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Hyperion Records

Artist Hyperion Records
Covey-Crump, Rogers (tenor)  

Rogers Covey-Crump (tenor)

Rogers Covey-Crump was a boy chorister at New College, Oxford, and later a tenor lay-clerk at St Albans Abbey. He might have made a professional career as an organist or as a singer but his vocal activity soon took prominence and over many years he worked with a variety of early music ensembles—particularly with the late David Munrow’s Early Music Consort of London, the Baccholian Singers, The Consort of Musicke, the Medieval Ensemble of London, Gothic Voices, and with the Landini, Deller and Taverner consorts.

He now spends much of the year as a member of The Hilliard Ensemble, a male-voice quartet known globally not only for its concerts and recordings of medieval and renaissance repertoire but also for its acclaimed first recordings of the vocal works of the Estonian composer, Arvo Pärt. A collaboration with the saxophonist Jan Garbarek has produced a unique fusion of styles in the highly acclaimed album ‘Officium’ and its successor, ‘Mnemosyne’. As a soloist Rogers has many recordings of baroque repertoire to his name, including ceremonial and church music by Purcell on Hyperion.

Albums
'A Song for Francesca' (CDH55291)
'A Song for Francesca' (GAW21286)
'Ancient Airs & Dances' (CDH55146)
'Blow, Boyce & Handel: Music for St Paul's' (CDH55359)
'Conductus, Vol. 1' (CDA67949)
'Essential Purcell' (KING2)
Essential Purcell
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This album is not yet available for download KING2  Super-budget price sampler  
'Gothic Voices Gramophone Award Winners Collection' (CDS44251/3)
'Handel, Blow & Boyce: Music for St Paul's' (CDH55359)
'Handel: Acis and Galatea' (CDA66361/2)
'Lancaster and Valois' (CDH55294)
'Machaut: Messe de Notre Dame' (CDA66358)
'Machaut: The Mirror of Narcissus' (CDA66087)
'Mendelssohn: Choral Music' (CDH55268)
'Monteverdi: The Sacred Music, Vol. 1' (CDA67428)
'Monteverdi: The Sacred Music, Vol. 2' (CDA67438)
'Monteverdi: The Sacred Music, Vol. 2' (SACDA67438)
Monteverdi: The Sacred Music, Vol. 2
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'Monteverdi: The Sacred Music, Vol. 3' (SACDA67487)
Monteverdi: The Sacred Music, Vol. 3
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'Monteverdi: The Sacred Music, Vol. 3' (CDA67487)
'Monteverdi: The Sacred Music, Vol. 4' (CDA67519)
'Music for the Lion-Hearted King' (CDH55292)
'Odes on the death of Henry Purcell' (CDA66578)
'Purcell: Hail! bright Cecilia & Who can from joy refrain?' (CDH55327)
'Purcell: Odes, Vol. 3 – Fly, bold rebellion' (CDA66412)
'Purcell: Odes, Vol. 4 – Ye tuneful Muses' (CDA66456)
'Purcell: Odes, Vol. 5 – Welcome glorious morn' (CDA66476)
'Purcell: Odes, Vol. 7 – Yorkshire Feast Song' (CDA66587)
'Purcell: Secular solo songs, Vol. 1' (CDA66710)
Purcell: Secular solo songs, Vol. 1
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'Purcell: Secular solo songs, Vol. 2' (CDA66720)
'Purcell: Secular solo songs, Vol. 3' (CDA66730)
'Purcell: The Complete Anthems and Services, Vol. 10' (CDA66707)
'Purcell: The Complete Anthems and Services, Vol. 11' (CDA66716)
'Purcell: The Complete Anthems and Services, Vol. 2' (CDA66609)
'Purcell: The Complete Anthems and Services, Vol. 4' (CDA66644)
'Purcell: The Complete Anthems and Services, Vol. 5' (CDA66656)
'Purcell: The Complete Anthems and Services, Vol. 6' (CDA66663)
'Purcell: The Complete Anthems and Services, Vol. 7' (CDA66677)
'Purcell: The Complete Anthems and Services, Vol. 8' (CDA66686)
'Purcell: The Complete Anthems and Services, Vol. 9' (CDA66693)
'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
'Purcell: The Complete Sacred Music' (CDS44141/51)
'Purcell: The complete secular solo songs' (CDS44161/3)
'Sacred & Secular Music' (CDH55148)
'Stockhausen: Stimmung' (CDA66115)
'The Castle of Fair Welcome' (CDH55274)
'The Earliest Songbook in England' (CDH55297)
'The Garden of Zephirus' (CDH55289)
'The Marriage of Heaven and Hell' (CDH55273)
'The Medieval Romantics' (CDH55293)
'The Service of Venus and Mars' (GAW21238)
'The Service of Venus and Mars' (CDH55290)
'The Spirits of England & France, Vol. 1' (CDH55281)
'The Spirits of England & France, Vol. 2' (CDH55282)
'The Spirits of England & France, Vol. 3' (CDH55283)
'The Study of Love' (CDH55295)
'The Voice in the Garden' (CDH55298)
'The Essential Hyperion' (HYP12)
The Essential Hyperion
