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Complete works available for download |
A vous douce debonnaire
|
Ad cantus letitie
with Gothic Voices, Christopher Page (conductor)
|
Ad honorem salvatoris
|
Ad honorem salvatoris
with Gothic Voices, Christopher Page (conductor)
|
Agnus Dei: Qui pius est factus
with Gothic Voices, Christopher Page (conductor)
|
Amor mi fa cantar a la Francesca
with Gothic Voices, Christopher Page (conductor)
|
Ave parens/Ad gratie/AVE MARIA
with Gothic Voices, Christopher Page (conductor)
|
Avrai je ja de ma dame confort?
with Gothic Voices, Christopher Page (conductor)
|
Ay las! quant je pans
with Gothic Voices, Christopher Page (conductor)
|
Benedicamus Domino: Spiritus almi
with Gothic Voices, Christopher Page (conductor)
|
Cantu miro
with Gothic Voices, Christopher Page (conductor)
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Combien que j'aye
with Andrew Lawrence-King (harp), Christopher Page (harp)
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Confort d'amours
with Gothic Voices, Christopher Page (conductor)
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Credo
with Gothic Voices, Christopher Page (conductor)
|
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA
with Gothic Voices, Christopher Page (conductor)
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Degentis vita / Cum vix artidici / Tenor / Contratenor
with Gothic Voices, Christopher Page (conductor)
|
Divino maduit
with Gothic Voices, Christopher Page (conductor)
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En non Dieu/Quant voi la rose/NOBIS
with Gothic Voices, Christopher Page (conductor)
|
Etas auri reditur
with Gothic Voices, Christopher Page (conductor)
|
Exultavit cor in Domino
with Gothic Voices, Christopher Page (conductor)
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Festa januaria
with Gothic Voices, Christopher Page (conductor)
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Fist on, dame
with Gothic Voices, Christopher Page (conductor)
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Flos floriger
with Gothic Voices, Christopher Page (conductor)
|
Hac in anni ianua
with Gothic Voices, Christopher Page (conductor)
|
Il me convient guerpir
with Gothic Voices, Christopher Page (conductor)
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In occasu sideris
with Gothic Voices, Christopher Page (conductor)
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Je la remire, la belle
with Gothic Voices, Christopher Page (conductor)
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Je languis d'amere mort
with Gothic Voices, Christopher Page (conductor)
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Je m'en vois/Tels a mout/OMNES
with Gothic Voices, Christopher Page (conductor)
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Je ne chant pas/Talens m'est pris/APTATUR/OMNES
with Gothic Voices, Christopher Page (conductor)
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Jour a jour la vie
with Gothic Voices, Christopher Page (conductor)
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La grant biauté
with Gothic Voices, Christopher Page (conductor)
|
Latex silice
with Gothic Voices, Christopher Page (conductor)
|
Laus detur multipharia
with Gothic Voices, Christopher Page (conductor)
|
Mais qu'il vous viengne a plaisance
with Gothic Voices, Christopher Page (conductor)
|
Mout souvent/Mout ai esté en dolour/MULIERUM
with Gothic Voices, Christopher Page (conductor)
|
Mundus vergens
with Gothic Voices, Christopher Page (conductor)
|
N'a pas long temps que trouvay Zephirus
with Imogen Barford (medieval harp)
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Novus miles sequitur
with Gothic Voices, Christopher Page (conductor)
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O regina seculi/Reparatrix Maria
with Gothic Voices, Christopher Page (conductor)
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Pange melos lacrimosum
with Gothic Voices, Christopher Page (conductor)
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Par un matinet/Hé, sire!/Hé, bergier!/EIUS
with Gothic Voices, Christopher Page (conductor)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS
with Gothic Voices, Christopher Page (conductor)
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Puis qu'autrement ne puis avoir
with Gothic Voices, Christopher Page (conductor)
|
Puis que l'aloe ne fine
with Andrew Lawrence-King (harp), Christopher Page (harp)
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Purgator criminum
with Gothic Voices, Christopher Page (conductor), Leigh Nixon (tenor)
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Quant la douce jouvencelle
with Gothic Voices, Christopher Page (conductor)
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Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA
with Gothic Voices, Christopher Page (conductor)
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Qui servare puberem [three-part]
with John Potter (tenor), Christopher O'Gorman (tenor)
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Quiconques veut d'amors joïr
with Gothic Voices, Christopher Page (conductor)
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Regis cuius potentia
with Gothic Voices, Christopher Page (conductor)
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Relegentur ab area
with John Potter (tenor), Christopher O'Gorman (tenor)
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Sanctus
with Gothic Voices, Christopher Page (conductor)
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Singularis laudis digna
