Albums
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Complete works available for download |
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Degentis vita / Cum vix artidici / Tenor / Contratenor
with Gothic Voices, Christopher Page (conductor)
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Hec dies quam fecit Dominus
with Gothic Voices, Christopher Page (conductor)
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In natali novi regis
with Gothic Voices, Christopher Page (conductor)
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In salvatoris / Ce fu en tres douz tens / In veritate / VERITATEM
with Gothic Voices, Christopher Page (conductor)
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Invocantes Dominum / Psalm 'Deus, qui venerunt'
with Gothic Voices, Christopher Page (conductor)
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Licet eger cum egrotis
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Pascha nostrum
with Gothic Voices, Christopher Page (conductor)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS
with Gothic Voices, Christopher Page (conductor)
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Quant voi le douz tans / En mai / [Immo]LATUS
with Gothic Voices, Christopher Page (conductor)
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Rerum Deus conditor
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Salve regina
with Gothic Voices, Christopher Page (conductor)
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Sanctus
with Gothic Voices, Christopher Page (conductor)
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Soit tart, tempre, main ou soir
with Gothic Voices, Christopher Page (conductor)
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Te Deum
with Gothic Voices, Christopher Page (conductor)
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Tronus regis instauratur
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Chloe found Amyntas lying all in tears 'Rondelay'
with Red Byrd, The Parley of Instruments, John Potter (tenor), Richard Wistreich (bass)
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Gloria Patri, qui creavit nos
with Red Byrd, The Parley of Instruments, Suzie Le Blanc (soprano), Geraldine McGreevy (soprano), John Potter (tenor), Richard Wistreich (bass)
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Ode on the death of Mr Henry Purcell
with Rogers Covey-Crump (tenor), The Parley of Instruments Baroque Orchestra, Peter Holman (conductor)
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Poor Celadon, he sighs in vain 'Loving above himself'
with Red Byrd, The Parley of Instruments
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Salvator mundi, salva nos
with Red Byrd, The Parley of Instruments, Suzie Le Blanc (soprano), Geraldine McGreevy (soprano), John Potter (tenor), Richard Wistreich (bass)
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Sing, ye muses 'Epilogue'
with Red Byrd, The Parley of Instruments, Suzie Le Blanc (soprano), Geraldine McGreevy (soprano), John Potter (tenor), Richard Wistreich (bass)
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Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo'
with Red Byrd, The Parley of Instruments, John Potter (tenor)
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Mon seul voloir / Certes m'amour
with Gothic Voices, Christopher Page (conductor)
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Come, come along for a dance and a song
with Ruth Holton (soprano), Simon Birchall (bass), The Parley of Instruments Choir, The Parley of Instruments Baroque Orchestra, Roy Goodman (conductor)
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Ce jour de l'an
with Gothic Voices, Christopher Page (conductor)
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Now the earth, the skies, the air
with Libby Crabtree (soprano), Nigel Short (countertenor), Adrian Peacock (bass), David Miller (lute), Jacob Heringman (lute), Mark Caudle (viol)
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What delight can they enjoy
with Libby Crabtree (soprano), Nigel Short (countertenor), Matthew Vine (tenor)
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Je requier a tous amoureux
with Gothic Voices, Christopher Page (conductor)
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Go, rose! my Chloe's bosom grace
with Invocation, Julia Gooding (soprano), Rufus Müller (tenor), Christopher Purves (bass)
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Cantiam di Dio
with The King's Consort, Robert King (conductor), Charles Humphries (countertenor)
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Kyrie, C71-73
with The King's Consort, Robert King (conductor), Bernhard Landauer (countertenor)
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The Beggar's Opera
with The Broadside Band, Jeremy Barlow (conductor)