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Complete works available for download
ANONYMOUS
A vous douce debonnaire
Ad cantus letitie with Gothic Voices, Christopher Page (conductor)
Ad honorem salvatoris
Ad honorem salvatoris with Gothic Voices, Christopher Page (conductor)
Agnus Dei: Qui pius est factus with Gothic Voices, Christopher Page (conductor)
Amor mi fa cantar a la Francesca with Gothic Voices, Christopher Page (conductor)
Ave parens/Ad gratie/AVE MARIA with Gothic Voices, Christopher Page (conductor)
Avrai je ja de ma dame confort? with Gothic Voices, Christopher Page (conductor)
Ay las! quant je pans with Gothic Voices, Christopher Page (conductor)
Benedicamus Domino: Spiritus almi with Gothic Voices, Christopher Page (conductor)
Cantu miro with Gothic Voices, Christopher Page (conductor)
Combien que j'aye with Andrew Lawrence-King (harp), Christopher Page (harp)
Confort d'amours with Gothic Voices, Christopher Page (conductor)
Credo with Gothic Voices, Christopher Page (conductor)
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA with Gothic Voices, Christopher Page (conductor)
Degentis vita / Cum vix artidici / Tenor / Contratenor with Gothic Voices, Christopher Page (conductor)
Divino maduit with Gothic Voices, Christopher Page (conductor)
En non Dieu/Quant voi la rose/NOBIS with Gothic Voices, Christopher Page (conductor)
Etas auri reditur with Gothic Voices, Christopher Page (conductor)
Exultavit cor in Domino with Gothic Voices, Christopher Page (conductor)
Festa januaria with Gothic Voices, Christopher Page (conductor)
Fist on, dame with Gothic Voices, Christopher Page (conductor)
Flos floriger with Gothic Voices, Christopher Page (conductor)
Hac in anni ianua with Gothic Voices, Christopher Page (conductor)
Il me convient guerpir with Gothic Voices, Christopher Page (conductor)
In occasu sideris with Gothic Voices, Christopher Page (conductor)
Je la remire, la belle with Gothic Voices, Christopher Page (conductor)
Je languis d'amere mort with Gothic Voices, Christopher Page (conductor)
Je m'en vois/Tels a mout/OMNES with Gothic Voices, Christopher Page (conductor)
Je ne chant pas/Talens m'est pris/APTATUR/OMNES with Gothic Voices, Christopher Page (conductor)
Jour a jour la vie with Gothic Voices, Christopher Page (conductor)
La grant biauté with Gothic Voices, Christopher Page (conductor)
Latex silice with Gothic Voices, Christopher Page (conductor)
Laus detur multipharia with Gothic Voices, Christopher Page (conductor)
Mais qu'il vous viengne a plaisance with Gothic Voices, Christopher Page (conductor)
Mout souvent/Mout ai esté en dolour/MULIERUM with Gothic Voices, Christopher Page (conductor)
Mundus vergens with Gothic Voices, Christopher Page (conductor)
N'a pas long temps que trouvay Zephirus with Imogen Barford (medieval harp)
Novus miles sequitur with Gothic Voices, Christopher Page (conductor)
O regina seculi/Reparatrix Maria with Gothic Voices, Christopher Page (conductor)
Pange melos lacrimosum with Gothic Voices, Christopher Page (conductor)
Par un matinet/Hé, sire!/Hé, bergier!/EIUS with Gothic Voices, Christopher Page (conductor)
Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS with Gothic Voices, Christopher Page (conductor)
Puis qu'autrement ne puis avoir with Gothic Voices, Christopher Page (conductor)
Puis que l'aloe ne fine with Andrew Lawrence-King (harp), Christopher Page (harp)
Purgator criminum with Gothic Voices, Christopher Page (conductor), Leigh Nixon (tenor)
Quant la douce jouvencelle with Gothic Voices, Christopher Page (conductor)
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA with Gothic Voices, Christopher Page (conductor)
Qui servare puberem [three-part] with John Potter (tenor), Christopher O'Gorman (tenor)
Quiconques veut d'amors joïr with Gothic Voices, Christopher Page (conductor)
Regis cuius potentia with Gothic Voices, Christopher Page (conductor)
Relegentur ab area with John Potter (tenor), Christopher O'Gorman (tenor)
Sanctus with Gothic Voices, Christopher Page (conductor)
Singularis laudis digna with Gothic Voices, Christopher Page (conductor)
Soit tart, tempre, main ou soir with Gothic Voices, Christopher Page (conductor)
Sol sub nube latuit with Gothic Voices, Christopher Page (conductor)
Stella serena with John Potter (tenor), Christopher O'Gorman (tenor)
Stephani sollempnia with John Potter (tenor), Christopher O'Gorman (tenor)
Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS with Gothic Voices, Christopher Page (conductor)