with Gothic Voices, Christopher Page (conductor)
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Soit tart, tempre, main ou soir
with Gothic Voices, Christopher Page (conductor)
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Sol sub nube latuit
with Gothic Voices, Christopher Page (conductor)
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Stella serena
with John Potter (tenor), Christopher O'Gorman (tenor)
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Stephani sollempnia
with John Potter (tenor), Christopher O'Gorman (tenor)
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Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS
with Gothic Voices, Christopher Page (conductor)
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The Agincourt Carol
with Gothic Voices, Christopher Page (conductor)
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Ther is no rose of swych virtu
with Gothic Voices, Christopher Page (conductor)
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Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT
with Gothic Voices, Christopher Page (conductor)
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Ver pacis apperit
with Gothic Voices, Christopher Page (conductor)
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Verbum patris umanatur O O
with Gothic Voices, Christopher Page (conductor)
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Vetus abit littera
with Gothic Voices, Christopher Page (conductor)
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Ave, virgo, gratia plena
with Gothic Voices, Christopher Page (conductor)
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Dentro en el vergel moriré
with Gothic Voices, Christopher Page (conductor)
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Passe el agoa
with Gothic Voices, Christopher Page (conductor)
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Nuevas, nuevas – ¡Por tu fe!
with The Hilliard Ensemble
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Astio non morì mai
with Gothic Voices, Christopher Page (conductor)
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Per la ver'onestà
with Gothic Voices, Christopher Page (conductor)
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Amour m'a le cuer mis en tel martire
with Gothic Voices, Christopher Page (conductor)
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Airs de cour
with Paul O'Dette (lute)
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Dueil angoisseux
with Gothic Voices, Christopher Page (conductor)
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Se la belle
with Gothic Voices, Christopher Page (conductor)
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Ma joie me semont
with Gothic Voices, Christopher Page (conductor)
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I was glad when they said unto me
with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
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Ode on the death of Mr Henry Purcell
with Charles Daniels (tenor), The Parley of Instruments Baroque Orchestra, Peter Holman (conductor)
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Divine Amaryllis
with Paul O'Dette (lute)
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Lord, thou hast been our refuge
with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
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Qui le sien vuelt bien maintenir
with Gothic Voices, Christopher Page (conductor)
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Ne irascaris, Domine
with The Hilliard Ensemble
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Se vous scaviez, ma tres douce maistresse
with Gothic Voices, Christopher Page (conductor)
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Ma dame, trop vous mesprenés
with Gothic Voices, Christopher Page (conductor)
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Gloria
with Gothic Voices, Christopher Page (conductor)
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Adieu ces bons vins de Lannoys
with Gothic Voices, Christopher Page (conductor)
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Gloria ad modem tubae
with The Hilliard Ensemble
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J'atendray tant qu'il vous playra
with Gothic Voices, Christopher Page (conductor)
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Mon cuer me fait tous dis penser
with Gothic Voices, Christopher Page (conductor)
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Quel fronte signorille in paradiso
with Gothic Voices, Christopher Page (conductor)
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Vergene bella
with The Hilliard Ensemble
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Beata Dei genitrix
with Gothic Voices, Christopher Page (conductor)
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Speciosa facta es
with Gothic Voices, Christopher Page (conductor)
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Los sospiros no sosiegan
with Gothic Voices, Christopher Page (conductor)
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Mi querer tanto vos quiere
with Gothic Voices, Christopher Page (conductor)
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Pues serviçio vos desplaze
with Gothic Voices, Christopher Page (conductor)
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Most clear of colour
with The Hilliard Ensemble
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El jubilate
with The Hilliard Ensemble
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Regali ex progenie