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Hearken unto me, ye holy children
with The King's Consort, Robert King (conductor)
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Alexander Balus
with The King's Consort, Robert King (conductor)
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The Choice of Hercules, HWV69
with The King's Consort, Robert King (conductor)
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Ode to the memory of Italian virtuosi
with Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano), Christopher Purves (bass)
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The spirit's song, Hob XXVIa:41
with Invocation, Timothy Roberts (conductor), Timothy Roberts (fortepiano)
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The wanderer, Hob XXVIa:32
with Invocation, Timothy Roberts (conductor), Timothy Roberts (fortepiano)
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Could he whom my dissembled rigour grieves, Op 3 No 3
with Invocation, Rufus Müller (tenor), Christopher Purves (bass)
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Ach Herr, strafe mich nicht in deinem Zorn
with The King's Consort, Robert King (conductor)
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Die Turteltaube lässt sich hören
with The King's Consort, Robert King (conductor)
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Jesus Christus, unser Heiland
with The King's Consort, Robert King (conductor)
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Super flumina Babylonis
with The King's Consort, Robert King (conductor)
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Vom Himmel hoch, da komm ich her
with The King's Consort, Robert King (conductor)
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Was mein Gott will, das gescheh allzeit
with The King's Consort, Robert King (conductor)
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Gott, sei mir gnädig nach deiner Güte
with The King's Consort, Robert King (conductor)
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O heilige Zeit
with The King's Consort, Robert King (conductor)
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Wie schön leuchtet der Morgenstern
with The King's Consort, Robert King (conductor)
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Ah! what avails the sprightly morn of life
with Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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Fly to my aid, O mighty Love
with Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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He who could first two gentle hearts unbind
with Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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In thousand thoughts of love and thee
with Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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Ye sportive loves, that round me wait
with Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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Donnez, signeurs
with Gothic Voices, Christopher Page (conductor)
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Pas de tor en thies pais
with Gothic Voices, Christopher Page (conductor)
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De profundis
with London Baroque, Edward Higginbottom (conductor)
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Venite, exultemus
with London Baroque, Edward Higginbottom (conductor)
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Beatus vir 1650
with Carolyn Sampson (soprano), Rebecca Outram (soprano), Cecilia Osmond (soprano), Rogers Covey-Crump (tenor), James Gilchrist (tenor), Peter Harvey (bass), The King's Consort, Robert King (conductor)
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Beatus vir I a 6 voci concertato 1640
with The King's Consort, Robert King (conductor)
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Cantate Domino a 2 1615
with The King's Consort, Robert King (conductor)
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Christe redemptor omnium 'Himnus unius Martyris' 1640
with The King's Consort, Robert King (conductor)
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Christe redemptor omnium 'Himnus unius Martyris' 1640
with The King's Consort, Robert King (conductor)
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Confitebor tibi I a 3 voci con 5 altre voci ne ripieni 1640
with The King's Consort, Robert King (conductor)
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Dixit Dominus I a 8 voci concertato 1640
with The King's Consort, Robert King (conductor)
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Dixit Dominus II 1640
with The King's Consort, Robert King (conductor)
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Ecce sacrum paratum a voce sola e B.c.