The Agincourt Carol with Gothic Voices, Christopher Page (conductor)
Ther is no rose of swych virtu with Gothic Voices, Christopher Page (conductor)
Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT with Gothic Voices, Christopher Page (conductor)
Ver pacis apperit with Gothic Voices, Christopher Page (conductor)
Verbum patris umanatur O O with Gothic Voices, Christopher Page (conductor)
Vetus abit littera with Gothic Voices, Christopher Page (conductor)
ANONYMOUS
Ave, virgo, gratia plena with Gothic Voices, Christopher Page (conductor)
Dentro en el vergel moriré with Gothic Voices, Christopher Page (conductor)
Passe el agoa with Gothic Voices, Christopher Page (conductor)
ANONYMOUS
Nuevas, nuevas – ¡Por tu fe! with The Hilliard Ensemble
ANDREAS DE FLORENTIA  (dc1415)
Astio non morì mai with Gothic Voices, Christopher Page (conductor)
Per la ver'onestà with Gothic Voices, Christopher Page (conductor)
ANTHONELLO DE CASERTA  (fl1390-1410)
Amour m'a le cuer mis en tel martire with Gothic Voices, Christopher Page (conductor)
JEAN-BAPTISTE BESARD  (c1567-c1617)
Airs de cour with Paul O'Dette (lute)
GILLES BINCHOIS  (c1400-1460)
Dueil angoisseux with Gothic Voices, Christopher Page (conductor)
Se la belle with Gothic Voices, Christopher Page (conductor)
BLONDEL DE NESLE  (fl1180-1200)
Ma joie me semont with Gothic Voices, Christopher Page (conductor)
JOHN BLOW  (1649-1708)
I was glad when they said unto me with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
Ode on the death of Mr Henry Purcell with Charles Daniels (tenor), The Parley of Instruments Baroque Orchestra, Peter Holman (conductor)
ANTOINE BOËSSET  (1586-1643)
Divine Amaryllis with Paul O'Dette (lute)
WILLIAM BOYCE  (1711-1779)
Lord, thou hast been our refuge with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
BARTOLOMEUS BROLLO  (fl1430-1450)
Qui le sien vuelt bien maintenir with Gothic Voices, Christopher Page (conductor)
WILLIAM BYRD  (1539/40-1623)
Ne irascaris, Domine with The Hilliard Ensemble
JOHANNES CESARIS  (fl1406-1417)
Se vous scaviez, ma tres douce maistresse with Gothic Voices, Christopher Page (conductor)
CHARLES THE BOLD  (1433-1477)
Ma dame, trop vous mesprenés with Gothic Voices, Christopher Page (conductor)
JOHN COOKE  (c1385-?1442)
Gloria with Gothic Voices, Christopher Page (conductor)
GUILLAUME DUFAY  (1397-1474)
Adieu ces bons vins de Lannoys with Gothic Voices, Christopher Page (conductor)
Gloria ad modem tubae with The Hilliard Ensemble
J'atendray tant qu'il vous playra with Gothic Voices, Christopher Page (conductor)
Mon cuer me fait tous dis penser with Gothic Voices, Christopher Page (conductor)
Quel fronte signorille in paradiso with Gothic Voices, Christopher Page (conductor)
Vergene bella with The Hilliard Ensemble
JOHN DUNSTABLE  (c1390-1453)
Beata Dei genitrix with Gothic Voices, Christopher Page (conductor)
Speciosa facta es with Gothic Voices, Christopher Page (conductor)
JUAN DEL ENCINA  (1468-1529/30)
Los sospiros no sosiegan with Gothic Voices, Christopher Page (conductor)
ENRIQUE  (d1488)
Mi querer tanto vos quiere with Gothic Voices, Christopher Page (conductor)
Pues serviçio vos desplaze with Gothic Voices, Christopher Page (conductor)
ROBERT FAYRFAX  (1464-1521)
Most clear of colour with The Hilliard Ensemble
MATTEO FLECHA  (1481-1553)
El jubilate with The Hilliard Ensemble
FONTEYNS  (fl c1400-1400)
Regali ex progenie with Gothic Voices, Christopher Page (conductor)
FRANCUS DE INSULA  (fl1420-1425)
Amours n'ont cure de tristresse with Gothic Voices, Christopher Page (conductor)
GABRIEL DE TEXERANA  (?1480-1528)
La bella malmaridada with Gothic Voices, Christopher Page (conductor)
Yo creo que n'os dió Dios with Gothic Voices, Christopher Page (conductor)
GACE BRULÉ  (c1160-after 1213)
Desconfortez, plains de dolor
GAUTIER DE DARGIES  (c1165-after 1236)
Autres que je ne sueill fas
La doce pensee
GONTIER DE SOIGNIES  (dfl before 1220)
Dolerousement comence
CLAUDE GOUDIMEL  (c1514-1572)
Bon jour mon cœur with The Hilliard Ensemble
ESTIENNE GROSSIN  (fl 1418-1421)
Va t'ent souspir with Gothic Voices, Christopher Page (conductor)
GUIBERT KAUKESEL  (fl c1230-1255)
Fins cuers enamourés
GEORGE FRIDERIC HANDEL  (1685-1759)
Acis and Galatea, HWV49a with The King's Consort, Robert King (conductor)
Jubilate 'Utrecht', HWV279 with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
Te Deum 'Utrecht', HWV278 with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
HEINRICH ISAAC  (c1450-1517)
Tota pulchra es with The Hilliard Ensemble