with Gothic Voices, Christopher Page (conductor)
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Amours n'ont cure de tristresse
with Gothic Voices, Christopher Page (conductor)
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La bella malmaridada
with Gothic Voices, Christopher Page (conductor)
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Yo creo que n'os dió Dios
with Gothic Voices, Christopher Page (conductor)
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Desconfortez, plains de dolor
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Autres que je ne sueill fas
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La doce pensee
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Dolerousement comence
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Bon jour mon cœur
with The Hilliard Ensemble
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Va t'ent souspir
with Gothic Voices, Christopher Page (conductor)
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Fins cuers enamourés
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Acis and Galatea, HWV49a
with The King's Consort, Robert King (conductor)
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Jubilate 'Utrecht', HWV279
with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
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Te Deum 'Utrecht', HWV278
with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
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Tota pulchra es
with The Hilliard Ensemble
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En ce gracieux tamps joli
with Gothic Voices, Christopher Page (conductor)
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Le chant des oiseaulx
with The Hilliard Ensemble
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Descendi in ortum meum
with Gothic Voices, Christopher Page (conductor)
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Tota pulcra es, amica mea
with Gothic Voices, Christopher Page (conductor)
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Nessun ponga sperança
with Gothic Voices, Christopher Page (conductor)
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Ochi dolenti mie
with Gothic Voices, Christopher Page (conductor)
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Per seguir la sperança
with Gothic Voices, Christopher Page (conductor)
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Plaindre m'estuet
with Gothic Voices, Christopher Page (conductor)
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Las, que me demanderoye
with Gothic Voices, Christopher Page (conductor)
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Amours me fait desirer
with Gothic Voices, Christopher Page (conductor)
|
Biauté qui toutes autres pere
with Gothic Voices, Christopher Page (conductor)
|
Dame, de qui toute ma joie vient
with Gothic Voices, Christopher Page (conductor)
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Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz
with Gothic Voices, Christopher Page (conductor)
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Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz
with Gothic Voices, Christopher Page (conductor)
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Dame, mon cuer en vous remaint
with Gothic Voices, Christopher Page (conductor)
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Inviolata genitrix / Felix virgo / Contratenor / Ad te suspiramus
with Gothic Voices, Christopher Page (conductor)
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Le Lai de la Fonteinne
with The Hilliard Ensemble
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Ma fin est mon commencement
with The Hilliard Ensemble
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Messe de Notre Dame
with The Hilliard Ensemble
|
Pas de tor en thies pais
with Gothic Voices, Christopher Page (conductor)
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Quand je ne voy
with Gothic Voices, Christopher Page (conductor)
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Quant je sui mis
with The Hilliard Ensemble
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Riches d'amour
with Gothic Voices, Christopher Page (conductor)
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Rose, liz, printemps, verdure
with Gothic Voices, Christopher Page (conductor)
|
Se mesdisans
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Tant doucement me sens emprisonnes
with Gothic Voices, Christopher Page (conductor)
|
Tres bonne et belle
with Gothic Voices, Christopher Page (conductor)
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Trop plus / Biauté paree / Je ne suis
with Gothic Voices, Christopher Page (conductor)
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Tuit mi penser
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Fortune, faulce, parverse
with Gothic Voices, Christopher Page (conductor)
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Belle sans per
with Gothic Voices, Christopher Page (conductor)
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Ave Maria, Op 23 No 2
with Christine Barratt (soprano), Janey Mackenzie (soprano), Joya Logan (alto), Jenny Youde (alto), Robin Mace (tenor), Julian Walker (bass), Kenneth Roles (bass), Corydon Singers, John Scott (organ), English Chamber Orchestra, Matthew Best (conductor)
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De ce que fol pense
with Gothic Voices, Christopher Page (conductor)
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Beatus vir 1650