with The King's Consort, Robert King (conductor)
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Exultent caeli a 5
with The King's Consort, Robert King (conductor)
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Gloria in excelsis Deo a 7 voci
with The King's Consort, Robert King (conductor)
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Laetatus sum I
with King's Consort Choir, The King's Consort, Robert King (conductor), Carolyn Sampson (soprano), Rebecca Outram (soprano), James Gilchrist (tenor), Peter Harvey (bass), Robert Evans (bass)
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Laetatus sum I
with King's Consort Choir, The King's Consort, Robert King (conductor), Carolyn Sampson (soprano), Rebecca Outram (soprano), James Gilchrist (tenor), Peter Harvey (bass), Robert Evans (bass)
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Lauda Ierusalem I a 3
with The King's Consort, Robert King (conductor)
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Laudate Dominum omnes gentes a 5 concertato 1640
with The King's Consort, Robert King (conductor)
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Laudate Dominum omnes gentes III 1640
with Carolyn Sampson (soprano), Rebecca Outram (soprano), Rogers Covey-Crump (tenor), Daniel Auchincloss (tenor), James Gilchrist (tenor), Robert Evans (bass), Peter Harvey (bass), The King's Consort, Robert King (conductor)
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Laudate pueri I a 5 concertato
with The King's Consort, Robert King (conductor)
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Letaniae della Beata Vergine a 6 voci
with The King's Consort, Robert King (conductor)
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Magnificat a 6
with The King's Consort, Robert King (conductor)
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Magnificat I a 8 voci 1640
with The King's Consort, Robert King (conductor)
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Salve regina 1625
with The King's Consort, Robert King (conductor)
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Salve regina I 1640
with James Gilchrist (tenor), The King's Consort, Robert King (conductor)
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Salve regina II a 2 voci, due Tenore o due Soprani 1640
with The King's Consort, Robert King (conductor)
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Sanctorum meritis II 1641
with The King's Consort, Robert King (conductor)
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Vespers
with The King's Consort, Robert King (conductor)
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Amintor, heedless of his flocks, Z357
with The King's Consort
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Arise, my muse, Z320
with The King's Consort, Robert King (conductor)
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Awake, awake, put on thy strength, Z1
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Be merciful unto me, Z4
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Behold, I bring you glad tidings, Z2
with James Bowman (countertenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Beware, poor shepherds 'The Caution', Z361
with The King's Consort
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Blessed be the Lord my strength, Z6
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blessed is he whose unrighteousness is forgiven, Z8
with Connor Burrowes (treble), Eamonn O'Dwyer (treble), James Bowman (countertenor), Mark Padmore (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blessed is the man that feareth the Lord, Z9
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blow up the trumpet in Sion, Z10
with Nicholas Witcomb (treble), Mark Kennedy (treble), Daniel Lochmann (treble), James Bowman (countertenor), Robert Evans (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Bow down thine ear, O Lord, Z11
with Mark Kennedy (treble), Mark Padmore (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Celestial music did the gods inspire, Z322
with The King's Consort, Robert King (conductor)
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Complete Service in B flat, Z230
with The King's Consort, Robert King (conductor)
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Early, O Lord, my fainting soul, Z132
with Nicholas Witcomb (treble), Philip Hallchurch (treble), Michael George (bass), The King's Consort, Robert King (conductor)
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Evening Service in G minor, Z231
with Eamonn O'Dwyer (treble), Mark Kennedy (treble), Mark Milhofer (tenor), James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Farewell, ye rocks, ye seas and sands, Z463
with Michael George (bass), The King's Consort
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Fly swift, ye hours, Z369
with The King's Consort
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From hardy Climes and dangerous Toils of War, Z325
with The King's Consort, Robert King (conductor)
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Full of wrath, his threatening breath, Z185
with The King's Consort, Robert King (conductor)
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Hear me, O Lord, and that soon, Z13a Z13b
with Mark Kennedy (treble), James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Hear me, O Lord, the great support, Z133
with Paul Agnew (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Hear my prayer, O God, Z14
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Hosanna to the highest, Z187
with Michael George (bass), The King's Consort, Robert King (conductor)
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I resolve against cringing and whining, Z386
with The King's Consort
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I was glad when they said unto me, Z19
with Rogers Covey-Crump (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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I will give thanks unto the Lord, Z21
with Colin Campbell (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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I will sing unto the Lord as long as I live, Z22
with Mark Kennedy (treble), Eamonn O'Dwyer (treble), Mark Milhofer (tenor), James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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In the midst of life we are in death, Z17b
with Mark Kennedy (treble), Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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In thee, O Lord, do I put my trust, Z16