JACOB DE SENLECHES  (fl1378-1395)
En ce gracieux tamps joli with Gothic Voices, Christopher Page (conductor)
CLÉMENT JANEQUIN  (c1485-1558)
Le chant des oiseaulx with The Hilliard Ensemble
JOHANNES DE LYMBURGIA  (fl1400-1440)
Descendi in ortum meum with Gothic Voices, Christopher Page (conductor)
Tota pulcra es, amica mea with Gothic Voices, Christopher Page (conductor)
FRANCESCO LANDINI  (c1325-1397)
Nessun ponga sperança with Gothic Voices, Christopher Page (conductor)
Ochi dolenti mie with Gothic Voices, Christopher Page (conductor)
Per seguir la sperança with Gothic Voices, Christopher Page (conductor)
HUGO DE LANTINS  (fl 1420-1430)
Plaindre m'estuet with Gothic Voices, Christopher Page (conductor)
FRANCHOIS LEBERTOUL  (fl 1409-?1428)
Las, que me demanderoye with Gothic Voices, Christopher Page (conductor)
GUILLAUME DE MACHAUT  (c1300-1377)
Amours me fait desirer with Gothic Voices, Christopher Page (conductor)
Biauté qui toutes autres pere with Gothic Voices, Christopher Page (conductor)
Dame, de qui toute ma joie vient with Gothic Voices, Christopher Page (conductor)
Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz with Gothic Voices, Christopher Page (conductor)
Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz with Gothic Voices, Christopher Page (conductor)
Dame, mon cuer en vous remaint with Gothic Voices, Christopher Page (conductor)
Inviolata genitrix / Felix virgo / Contratenor / Ad te suspiramus with Gothic Voices, Christopher Page (conductor)
Le Lai de la Fonteinne with The Hilliard Ensemble
Ma fin est mon commencement with The Hilliard Ensemble
Messe de Notre Dame with The Hilliard Ensemble
Pas de tor en thies pais with Gothic Voices, Christopher Page (conductor)
Quand je ne voy with Gothic Voices, Christopher Page (conductor)
Quant je sui mis with The Hilliard Ensemble
Riches d'amour with Gothic Voices, Christopher Page (conductor)
Rose, liz, printemps, verdure with Gothic Voices, Christopher Page (conductor)
Se mesdisans
Tant doucement me sens emprisonnes with Gothic Voices, Christopher Page (conductor)
Tres bonne et belle with Gothic Voices, Christopher Page (conductor)
Trop plus / Biauté paree / Je ne suis with Gothic Voices, Christopher Page (conductor)
Tuit mi penser
MATHEUS DE SANCTO JOHANNE  (fl1365-?1389)
Fortune, faulce, parverse with Gothic Voices, Christopher Page (conductor)
MATTEO DA PERUGIA  (d?1418)
Belle sans per with Gothic Voices, Christopher Page (conductor)
FELIX MENDELSSOHN  (1809-1847)
Ave Maria, Op 23 No 2 with Christine Barratt (soprano), Janey Mackenzie (soprano), Joya Logan (alto), Jenny Youde (alto), Robin Mace (tenor), Julian Walker (bass), Kenneth Roles (bass), Corydon Singers, John Scott (organ), English Chamber Orchestra, Matthew Best (conductor)
P DES MOLINS  (fl 1350-1350)
De ce que fol pense with Gothic Voices, Christopher Page (conductor)
CLAUDIO MONTEVERDI  (1567-1643)
Beatus vir 1650 with Carolyn Sampson (soprano), Rebecca Outram (soprano), Cecilia Osmond (soprano), James Gilchrist (tenor), Charles Daniels (tenor), Peter Harvey (bass), The King's Consort, Robert King (conductor)
Dixit Dominus I a 8 voci concertato 1640 with The King's Consort, Robert King (conductor)
Dixit Dominus II 1640 with The King's Consort, Robert King (conductor)
Exultent caeli a 5 with The King's Consort, Robert King (conductor)
Gloria in excelsis Deo a 7 voci with The King's Consort, Robert King (conductor)
Laudate Dominum omnes gentes III 1640 with Carolyn Sampson (soprano), Rebecca Outram (soprano), Daniel Auchincloss (tenor), Charles Daniels (tenor), James Gilchrist (tenor), Robert Evans (bass), Peter Harvey (bass), The King's Consort, Robert King (conductor)
Letaniae della Beata Vergine a 6 voci with The King's Consort, Robert King (conductor)
Magnificat I a 8 voci 1640 with The King's Consort, Robert King (conductor)
ROBERT MORTON  (c1430-after 13 March 1479)
Le souvenir de vous me tue with Gothic Voices, Christopher Page (conductor)
Plus j'ay le monde regardé with Gothic Voices, Christopher Page (conductor)
PAOLO DA FIRENZE  (d1419)
Sofrir m'estuet et plus non puis durer with Gothic Voices, Christopher Page (conductor)
FRANCISCO DE PEÑALOSA  (c1470-1528)
Ne reminiscaris, Domine with Gothic Voices, Christopher Page (conductor)
Por las sierras de Madrid with Gothic Voices, Christopher Page (conductor)
Precor te, Domine Jesu Christe with Gothic Voices, Christopher Page (conductor)
Sancta mater with The Hilliard Ensemble
J DE PORTA  (?-?)