with Carolyn Sampson (soprano), Rebecca Outram (soprano), Cecilia Osmond (soprano), James Gilchrist (tenor), Charles Daniels (tenor), Peter Harvey (bass), The King's Consort, Robert King (conductor)
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Dixit Dominus I a 8 voci concertato 1640
with The King's Consort, Robert King (conductor)
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Dixit Dominus II 1640
with The King's Consort, Robert King (conductor)
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Exultent caeli a 5
with The King's Consort, Robert King (conductor)
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Gloria in excelsis Deo a 7 voci
with The King's Consort, Robert King (conductor)
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Laudate Dominum omnes gentes III 1640
with Carolyn Sampson (soprano), Rebecca Outram (soprano), Daniel Auchincloss (tenor), Charles Daniels (tenor), James Gilchrist (tenor), Robert Evans (bass), Peter Harvey (bass), The King's Consort, Robert King (conductor)
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Letaniae della Beata Vergine a 6 voci
with The King's Consort, Robert King (conductor)
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Magnificat I a 8 voci 1640
with The King's Consort, Robert King (conductor)
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Le souvenir de vous me tue
with Gothic Voices, Christopher Page (conductor)
|
Plus j'ay le monde regardé
with Gothic Voices, Christopher Page (conductor)
|
Sofrir m'estuet et plus non puis durer
with Gothic Voices, Christopher Page (conductor)
|
Ne reminiscaris, Domine
with Gothic Voices, Christopher Page (conductor)
|
Por las sierras de Madrid
with Gothic Voices, Christopher Page (conductor)
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Precor te, Domine Jesu Christe
with Gothic Voices, Christopher Page (conductor)
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Sancta mater
with The Hilliard Ensemble
|
Alma polis religio / Axe poli cum artica / Tenor / Contratenor
with Gothic Voices, Christopher Page (conductor)
|
Gloria
with Gothic Voices
|
Sanctus
with Gothic Voices, Christopher Page (conductor)
|
A thousand sev'ral ways I tried, Z359
with The King's Consort
|
Ah! cruel nymph!, Z352
with The King's Consort
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Amintas, to my grief I see, Z356
with The King's Consort
|
Awake, awake, put on thy strength, Z1
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Be merciful unto me, Z4
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Beati omnes qui timent Dominum, Z131
with Eamonn O'Dwyer (treble), Mark Kennedy (treble), Michael George (bass), The King's Consort, Robert King (conductor)
|
Behold now, praise the Lord, Z3
with The King's Consort, Robert King (conductor)
|
Blessed are they that fear the Lord, Z5
with The King's Consort, Robert King (conductor)
|
Blessed be the Lord my strength, Z6
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Blessed is he that considereth the poor, Z7
with Mark Padmore (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
Blessed is the man that feareth the Lord, Z9
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Celebrate this Festival, Z321
with The King's Consort, Robert King (conductor)
|
Celestial music did the gods inspire, Z322
with The King's Consort, Robert King (conductor)
|
Complete Service in B flat, Z230
with The King's Consort, Robert King (conductor)
|
Cupid, the slyest rogue alive, Z367
with The King's Consort
|
Fly, bold rebellion, Z324
with The King's Consort, Robert King (conductor)
|
From hardy Climes and dangerous Toils of War, Z325
with The King's Consort, Robert King (conductor)
|
Great Parent, Hail to Thee!, Z327
with The King's Consort, Robert King (conductor)
|
Hail! bright Cecilia, Z328
with The King's Consort, Robert King (conductor)
|
Hear my prayer, O God, Z14
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
I loved fair Celia, Z381
with The King's Consort
|
I was glad when they said unto me, Z19
with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
I will give thanks unto thee, O Lord, Z20
with The King's Consort, Robert King (conductor)
|
If grief has any pow'r to kill, Z378
with The King's Consort
|
If music be the food of love, Z379a
with The King's Consort
|
If music be the food of love, Z379b
with The King's Consort
|
In Cloris all soft charms agree, Z384
with The King's Consort
|
In guilty night 'Saul and the witch of Endor', Z134
with Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
|
In the midst of life we are in death, Z17b
with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Lord, not to us, but to thy name, Z137
with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
Love's pow'r in my heart shall find no compliance, Z395
with The King's Consort
|
Man that is born of a woman, Z27
with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
My heart is fixed, O God, Z29
with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, Robert King (conductor)
|
My heart is inditing of a good matter, Z30
with The King's Consort, Robert King (conductor)
|
My heart, whenever you appear, Z399
with The King's Consort
|
O consider my adversity, Z32
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
O God, thou art my God, Z35
with Nicholas Witcomb (treble), Jerome Finnis (treble), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
O Lord, thou art my God, Z41
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
O, I'm sick of life, Z140
with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
Of old, when heroes thought it base, Z333
with The King's Consort, Robert King (conductor)
|
Phillis, talk no more of passion, Z409