with James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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It is a good thing to give thanks, Z18
with The King's Consort, Robert King (conductor)
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Jehova, quam multi sunt hostes mei, Z135
with Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Let God arise, Z23
with Mark Padmore (tenor), King's Consort Choir, The King's Consort, Robert King (conductor)
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Let mine eyes run down with tears, Z24
with The King's Consort, Robert King (conductor)
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Lord, how long wilt thou be angry?, Z25
with James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Lord, I can suffer thy rebukes, Z136
with Mark Kennedy (treble), Daniel Lochmann (treble), Michael George (bass), The King's Consort, Robert King (conductor)
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Lord, not to us, but to thy name, Z137
with Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Lord, who can tell how oft he offendeth?, Z26
with Paul Agnew (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Love is now become a trade, Z393
with The King's Consort
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Love, thou can'st hear, tho' thou art blind, Z396
with The King's Consort
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Man that is born of a woman, Z27
with Mark Kennedy (treble), Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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My beloved spake, Z28
with The King's Consort, Robert King (conductor)
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My heart is fixed, O God, Z29
with Rogers Covey-Crump (tenor), Michael George (bass), New College Choir Oxford, Robert King (conductor)
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My heart is inditing of a good matter, Z30
with The King's Consort, Robert King (conductor)
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Now does the glorious day appear, Z332
with The King's Consort, Robert King (conductor)
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O consider my adversity, Z32
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O give thanks unto the Lord, Z33
with The King's Consort, Robert King (conductor)
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O God, thou art my God, Z35
with Nicholas Witcomb (treble), Jerome Finnis (treble), Rogers Covey-Crump (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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O God, thou hast cast us out, Z36
with Nicholas Witcomb (treble), Mark Kennedy (treble), James Bowman (countertenor), Robert Evans (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O Lord God of hosts, Z37
with Eamonn O'Dwyer (treble), James Goodman (treble), Mark Milhofer (tenor), James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O Lord, grant the king a long life, Z38
with James Bowman (countertenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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O Lord, thou art my God, Z41
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O praise God in his holiness, Z42
with The King's Consort, Robert King (conductor)
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O praise the Lord, all ye heathen, Z43
with Paul Agnew (tenor), New College Choir Oxford, The King's Consort, Robert King (conductor)
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O sing unto the Lord, Z44
with The King's Consort, Robert King (conductor)
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O, all ye people, clap your hands, Z138
with Eamonn O'Dwyer (treble), Mark Kennedy (treble), Michael George (bass)
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O, I'm sick of life, Z140
with Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Of old, when heroes thought it base, Z333
with The King's Consort, Robert King (conductor)
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Out of the deep have I called unto thee, O Lord, Z45
with Mark Kennedy (treble), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Phillis, I can ne'er forgive it, Z408
with The King's Consort
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Plung'd in the confines of despair, Z142
with Paul Agnew (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Praise the Lord, O Jerusalem, Z46
with The King's Consort, Robert King (conductor)
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Praise the Lord, O my soul, and all that is within me, Z47
with Nicholas Witcomb (treble), Jerome Finnis (treble), Rogers Covey-Crump (tenor), Michael George (bass), Robert Evans (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Rashly I swore I would disown, Z411
with The King's Consort
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Rejoice in the Lord alway 'The bell anthem', Z49
with James Bowman (countertenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Save me, O God, Z51
with Mark Kennedy (treble), James Goodman (treble), James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Since God so tender a regard, Z143
with Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Since the pox, or the plague, Z471
with Michael George (bass), The King's Consort
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Swifter, Isis, swifter flow, Z336
with The King's Consort, Robert King (conductor)
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Sylvia, 'tis true you're fair, Z512
with Michael George (bass), The King's Consort
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The Lord is my Light, Z55
with Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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They say you're angry, Z422
with The King's Consort
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Thou knowest, Lord, the secrets of our hearts, Z58b
with Mark Kennedy (treble), Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Thy way, O God, is holy, Z60
with Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Thy word is a lantern unto my feet, Z61
with James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Turn thou us, O good Lord, Z62
with Mark Padmore (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Unto thee will I cry, Z63
with James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Welcome to all the pleasures, Z339
with The King's Consort, Robert King (conductor)
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What shall be done in behalf of the man?, Z341