Alma polis religio / Axe poli cum artica / Tenor / Contratenor with Gothic Voices, Christopher Page (conductor)
LEONEL POWER  (d1445)
Gloria with Gothic Voices
Sanctus with Gothic Voices, Christopher Page (conductor)
HENRY PURCELL  (1659-1695)
A thousand sev'ral ways I tried, Z359 with The King's Consort
Ah! cruel nymph!, Z352 with The King's Consort
Amintas, to my grief I see, Z356 with The King's Consort
Awake, awake, put on thy strength, Z1 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Be merciful unto me, Z4 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Beati omnes qui timent Dominum, Z131 with Eamonn O'Dwyer (treble), Mark Kennedy (treble), Michael George (bass), The King's Consort, Robert King (conductor)
Behold now, praise the Lord, Z3 with The King's Consort, Robert King (conductor)
Blessed are they that fear the Lord, Z5 with The King's Consort, Robert King (conductor)
Blessed be the Lord my strength, Z6 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Blessed is he that considereth the poor, Z7 with Mark Padmore (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
Blessed is the man that feareth the Lord, Z9 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Celebrate this Festival, Z321 with The King's Consort, Robert King (conductor)
Celestial music did the gods inspire, Z322 with The King's Consort, Robert King (conductor)
Complete Service in B flat, Z230 with The King's Consort, Robert King (conductor)
Cupid, the slyest rogue alive, Z367 with The King's Consort
Fly, bold rebellion, Z324 with The King's Consort, Robert King (conductor)
From hardy Climes and dangerous Toils of War, Z325 with The King's Consort, Robert King (conductor)
Great Parent, Hail to Thee!, Z327 with The King's Consort, Robert King (conductor)
Hail! bright Cecilia, Z328 with The King's Consort, Robert King (conductor)
Hear my prayer, O God, Z14 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
I loved fair Celia, Z381 with The King's Consort
I was glad when they said unto me, Z19 with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
I will give thanks unto thee, O Lord, Z20 with The King's Consort, Robert King (conductor)
If grief has any pow'r to kill, Z378 with The King's Consort
If music be the food of love, Z379a with The King's Consort
If music be the food of love, Z379b with The King's Consort
In Cloris all soft charms agree, Z384 with The King's Consort
In guilty night 'Saul and the witch of Endor', Z134 with Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
In the midst of life we are in death, Z17b with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Lord, not to us, but to thy name, Z137 with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
Love's pow'r in my heart shall find no compliance, Z395 with The King's Consort
Man that is born of a woman, Z27 with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
My heart is fixed, O God, Z29 with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, Robert King (conductor)
My heart is inditing of a good matter, Z30 with The King's Consort, Robert King (conductor)
My heart, whenever you appear, Z399 with The King's Consort
O consider my adversity, Z32 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
O God, thou art my God, Z35 with Nicholas Witcomb (treble), Jerome Finnis (treble), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
O Lord, thou art my God, Z41 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
O, I'm sick of life, Z140 with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
Of old, when heroes thought it base, Z333 with The King's Consort, Robert King (conductor)
Phillis, talk no more of passion, Z409 with The King's Consort
Pious Celinda goes to prayers, Z410 with The King's Consort
Praise the Lord, O my soul, and all that is within me, Z47 with Nicholas Witcomb (treble), Jerome Finnis (treble), Charles Daniels (tenor), Michael George (bass), Robert Evans (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
