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Hyperion Records

Artist Hyperion Records

Christine Barratt (soprano)

Albums
'Brahms: Motets' (CDH55346)
'Mendelssohn: Choral Music' (CDH55268)
'Vaughan Williams: Choral Works' (CDS44321/4)
'Vaughan Williams: The Pilgrim's Progress' (CDA66511)
Complete works available for download
JOHANNES BRAHMS  (1833-1897)
Three Sacred Choruses, Op 37 with Corydon Singers, Matthew Best (conductor)
FELIX MENDELSSOHN  (1809-1847)
Ave Maria, Op 23 No 2 with Rogers Covey-Crump (tenor), Janey Mackenzie (soprano), Joya Logan (alto), Jenny Youde (alto), Robin Mace (tenor), Julian Walker (bass), Kenneth Roles (bass), Corydon Singers, John Scott (organ), English Chamber Orchestra, Matthew Best (conductor)
Ehre sei Gott in der Höhe, Op posth. with Corydon Singers, Matthew Best (conductor)
Mein Gott, warum hast du mich verlassen?, Op 78 No 3 with John Bowen (tenor), Joya Logan (alto), Keith Parker (tenor), Julian Walker (bass), Kenneth Roles (bass), Corydon Singers, Matthew Best (conductor)
Sechs Sprüche, Op 79 with Corydon Singers, Matthew Best (conductor)
Warum toben die Heiden?, Op 78 No 1 with Janey Mackenzie (soprano), Joya Logan (alto), Jenny Youde (alto), John Bowen (tenor), Keith Parker (tenor), Kenneth Roles (bass), Graham Dinnage (bass), Corydon Singers, Matthew Best (conductor)
RALPH VAUGHAN WILLIAMS  (1872-1958)
The Pilgrim's Progress with Sir John Gielgud (speaker), City of London Sinfonia, Matthew Best (conductor)
Alphabetical listing of all musical works
Ave Maria, Op 23 No 2 (Mendelssohn)
Ehre sei Gott in der Höhe, Op posth. (Mendelssohn)
Mein Gott, warum hast du mich verlassen?, Op 78 No 3 (Mendelssohn)
Sechs Sprüche, Op 79 (Mendelssohn)
The Pilgrim's Progress (Vaughan Williams/Palmer)
Three Sacred Choruses, Op 37 (Brahms)
Warum toben die Heiden?, Op 78 No 1 (Mendelssohn)
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