with The King's Consort, Robert King (conductor)
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When first my shepherdess and I, Z431
with The King's Consort
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When her languishing eyes said 'Love!', Z432
with The King's Consort
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When on my sick bed I languish, Z144
with Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Who can behold Florella's charms?, Z441
with The King's Consort
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Who hath believed our report?, Z64
with James Bowman (countertenor), Paul Agnew (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Why do the heathen so furiously rage together?, Z65
with Rogers Covey-Crump (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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With sick and famish'd eyes, Z200
with The King's Consort, Robert King (conductor)
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Ye tuneful Muses, Z344
with The King's Consort, Robert King (conductor)
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Credo
with Gothic Voices, Christopher Page (conductor)
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Joieux de cuer en seumellant estoye
with Gothic Voices, Christopher Page (conductor)
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Beatus vir, RV597
with King's Consort Choir, The King's Consort, Robert King (conductor)
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Confitebor tibi, Domine, RV596
with King's Consort Choir, The King's Consort, Robert King (conductor)
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Deus tuorum militum, RV612
with Jean Rigby (contralto), The King's Consort, Robert King (conductor)
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Dixit Dominus, RV595
with King's Consort Choir, The King's Consort, Robert King (conductor)
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Gloria in excelsis Deo, RV588
with King's Consort Choir, The King's Consort, Robert King (conductor)
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La Senna festeggiante, RV693
with The King's Consort, Robert King (conductor)
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Alphabetical listing of all musical works |
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Ach Herr, strafe mich nicht in deinem Zorn (Knüpfer)
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Ah! what avails the sprightly morn of life (Linley Sr.)
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Alexander Balus (Handel)
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Amintor, heedless of his flocks, Z357 (Purcell)
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Arise, my muse, Z320 (Purcell)
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Awake, awake, put on thy strength, Z1 (Purcell)
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Be merciful unto me, Z4 (Purcell)
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Beatus vir 1650 (Monteverdi)
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Beatus vir I a 6 voci concertato 1640 (Monteverdi)
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Beatus vir, RV597 (Vivaldi)
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Behold, I bring you glad tidings, Z2 (Purcell)
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Beware, poor shepherds 'The Caution', Z361 (Purcell)
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Blessed be the Lord my strength, Z6 (Purcell)
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Blessed is he whose unrighteousness is forgiven, Z8 (Purcell)
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Blessed is the man that feareth the Lord, Z9 (Purcell)
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Blow up the trumpet in Sion, Z10 (Purcell)
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Bow down thine ear, O Lord, Z11 (Purcell)
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Cantate Domino a 2 1615 (Monteverdi)
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Cantiam di Dio (Gabrieli)
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Ce jour de l'an (Cordier)
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Celestial music did the gods inspire, Z322 (Purcell)
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Chloe found Amyntas lying all in tears 'Rondelay' (Blow)
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Christe redemptor omnium 'Himnus unius Martyris' 1640 (Monteverdi)
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Come, come along for a dance and a song (Clarke)
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Complete Service in B flat, Z230 (Purcell)
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Confitebor tibi I a 3 voci con 5 altre voci ne ripieni 1640 (Monteverdi)
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Confitebor tibi, Domine, RV596 (Vivaldi)
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Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
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Credo (Pycard)
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De profundis (Mondonville)
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Degentis vita / Cum vix artidici / Tenor / Contratenor (Anon)
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Deus tuorum militum, RV612 (Vivaldi)
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Die Turteltaube lässt sich hören (Knüpfer)
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Dixit Dominus I a 8 voci concertato 1640 (Monteverdi)
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Dixit Dominus II 1640 (Monteverdi)
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Dixit Dominus, RV595 (Vivaldi)
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Donnez, signeurs (Machaut)
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Early, O Lord, my fainting soul, Z132 (Purcell)
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Ecce sacrum paratum a voce sola e B.c. (Monteverdi)
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Evening Service in G minor, Z231 (Purcell)
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Exultent caeli a 5 (Monteverdi)
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Farewell, ye rocks, ye seas and sands, Z463 (Purcell)
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Fly swift, ye hours, Z369 (Purcell)
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Fly to my aid, O mighty Love (Linley Sr.)