Praise the Lord, O my soul; O Lord my God, Z48 with Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Sawney is a bonny lad, Z412 with The King's Consort
Since God so tender a regard, Z143 with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
Sound the trumpet, beat the drum, Z335 with The King's Consort, Robert King (conductor)
Spite of the godhead, pow'rful love, Z417 with The King's Consort
Swifter, Isis, swifter flow, Z336 with The King's Consort, Robert King (conductor)
Te Deum and Jubilate in D, Z232 with The King's Consort, Robert King (conductor)
The Lord is my Light, Z55 with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
The summer's absence unconcerned we bear, Z337 with The King's Consort, Robert King (conductor)
The way of God is an undefiled way, Z56 with James Bowman (countertenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
Thou knowest, Lord, the secrets of our hearts, Z58b with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
Welcome, welcome, glorious morn, Z338 with The King's Consort, Robert King (conductor)
What shall be done in behalf of the man?, Z341 with The King's Consort, Robert King (conductor)
When my Aemelia smiles, Z434 with The King's Consort
When on my sick bed I languish, Z144 with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
Whilst Cynthia sung, all angry winds lay still, Z438 with The King's Consort
Who can from joy refrain?, Z342 with The King's Consort, Robert King (conductor)
Why do the heathen so furiously rage together?, Z65 with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
Ye tuneful Muses, Z344 with The King's Consort, Robert King (conductor)
JOHN PYAMOUR  (fl c1418-before March 1426)
Quam pulchra es with Gothic Voices, Christopher Page (conductor)
PYCARD  (fl c1410-1410)
Gloria with Gothic Voices, Christopher Page (conductor)
Gloria with Gothic Voices, Christopher Page (conductor)
JOHANNES REGIS  (c1425-c1496)
Puisque ma damme / Je m'en voy with Gothic Voices, Christopher Page (conductor)
GACIAN REYNEAU  (c1370-c1429)
Va t'en, mon cuer, avent mes yeux with Gothic Voices, Christopher Page (conductor)
SOLAGE  (fl1370-1390)
Joieux de cuer en seumellant estoye with Gothic Voices, Christopher Page (conductor)
Le basile with Gothic Voices, Christopher Page (conductor)
Tres gentil cuer with Gothic Voices, Christopher Page (conductor)
SOURSBY  (fl c1430-1460)
Sanctus with Gothic Voices, Christopher Page (conductor)
KARLHEINZ STOCKHAUSEN  (1928-2007)
Stimmung 'Singcircle version' with Singcircle, Gregory Rose (director)
[? NICHOLAS] STURGEON  (d1454)
Salve mater Domini / Salve templum gratie with Gothic Voices, Christopher Page (conductor)
THOMAS TALLIS  (c1505-1585)
O nata lux de lumine with The Hilliard Ensemble
PHILIPPE DE VITRY  (1291-1361)
Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor with Gothic Voices, Christopher Page (conductor)
Alphabetical listing of all musical works
A thousand sev'ral ways I tried, Z359 (Purcell)
A vous douce debonnaire (Anon)
Acis and Galatea, HWV49a (Handel)
Ad cantus letitie (Anon)
Ad honorem salvatoris (Anon)
Adieu ces bons vins de Lannoys (Dufay)
Agnus Dei: Qui pius est factus (Anon)
Ah! cruel nymph!, Z352 (Purcell)
Airs de cour (Besard)
Alma polis religio / Axe poli cum artica / Tenor / Contratenor (Porta)
Amintas, to my grief I see, Z356 (Purcell)
Amor mi fa cantar a la Francesca (Anon)
Amour m'a le cuer mis en tel martire (Anthonello de Caserta)
Amours me fait desirer (Machaut)
Amours n'ont cure de tristresse (Francus de Insula)
Astio non morì mai (Andreas de Florentia)
Autres que je ne sueill fas (Gautier de Dargies)
Ave Maria, Op 23 No 2 (Mendelssohn)
Ave parens/Ad gratie/AVE MARIA (Anon)
Ave, virgo, gratia plena (Anon)
Avrai je ja de ma dame confort? (Anon)
Awake, awake, put on thy strength, Z1 (Purcell)
Ay las! quant je pans (Anon)
Be merciful unto me, Z4 (Purcell)
Beata Dei genitrix (Dunstable)
Beati omnes qui timent Dominum, Z131 (Purcell)
Beatus vir 1650 (Monteverdi)
Behold now, praise the Lord, Z3 (Purcell)
Belle sans per (Matteo da Perugia)
