Hyperion Records

Artist Hyperion Records
Hobbs, Thomas (tenor)
© Portia Crossley

Thomas Hobbs (tenor)

Born in Exeter, Thomas Hobbs graduated in history from King’s College London. He was awarded the RCM Peter Pears Scholarship at the Royal College of Music and recently completed his formal studies at Royal Academy Opera.

An associate artist of the Classical Opera Company, Thomas made his Royal Academy Opera début as Fileno in Haydn’s La fedelta premiata, conducted by Trevor Pinnock, and has subsequently made debuts with English National Opera (Telemaco, Monteverdi The Return of Ulysses) and with Bordeaux Opera (Handel Messiah). Other engagements include the title role in Arne’s Alfred, Tempo in Handel’s Il Trionfo del Tempo e del Dinsinganno (both Classical Opera Company) and the title role in Britten’s Albert Herring (Royal Academy Opera).

On the concert platform, highlights include Mozart C Minor Mass on tour in Italy (Frans Bruggen), Bach B Minor Mass in Europe and the Far East (Philippe Herreweghe/Collegium Vocale), Bach St Matthew Passion in Europe and the USA (also with Herreweghe), Handel Messiah (Helmut Rilling/Bachakademie Stuttgart), Britten Nocturne (Paul McCreesh/Stavanger Symphony Orchestra), Handel Joshua (Hans-Christoph Rademann/Akademie fur Alte Musik Berlin) and Handel Israel in Egypt (Frieder Bernius/Stuttgart Kammerchor). Closer to home, his engagements have included Bach St Matthew Passion (Stephen Cleobury/King’s College Cambridge), Handel Messiah (Northern Sinfonia, Royal Scottish National Orchestra, City or Birmingham Symphony Orchestra and Bournemouth Symphony Orchestra) and a programme of Haydn arias at the Wigmore Hall (Classical Opera Company).

His growing discography includes the role of Damon in Handel Acis and Galatea (Dunedin Consort/John Butt), Bach B Minor Mass (also Dunedin Consort) and Monteverdi Vespers (New College Oxford/Edward Higginbottom).

'Byrd: Laudibus in sanctis & other sacred music' (CDA67568)
Byrd: Laudibus in sanctis & other sacred music
Buy by post £10.50 CDA67568 
'Fire burning in snow' (CDA67600)
Fire burning in snow
Buy by post £10.50 CDA67600 
'Fire burning in snow – Baroque Music from Latin America' (SACDA67600)
Fire burning in snow – Baroque Music from Latin America
Buy by post £10.50 SACDA67600  Super-Audio CD  
'Handel: Chandos Anthems Nos 5a, 6a & 8' (CDA67926)
Handel: Chandos Anthems Nos 5a, 6a & 8
Buy by post £10.50 CDA67926  Studio Master FLAC & ALAC downloads available
On other labels
'Bach: Mass in B minor' (CKD354)
Bach: Mass in B minor
CKD354  Download only  
'Handel: Acis and Galatea' (CKD319)
Handel: Acis and Galatea
CKD319  Download only  
'Handel: Esther' (CKD397)
Handel: Esther
CKD397  Download only  
'Mozart: Requiem' (CKD449)
Mozart: Requiem
CKD449  Download only  
Alphabetical listing of all musical works
¡A, del cielo! (Araujo)
Acis and Galatea, HWV49a (Handel)
Alleluia. Ave Maria … in mulieribus. Alleluia. Virga Iesse (Byrd)
Apparebit in finem (Byrd)
As pants the hart 'Chandos Anthem No 6a', HWV251b (Handel)
Beata es, Virgo Maria (Byrd)
Beata viscera (Byrd)
Domine, exaudi orationem meam, inclina (Byrd)
Dona nobis pacem  Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 5, Chorus of Mass in B minor, BWV232 (Bach)
Esther, HWV50a (Handel)
Gloria in excelsis Deo & Et in terra pax  Part 1 Missa No 4 & 5 of Mass in B minor, BWV232 (Bach)
How can I stay, when love invites? (Assuerus)  Act 2 Scene 2 No 5, Air from Esther, HWV50a (Handel)
I rage, I melt, I burn! (Polyphemus)  Part 2 No 2, Accompagnato from Acis and Galatea, HWV49a (Handel)
I will magnify thee, O God 'Chandos Anthem No 5a', HWV250a (Handel)
Mass in B minor, BWV232 (Bach)
Now persecution shall lay by her iron rod – Tune your harps to cheerful strains (1st Israelite)  Act 1 Scene 2 Nos 1-2, Recitative – Aria from Esther, HWV50a (Handel)
O come, let us sing unto the Lord 'Chandos Anthem No 8', HWV253 (Handel)
O ruddier than the cherry (Polyphemus)  Part 2 No 3, Air from Acis and Galatea, HWV49a (Handel)
Requiem, K626 (Mozart/Süssmayr)
Salve sancta parens (Byrd)
Tribulatio proxima est (Byrd)
Unam petii a Domino (Byrd)
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