sibilar gli angui d'Aletto (Argante)  Act 1 No 10, Aria from Rinaldo, HWV7a (Handel)
Since from my dear Astrea's sight  Song of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
Sinfonia in F, BWV1046a: Allegro  Movement 1 of Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach)
Sinfonia in F, BWV1046a: Menuetto  Movement 17 of Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach)
Siroe, Re di Persia, HWV24 (Handel)
Solemn March during the circumvection of the Ark of the Covenant  Act 2 No 2 of Joshua (Handel)
Son qual stanco pellegrino (Alceste)  Act 2 Scene 2, Aria of Arianna in Creta, HWV32 (Handel)
Song Tune 'Fairest Isle'  Suite Movement 4 of King Arthur, or The British Worthy, Z628 (Purcell)
Song Tune 'How blest are shepherds'  Suite Movement 7 of King Arthur, or The British Worthy, Z628 (Purcell)
Song Tune 'Let the soldiers rejoice'  Suite Movement 3 of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
Song Tune 'Round thy coasts'  Suite Movement 9 of King Arthur, or The British Worthy, Z628 (Purcell)
Soon as the letters trembling I unclose  First line to Eloisa to Abelard (Pinto)
Sosarme, Re di Media, HWV30 (Handel)
Still I'm wishing  Song Tune of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
Stript of their green our groves appear, Z444 (Purcell)
Sweet Philomel (Ward)
Swift through the yielding air  First line to The Lark (Lawes)
Symphony in C major  Act 5 of King Arthur, or The British Worthy, Z628 (Purcell)
Tamerlano, HWV18 (Handel)
Tell me why, my charming fair  Movement of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
The curfew (Storace)
The Desert Island (Arne)
The glittering sun begins to rise  First line to The glitt'ring sun, Extract of The Morning (Arne)
The glitt'ring sun  Extract of The Morning (Arne)
The kind appointment Celia made  First line to The lover's recantation (Arne)
The Lark (Lawes)
The lark sings high in the cornfield (Linley Sr.)
The lover's recantation (Arne)
The Marigold (Lanier)
The Morning (Arne)
The Mournful Lovers (Lawes)
The Old Batchelor, Z607 (Purcell)
The Prophetess, or The History of Dioclesian, Z627 (Purcell)
The Triumph of Time and Truth, HWV71 (Handel)
Think not, my love, when secret grief (Linley Sr.)
This mossy bank they prest  First line to A Dialogue (Lawes)
Thou soft flowing Avon  Song of An Ode upon dedicating a building to Shakespeare (Arne)
Though you are young and I am old (Campion)
Ti pentirai, crudel, d'aver offeso (Elisa)  Act 3, Aria of Tolomeo, Re di Egitto, HWV25 (Handel)
Time has not thinn'd my flowing hair (Jackson)
Time stands still (Dowland)
Time, cruel Time (Danyel)
Time, that leads the fatal round (Lupo)
'Tis only no harm to know it, you know (Shield)
Tito Manlio (Vivaldi)
Tolomeo, Re di Egitto, HWV25 (Handel)
Torna il sereno zefiro (India)
Triumph now with joy and mirth (Giles)
Un chant novel (Guibert Kaukesel)
V' adoro, pupille (Cleopatra)  Act 2, Sinfonia and Aria of Giulio Cesare in Egitto, HWV17 (Handel)
Va tacito e nascosto (Cesare)  Act 1, Aria from Giulio Cesare in Egitto, HWV17 (Handel)
Vedrai s' a tuo dispetto (Almira)  Act 3, Aria of Almira, HWV1 (Handel)
Vedrò fra poco (Alceste)  Act 2, Aria of Admeto, Re di Tessaglia, HWV22 (Handel)
Venti turbini (Rinaldo)  Act 1, Aria from Rinaldo, HWV7a (Handel)
Verdi prati (Ruggiero)  Act 2, Aria from Alcina, HWV34 (Handel)
Vo' far guerra, e vincer voglio (Armida)  Act 2, Aria of Rinaldo, HWV7a (Handel)
Voglio di vita uscir (Monteverdi)
Vorrei, né pur saprei (Elmira)  Act 3 Scene 8, Aria of Sosarme, Re di Media, HWV30 (Handel)
Was mir behagt, ist nur die muntre Jagd!, BWV208 (Bach)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 (Bach)
What can we poor females do?, Z518 (Purcell)
What shall I do to show how much I love her?  Song of The Prophetess, or The History of Dioclesian, Z627 (Purcell)
What then is love but mourning? (Rosseter)
What tho' his guilt  Song of The Desert Island (Arne)
When love was a stranger  First line to Hope and love (Shield)
Why still before these streaming eyes (Salomon)
Why, my Daphne, why complaining?, Z525 (Purcell)
You meaner beauties of the night (East)
You say 'tis love  Movement of King Arthur, or The British Worthy, Z628 (Purcell)
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