Benedicamus Domino: Spiritus almi (Anon)
Biauté qui toutes autres pere (Machaut)
Blessed are they that fear the Lord, Z5 (Purcell)
Blessed be the Lord my strength, Z6 (Purcell)
Blessed is he that considereth the poor, Z7 (Purcell)
Blessed is the man that feareth the Lord, Z9 (Purcell)
Bon jour mon cœur (Goudimel)
Cantu miro (Anon)
Celebrate this Festival, Z321 (Purcell)
Celestial music did the gods inspire, Z322 (Purcell)
Combien que j'aye (Anon)
Complete Service in B flat, Z230 (Purcell)
Confort d'amours (Anon)
Credo (Anon)
Cupid, the slyest rogue alive, Z367 (Purcell)
Dame, de qui toute ma joie vient (Machaut)
Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz (Machaut)
Dame, mon cuer en vous remaint (Machaut)
De ce que fol pense (Molins)
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA (Anon)
Degentis vita / Cum vix artidici / Tenor / Contratenor (Anon)
Dentro en el vergel moriré (Anon)
Descendi in ortum meum (Johannes de Lymburgia)
Desconfortez, plains de dolor (Gace Brulé)
Divine Amaryllis (Boësset)
Divino maduit (Anon)
Dixit Dominus I a 8 voci concertato 1640 (Monteverdi)
Dixit Dominus II 1640 (Monteverdi)
Dolerousement comence (Gontier de Soignies)
Dueil angoisseux (Binchois)
El jubilate (Flecha)
En ce gracieux tamps joli (Jacob de Senleches)
En non Dieu/Quant voi la rose/NOBIS (Anon)
Etas auri reditur (Anon)
Exultavit cor in Domino (Anon)
Exultent caeli a 5 (Monteverdi)
Festa januaria (Anon)
Fins cuers enamourés (Guibert Kaukesel)
Fist on, dame (Anon)
Flos floriger (Anon)
Fly, bold rebellion, Z324 (Purcell)
Fortune, faulce, parverse (Matheus de Sancto Johanne)
From hardy Climes and dangerous Toils of War, Z325 (Purcell)
Gloria (Cooke)
Gloria (Power)
Gloria (Pycard)
Gloria ad modem tubae (Dufay)
Gloria in excelsis Deo a 7 voci (Monteverdi)
Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor (Vitry)
Great Parent, Hail to Thee!, Z327 (Purcell)
Hac in anni ianua (Anon)
Hail! bright Cecilia, Z328 (Purcell)
Hear my prayer, O God, Z14 (Purcell)
I loved fair Celia, Z381 (Purcell)
I was glad when they said unto me (Blow)
I was glad when they said unto me, Z19 (Purcell)
I will give thanks unto thee, O Lord, Z20 (Purcell)
If grief has any pow'r to kill, Z378 (Purcell)
If music be the food of love, Z379a (Purcell)
If music be the food of love, Z379b (Purcell)
Il me convient guerpir (Anon)
In Cloris all soft charms agree, Z384 (Purcell)
In guilty night 'Saul and the witch of Endor', Z134 (Purcell)
In occasu sideris (Anon)
In the midst of life we are in death, Z17b (Purcell)
Inviolata genitrix / Felix virgo / Contratenor / Ad te suspiramus (Machaut)
J'atendray tant qu'il vous playra (Dufay)
Je la remire, la belle (Anon)
Je languis d'amere mort (Anon)
Je m'en vois/Tels a mout/OMNES (Anon)
Je ne chant pas/Talens m'est pris/APTATUR/OMNES (Anon)
Joieux de cuer en seumellant estoye (Solage)
Jour a jour la vie (Anon)
Jubilate 'Utrecht', HWV279 (Handel)
La bella malmaridada (Gabriel de Texerana)
La doce pensee (Gautier de Dargies)
La grant biauté (Anon)
Las, que me demanderoye (Lebertoul)
Latex silice (Anon)
Laudate Dominum omnes gentes III 1640 (Monteverdi)
Laus detur multipharia (Anon)
Le basile (Solage)
Le chant des oiseaulx (Janequin)
Le Lai de la Fonteinne (Machaut)
Le souvenir de vous me tue (Morton)
Letaniae della Beata Vergine a 6 voci (Monteverdi)
Lord, not to us, but to thy name, Z137 (Purcell)
Lord, thou hast been our refuge (Boyce)
Los sospiros no sosiegan (Encina)
Love's pow'r in my heart shall find no compliance, Z395 (Purcell)
Ma dame, trop vous mesprenés (Charles the Bold)
Ma fin est mon commencement (Machaut)
Ma joie me semont (Blondel de Nesle)
Magnificat I a 8 voci 1640 (Monteverdi)
Mais qu'il vous viengne a plaisance (Anon)
Man that is born of a woman, Z27 (Purcell)
Messe de Notre Dame (Machaut)
Mi querer tanto vos quiere (Enrique)
Mon cuer me fait tous dis penser (Dufay)
Most clear of colour (Fayrfax)
Mout souvent/Mout ai esté en dolour/MULIERUM (Anon)
Mundus vergens (Anon)
My heart is fixed, O God, Z29 (Purcell)
My heart is inditing of a good matter, Z30 (Purcell)