with The King's Consort
|
Pious Celinda goes to prayers, Z410
with The King's Consort
|
Praise the Lord, O my soul, and all that is within me, Z47
with Nicholas Witcomb (treble), Jerome Finnis (treble), Charles Daniels (tenor), Michael George (bass), Robert Evans (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
Praise the Lord, O my soul; O Lord my God, Z48
with Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Sawney is a bonny lad, Z412
with The King's Consort
|
Since God so tender a regard, Z143
with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
Sound the trumpet, beat the drum, Z335
with The King's Consort, Robert King (conductor)
|
Spite of the godhead, pow'rful love, Z417
with The King's Consort
|
Swifter, Isis, swifter flow, Z336
with The King's Consort, Robert King (conductor)
|
Te Deum and Jubilate in D, Z232
with The King's Consort, Robert King (conductor)
|
The Lord is my Light, Z55
with Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
The summer's absence unconcerned we bear, Z337
with The King's Consort, Robert King (conductor)
|
The way of God is an undefiled way, Z56
with James Bowman (countertenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
Thou knowest, Lord, the secrets of our hearts, Z58b
with Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
Welcome, welcome, glorious morn, Z338
with The King's Consort, Robert King (conductor)
|
What shall be done in behalf of the man?, Z341
with The King's Consort, Robert King (conductor)
|
When my Aemelia smiles, Z434
with The King's Consort
|
When on my sick bed I languish, Z144
with Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
Whilst Cynthia sung, all angry winds lay still, Z438
with The King's Consort
|
Who can from joy refrain?, Z342
with The King's Consort, Robert King (conductor)
|
Why do the heathen so furiously rage together?, Z65
with Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
Ye tuneful Muses, Z344
with The King's Consort, Robert King (conductor)
|
Quam pulchra es
with Gothic Voices, Christopher Page (conductor)
|
Gloria
with Gothic Voices, Christopher Page (conductor)
|
Gloria
with Gothic Voices, Christopher Page (conductor)
|
Puisque ma damme / Je m'en voy
with Gothic Voices, Christopher Page (conductor)
|
Va t'en, mon cuer, avent mes yeux
with Gothic Voices, Christopher Page (conductor)
|
Joieux de cuer en seumellant estoye
with Gothic Voices, Christopher Page (conductor)
|
Le basile
with Gothic Voices, Christopher Page (conductor)
|
Tres gentil cuer
with Gothic Voices, Christopher Page (conductor)
|
Sanctus
with Gothic Voices, Christopher Page (conductor)
|
Stimmung 'Singcircle version'
with Singcircle, Gregory Rose (director)
|
Salve mater Domini / Salve templum gratie
with Gothic Voices, Christopher Page (conductor)
|
O nata lux de lumine
with The Hilliard Ensemble
|
Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor
with Gothic Voices, Christopher Page (conductor)
|
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Alphabetical listing of all musical works |
|
A thousand sev'ral ways I tried, Z359 (Purcell)
|
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A vous douce debonnaire (Anon)
|
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Acis and Galatea, HWV49a (Handel)
|
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Ad cantus letitie (Anon)
|
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Ad honorem salvatoris (Anon)
|
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Adieu ces bons vins de Lannoys (Dufay)
|
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Agnus Dei: Qui pius est factus (Anon)
|
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Ah! cruel nymph!, Z352 (Purcell)
|
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Airs de cour (Besard)
|
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Alma polis religio / Axe poli cum artica / Tenor / Contratenor (Porta)
|
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Amintas, to my grief I see, Z356 (Purcell)
|
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Amor mi fa cantar a la Francesca (Anon)
|
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Amour m'a le cuer mis en tel martire (Anthonello de Caserta)
|
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Amours me fait desirer (Machaut)
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Amours n'ont cure de tristresse (Francus de Insula)
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Astio non morì mai (Andreas de Florentia)
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Autres que je ne sueill fas (Gautier de Dargies)
|
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Ave Maria, Op 23 No 2 (Mendelssohn)
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Ave parens/Ad gratie/AVE MARIA (Anon)
|
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Ave, virgo, gratia plena (Anon)
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Avrai je ja de ma dame confort? (Anon)
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Awake, awake, put on thy strength, Z1 (Purcell)
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Ay las! quant je pans (Anon)
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Be merciful unto me, Z4 (Purcell)
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Beata Dei genitrix (Dunstable)
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Beati omnes qui timent Dominum, Z131 (Purcell)
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Beatus vir 1650 (Monteverdi)
|
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Behold now, praise the Lord, Z3 (Purcell)
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Belle sans per (Matteo da Perugia)