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From hardy Climes and dangerous Toils of War, Z325 (Purcell)
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Full of wrath, his threatening breath, Z185 (Purcell)
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Gloria in excelsis Deo a 7 voci (Monteverdi)
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Gloria in excelsis Deo, RV588 (Vivaldi)
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Gloria Patri, qui creavit nos (Blow)
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Go, rose! my Chloe's bosom grace (Earle)
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Gott, sei mir gnädig nach deiner Güte (Kuhnau)
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He who could first two gentle hearts unbind (Linley Sr.)
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Hear me, O Lord, and that soon, Z13a Z13b (Purcell)
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Hear me, O Lord, the great support, Z133 (Purcell)
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Hear my prayer, O God, Z14 (Purcell)
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Hearken unto me, ye holy children (Greene)
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Hec dies quam fecit Dominus (Anon)
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Hosanna to the highest, Z187 (Purcell)
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I resolve against cringing and whining, Z386 (Purcell)
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I was glad when they said unto me, Z19 (Purcell)
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I will give thanks unto the Lord, Z21 (Purcell)
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I will sing unto the Lord as long as I live, Z22 (Purcell)
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In natali novi regis (Anon)
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In salvatoris / Ce fu en tres douz tens / In veritate / VERITATEM (Anon)
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In the midst of life we are in death, Z17b (Purcell)
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In thee, O Lord, do I put my trust, Z16 (Purcell)
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In thousand thoughts of love and thee (Linley Sr.)
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Invocantes Dominum / Psalm 'Deus, qui venerunt' (Anon)
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It is a good thing to give thanks, Z18 (Purcell)
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Je requier a tous amoureux (Dufay)
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Jehova, quam multi sunt hostes mei, Z135 (Purcell)
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Jesus Christus, unser Heiland (Knüpfer)
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Joieux de cuer en seumellant estoye (Solage)
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Kyrie, C71-73 (Gabrieli)
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La Senna festeggiante, RV693 (Vivaldi)
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Laetatus sum I (Monteverdi)
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Lauda Ierusalem I a 3 (Monteverdi)
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Laudate Dominum omnes gentes a 5 concertato 1640 (Monteverdi)
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Laudate Dominum omnes gentes III 1640 (Monteverdi)
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Laudate pueri I a 5 concertato (Monteverdi)
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Let God arise, Z23 (Purcell)
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Let mine eyes run down with tears, Z24 (Purcell)
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Letaniae della Beata Vergine a 6 voci (Monteverdi)
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Licet eger cum egrotis (Anon)
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Lord, how long wilt thou be angry?, Z25 (Purcell)
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Lord, I can suffer thy rebukes, Z136 (Purcell)
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Lord, not to us, but to thy name, Z137 (Purcell)
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Lord, who can tell how oft he offendeth?, Z26 (Purcell)
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Love is now become a trade, Z393 (Purcell)
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Love, thou can'st hear, tho' thou art blind, Z396 (Purcell)
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Magnificat a 6 (Monteverdi)
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Magnificat I a 8 voci 1640 (Monteverdi)
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Man that is born of a woman, Z27 (Purcell)
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Mon seul voloir / Certes m'amour (Cesaris)
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My beloved spake, Z28 (Purcell)
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My heart is fixed, O God, Z29 (Purcell)
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My heart is inditing of a good matter, Z30 (Purcell)
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Now does the glorious day appear, Z332 (Purcell)
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Now the earth, the skies, the air (Danyel)
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O consider my adversity, Z32 (Purcell)
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O give thanks unto the Lord, Z33 (Purcell)
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O God, thou art my God, Z35 (Purcell)
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O God, thou hast cast us out, Z36 (Purcell)
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O heilige Zeit (Kuhnau)
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O Lord God of hosts, Z37 (Purcell)
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O Lord, grant the king a long life, Z38 (Purcell)
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O Lord, thou art my God, Z41 (Purcell)