My heart, whenever you appear, Z399 (Purcell)
N'a pas long temps que trouvay Zephirus (Anon)
Ne irascaris, Domine (Byrd)
Ne reminiscaris, Domine (Peñalosa)
Nessun ponga sperança (Landini)
Novus miles sequitur (Anon)
Nuevas, nuevas – ¡Por tu fe! (Anon)
O consider my adversity, Z32 (Purcell)
O God, thou art my God, Z35 (Purcell)
O Lord, thou art my God, Z41 (Purcell)
O nata lux de lumine (Tallis)
O regina seculi/Reparatrix Maria (Anon)
O, I'm sick of life, Z140 (Purcell)
Ochi dolenti mie (Landini)
Ode on the death of Mr Henry Purcell (Blow)
Of old, when heroes thought it base, Z333 (Purcell)
Pange melos lacrimosum (Anon)
Par un matinet/Hé, sire!/Hé, bergier!/EIUS (Anon)
Pas de tor en thies pais (Machaut)
Passe el agoa (Anon)
Per la ver'onestà (Andreas de Florentia)
Per seguir la sperança (Landini)
Phillis, talk no more of passion, Z409 (Purcell)
Pious Celinda goes to prayers, Z410 (Purcell)
Plaindre m'estuet (Lantins)
Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS (Anon)
Plus j'ay le monde regardé (Morton)
Por las sierras de Madrid (Peñalosa)
Praise the Lord, O my soul, and all that is within me, Z47 (Purcell)
Praise the Lord, O my soul; O Lord my God, Z48 (Purcell)
Precor te, Domine Jesu Christe (Peñalosa)
Pues serviçio vos desplaze (Enrique)
Puis qu'autrement ne puis avoir (Anon)
Puis que l'aloe ne fine (Anon)
Puisque ma damme / Je m'en voy (Regis)
Purgator criminum (Anon)
Quam pulchra es (Pyamour)
Quand je ne voy (Machaut)
Quant je sui mis (Machaut)
Quant la douce jouvencelle (Anon)
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA (Anon)
Quel fronte signorille in paradiso (Dufay)
Qui le sien vuelt bien maintenir (Brollo)
Qui servare puberem [three-part] (Anon)
Quiconques veut d'amors joïr (Anon)
Regali ex progenie (Fonteyns)
Regis cuius potentia (Anon)
Relegentur ab area (Anon)
Riches d'amour (Machaut)
Rose, liz, printemps, verdure (Machaut)
Salve mater Domini / Salve templum gratie (Sturgeon)
Sancta mater (Peñalosa)
Sanctus (Anon)
Sanctus (Power)
Sanctus (Soursby)
Sawney is a bonny lad, Z412 (Purcell)
Se la belle (Binchois)
Se mesdisans (Machaut)
Se vous scaviez, ma tres douce maistresse (Cesaris)
Since God so tender a regard, Z143 (Purcell)
Singularis laudis digna (Anon)
Sofrir m'estuet et plus non puis durer (Paolo da Firenze)
Soit tart, tempre, main ou soir (Anon)
Sol sub nube latuit (Anon)
Sound the trumpet, beat the drum, Z335 (Purcell)
Speciosa facta es (Dunstable)
Spite of the godhead, pow'rful love, Z417 (Purcell)
Stella serena (Anon)
Stephani sollempnia (Anon)
Stimmung 'Singcircle version' (Stockhausen)
Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS (Anon)
Swifter, Isis, swifter flow, Z336 (Purcell)
Tant doucement me sens emprisonnes (Machaut)
Te Deum and Jubilate in D, Z232 (Purcell)
Te Deum 'Utrecht', HWV278 (Handel)
The Agincourt Carol (Anon)
The Lord is my Light, Z55 (Purcell)
The summer's absence unconcerned we bear, Z337 (Purcell)
The way of God is an undefiled way, Z56 (Purcell)
Ther is no rose of swych virtu (Anon)
Thou knowest, Lord, the secrets of our hearts, Z58b (Purcell)
Tota pulchra es (Isaac)
Tota pulcra es, amica mea (Johannes de Lymburgia)
Tres bonne et belle (Machaut)
Tres gentil cuer (Solage)
Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT (Anon)
Trop plus / Biauté paree / Je ne suis (Machaut)
Tuit mi penser (Machaut)
Va t'en, mon cuer, avent mes yeux (Reyneau)
Va t'ent souspir (Grossin)
Ver pacis apperit (Anon)
Verbum patris umanatur O O (Anon)
Vergene bella (Dufay)
Vetus abit littera (Anon)
Welcome, welcome, glorious morn, Z338 (Purcell)
What shall be done in behalf of the man?, Z341 (Purcell)
When my Aemelia smiles, Z434 (Purcell)
When on my sick bed I languish, Z144 (Purcell)
Whilst Cynthia sung, all angry winds lay still, Z438 (Purcell)
Who can from joy refrain?, Z342 (Purcell)
Why do the heathen so furiously rage together?, Z65 (Purcell)
Ye tuneful Muses, Z344 (Purcell)
Yo creo que n'os dió Dios (Gabriel de Texerana)
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