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Benedicamus Domino: Spiritus almi (Anon)
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Biauté qui toutes autres pere (Machaut)
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Blessed are they that fear the Lord, Z5 (Purcell)
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Blessed be the Lord my strength, Z6 (Purcell)
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Blessed is he that considereth the poor, Z7 (Purcell)
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Blessed is the man that feareth the Lord, Z9 (Purcell)
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Bon jour mon cœur (Goudimel)
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Cantu miro (Anon)
|
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Celebrate this Festival, Z321 (Purcell)
|
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Celestial music did the gods inspire, Z322 (Purcell)
|
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Combien que j'aye (Anon)
|
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Complete Service in B flat, Z230 (Purcell)
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Confort d'amours (Anon)
|
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Credo (Anon)
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Cupid, the slyest rogue alive, Z367 (Purcell)
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Dame, de qui toute ma joie vient (Machaut)
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Dame, je sui cilz / Fins cuers doulz / Fins cuers doulz (Machaut)
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Dame, mon cuer en vous remaint (Machaut)
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De ce que fol pense (Molins)
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De la virge Katerine/Quant froidure/Agmina milicie/AGMINA (Anon)
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Degentis vita / Cum vix artidici / Tenor / Contratenor (Anon)
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Dentro en el vergel moriré (Anon)
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Descendi in ortum meum (Johannes de Lymburgia)
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Desconfortez, plains de dolor (Gace Brulé)
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Divine Amaryllis (Boësset)
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Divino maduit (Anon)
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Dixit Dominus I a 8 voci concertato 1640 (Monteverdi)
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Dixit Dominus II 1640 (Monteverdi)
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Dolerousement comence (Gontier de Soignies)
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Dueil angoisseux (Binchois)
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El jubilate (Flecha)
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En ce gracieux tamps joli (Jacob de Senleches)
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En non Dieu/Quant voi la rose/NOBIS (Anon)
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Etas auri reditur (Anon)
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Exultavit cor in Domino (Anon)
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Exultent caeli a 5 (Monteverdi)
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Festa januaria (Anon)
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Fins cuers enamourés (Guibert Kaukesel)
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Fist on, dame (Anon)
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Flos floriger (Anon)
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Fly, bold rebellion, Z324 (Purcell)
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Fortune, faulce, parverse (Matheus de Sancto Johanne)
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From hardy Climes and dangerous Toils of War, Z325 (Purcell)
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Gloria (Cooke)
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Gloria (Power)
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Gloria (Pycard)
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Gloria ad modem tubae (Dufay)
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Gloria in excelsis Deo a 7 voci (Monteverdi)
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Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor (Vitry)
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Great Parent, Hail to Thee!, Z327 (Purcell)
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Hac in anni ianua (Anon)
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Hail! bright Cecilia, Z328 (Purcell)
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Hear my prayer, O God, Z14 (Purcell)
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I loved fair Celia, Z381 (Purcell)
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I was glad when they said unto me (Blow)
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I was glad when they said unto me, Z19 (Purcell)
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I will give thanks unto thee, O Lord, Z20 (Purcell)
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If grief has any pow'r to kill, Z378 (Purcell)
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If music be the food of love, Z379a (Purcell)
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If music be the food of love, Z379b (Purcell)
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Il me convient guerpir (Anon)