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O praise God in his holiness, Z42 (Purcell)
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O praise the Lord, all ye heathen, Z43 (Purcell)
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O sing unto the Lord, Z44 (Purcell)
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O, all ye people, clap your hands, Z138 (Purcell)
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O, I'm sick of life, Z140 (Purcell)
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Ode on the death of Mr Henry Purcell (Blow)
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Ode to the memory of Italian virtuosi (Harington)
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Of old, when heroes thought it base, Z333 (Purcell)
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Out of the deep have I called unto thee, O Lord, Z45 (Purcell)
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Pas de tor en thies pais (Machaut)
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Pascha nostrum (Anon)
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Phillis, I can ne'er forgive it, Z408 (Purcell)
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Plung'd in the confines of despair, Z142 (Purcell)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS (Anon)
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Poor Celadon, he sighs in vain 'Loving above himself' (Blow)
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Praise the Lord, O Jerusalem, Z46 (Purcell)
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Praise the Lord, O my soul, and all that is within me, Z47 (Purcell)
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Quant voi le douz tans / En mai / [Immo]LATUS (Anon)
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Rashly I swore I would disown, Z411 (Purcell)
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Rejoice in the Lord alway 'The bell anthem', Z49 (Purcell)
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Rerum Deus conditor (Anon)
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Salvator mundi, salva nos (Blow)
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Salve regina (Anon)
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Salve regina 1625 (Monteverdi)
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Salve regina I 1640 (Monteverdi)
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Salve regina II a 2 voci, due Tenore o due Soprani 1640 (Monteverdi)
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Sanctorum meritis II 1641 (Monteverdi)
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Sanctus (Anon)
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Save me, O God, Z51 (Purcell)
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Since God so tender a regard, Z143 (Purcell)
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Since the pox, or the plague, Z471 (Purcell)
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|
Sing, ye muses 'Epilogue' (Blow)
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Soit tart, tempre, main ou soir (Anon)
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Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' (Blow)
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Super flumina Babylonis (Knüpfer)
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Swifter, Isis, swifter flow, Z336 (Purcell)
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Sylvia, 'tis true you're fair, Z512 (Purcell)
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Te Deum (Anon)
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The Beggar's Opera (Gay/Pepusch)
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The Choice of Hercules, HWV69 (Handel)
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The Lord is my Light, Z55 (Purcell)
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The spirit's song, Hob XXVIa:41 (Haydn)
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The wanderer, Hob XXVIa:32 (Haydn)
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They say you're angry, Z422 (Purcell)
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Thou knowest, Lord, the secrets of our hearts, Z58b (Purcell)
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Thy way, O God, is holy, Z60 (Purcell)
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Thy word is a lantern unto my feet, Z61 (Purcell)
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|
Tronus regis instauratur (Anon)
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Turn thou us, O good Lord, Z62 (Purcell)
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Unto thee will I cry, Z63 (Purcell)
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Venite, exultemus (Mondonville)
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Vespers (Monteverdi)
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Vom Himmel hoch, da komm ich her (Knüpfer)
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|
Was mein Gott will, das gescheh allzeit (Knüpfer)
|
|
Welcome to all the pleasures, Z339 (Purcell)
|
|
What delight can they enjoy (Danyel)
|
|
What shall be done in behalf of the man?, Z341 (Purcell)
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|
When first my shepherdess and I, Z431 (Purcell)
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|
When her languishing eyes said 'Love!', Z432 (Purcell)
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|
When on my sick bed I languish, Z144 (Purcell)
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|
Who can behold Florella's charms?, Z441 (Purcell)
|
|
Who hath believed our report?, Z64 (Purcell)
|
|
Why do the heathen so furiously rage together?, Z65 (Purcell)
|
|
Wie schön leuchtet der Morgenstern (Kuhnau)
|
|
With sick and famish'd eyes, Z200 (Purcell)
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|
Ye sportive loves, that round me wait (Linley Sr.)
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|
Ye tuneful Muses, Z344 (Purcell)
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