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In Cloris all soft charms agree, Z384 (Purcell)
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In guilty night 'Saul and the witch of Endor', Z134 (Purcell)
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In occasu sideris (Anon)
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In the midst of life we are in death, Z17b (Purcell)
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Inviolata genitrix / Felix virgo / Contratenor / Ad te suspiramus (Machaut)
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J'atendray tant qu'il vous playra (Dufay)
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Je la remire, la belle (Anon)
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Je languis d'amere mort (Anon)
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Je m'en vois/Tels a mout/OMNES (Anon)
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Je ne chant pas/Talens m'est pris/APTATUR/OMNES (Anon)
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Joieux de cuer en seumellant estoye (Solage)
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Jour a jour la vie (Anon)
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Jubilate 'Utrecht', HWV279 (Handel)
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La bella malmaridada (Gabriel de Texerana)
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La doce pensee (Gautier de Dargies)
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La grant biauté (Anon)
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Las, que me demanderoye (Lebertoul)
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Latex silice (Anon)
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Laudate Dominum omnes gentes III 1640 (Monteverdi)
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Laus detur multipharia (Anon)
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Le basile (Solage)
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Le chant des oiseaulx (Janequin)
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Le Lai de la Fonteinne (Machaut)
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Le souvenir de vous me tue (Morton)
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Letaniae della Beata Vergine a 6 voci (Monteverdi)
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Lord, not to us, but to thy name, Z137 (Purcell)
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Lord, thou hast been our refuge (Boyce)
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Los sospiros no sosiegan (Encina)
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Love's pow'r in my heart shall find no compliance, Z395 (Purcell)
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Ma dame, trop vous mesprenés (Charles the Bold)
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Ma fin est mon commencement (Machaut)
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Ma joie me semont (Blondel de Nesle)
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Magnificat I a 8 voci 1640 (Monteverdi)
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Mais qu'il vous viengne a plaisance (Anon)
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Man that is born of a woman, Z27 (Purcell)
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Messe de Notre Dame (Machaut)
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Mi querer tanto vos quiere (Enrique)
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Mon cuer me fait tous dis penser (Dufay)
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Most clear of colour (Fayrfax)
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Mout souvent/Mout ai esté en dolour/MULIERUM (Anon)
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Mundus vergens (Anon)
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My heart is fixed, O God, Z29 (Purcell)
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My heart is inditing of a good matter, Z30 (Purcell)
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My heart, whenever you appear, Z399 (Purcell)
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N'a pas long temps que trouvay Zephirus (Anon)
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Ne irascaris, Domine (Byrd)
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Ne reminiscaris, Domine (Peñalosa)
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Nessun ponga sperança (Landini)
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Novus miles sequitur (Anon)
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Nuevas, nuevas – ¡Por tu fe! (Anon)
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O consider my adversity, Z32 (Purcell)
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O God, thou art my God, Z35 (Purcell)
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O Lord, thou art my God, Z41 (Purcell)
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O nata lux de lumine (Tallis)
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O regina seculi/Reparatrix Maria (Anon)
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O, I'm sick of life, Z140 (Purcell)
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Ochi dolenti mie (Landini)
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|
Ode on the death of Mr Henry Purcell (Blow)
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Of old, when heroes thought it base, Z333 (Purcell)
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Pange melos lacrimosum (Anon)
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Par un matinet/Hé, sire!/Hé, bergier!/EIUS (Anon)
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Pas de tor en thies pais (Machaut)
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Passe el agoa (Anon)
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Per la ver'onestà (Andreas de Florentia)
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Per seguir la sperança (Landini)
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|
Phillis, talk no more of passion, Z409 (Purcell)
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|
Pious Celinda goes to prayers, Z410 (Purcell)
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Plaindre m'estuet (Lantins)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS (Anon)
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Plus j'ay le monde regardé (Morton)
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Por las sierras de Madrid (Peñalosa)
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|
Praise the Lord, O my soul, and all that is within me, Z47 (Purcell)
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Praise the Lord, O my soul; O Lord my God, Z48 (Purcell)
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Precor te, Domine Jesu Christe (Peñalosa)
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Pues serviçio vos desplaze (Enrique)
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|
Puis qu'autrement ne puis avoir (Anon)
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Puis que l'aloe ne fine (Anon)
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Puisque ma damme / Je m'en voy (Regis)
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|
Purgator criminum (Anon)
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Quam pulchra es (Pyamour)
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Quand je ne voy (Machaut)
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Quant je sui mis (Machaut)
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Quant la douce jouvencelle (Anon)
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|
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA (Anon)
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Quel fronte signorille in paradiso (Dufay)
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Qui le sien vuelt bien maintenir (Brollo)
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Qui servare puberem [three-part] (Anon)
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Quiconques veut d'amors joïr (Anon)
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|
Regali ex progenie (Fonteyns)
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Regis cuius potentia (Anon)
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Relegentur ab area (Anon)
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Riches d'amour (Machaut)
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Rose, liz, printemps, verdure (Machaut)
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|
Salve mater Domini / Salve templum gratie (Sturgeon)
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|
Sancta mater (Peñalosa)
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|
Sanctus (Anon)
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|
Sanctus (Power)
|
|
Sanctus (Soursby)
|
|
Sawney is a bonny lad, Z412 (Purcell)
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|
Se la belle (Binchois)
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|
Se mesdisans (Machaut)
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|
Se vous scaviez, ma tres douce maistresse (Cesaris)
|
|
Since God so tender a regard, Z143 (Purcell)
|
|
Singularis laudis digna (Anon)
|
|
Sofrir m'estuet et plus non puis durer (Paolo da Firenze)
|
|
Soit tart, tempre, main ou soir (Anon)
|
|
Sol sub nube latuit (Anon)
|
|
Sound the trumpet, beat the drum, Z335 (Purcell)
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|
Speciosa facta es (Dunstable)
|
|
Spite of the godhead, pow'rful love, Z417 (Purcell)
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|
Stella serena (Anon)
|
|
Stephani sollempnia (Anon)
|
|
Stimmung 'Singcircle version' (Stockhausen)
|
|
Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS (Anon)
|
|
Swifter, Isis, swifter flow, Z336 (Purcell)
|
|
Tant doucement me sens emprisonnes (Machaut)
|
|
Te Deum and Jubilate in D, Z232 (Purcell)
|
|
Te Deum 'Utrecht', HWV278 (Handel)
|
|
The Agincourt Carol (Anon)
|
|
The Lord is my Light, Z55 (Purcell)
|
|
The summer's absence unconcerned we bear, Z337 (Purcell)
|
|
The way of God is an undefiled way, Z56 (Purcell)
|
|
Ther is no rose of swych virtu (Anon)
|
|
Thou knowest, Lord, the secrets of our hearts, Z58b (Purcell)
|
|
Tota pulchra es (Isaac)
|
|
Tota pulcra es, amica mea (Johannes de Lymburgia)
|
|
Tres bonne et belle (Machaut)
|
|
Tres gentil cuer (Solage)
|
|
Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT (Anon)
|
|
Trop plus / Biauté paree / Je ne suis (Machaut)
|
|
Tuit mi penser (Machaut)
|
|
Va t'en, mon cuer, avent mes yeux (Reyneau)
|
|
Va t'ent souspir (Grossin)
|
|
Ver pacis apperit (Anon)
|
|
Verbum patris umanatur O O (Anon)
|
|
Vergene bella (Dufay)
|
|
Vetus abit littera (Anon)
|
|
Welcome, welcome, glorious morn, Z338 (Purcell)
|
|
What shall be done in behalf of the man?, Z341 (Purcell)
|
|
When my Aemelia smiles, Z434 (Purcell)
|
|
When on my sick bed I languish, Z144 (Purcell)
|
|
Whilst Cynthia sung, all angry winds lay still, Z438 (Purcell)
|
|
Who can from joy refrain?, Z342 (Purcell)
|
|
Why do the heathen so furiously rage together?, Z65 (Purcell)
|
|
Ye tuneful Muses, Z344 (Purcell)
|
|
Yo creo que n'os dió Dios (Gabriel de Texerana)
|
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