‘As in the previous volumes, Peter Jacobs shows himself to be fluent, clean-fingered, elegantly delicate where required, and able to invest the music with fine nuances of tone and pace—an ideal interpreter of Chaminade’ (Gramophone)
‘You will be hard pressed to find playing of such super-fine precision and sensitivity. This is undoubtedly one of the most crystalline and exclusive Chopin recitals I have heard for some time. Such pianism forbids even whispered comparisons’ (Gramophone)
‘A very welcome reissue indeed. Eloquent, unfailingly beautiful in tone and blessedly free of mannerism, Livia Rev combines in almost perfect balance the simplicity of utterance required of all great Chopin playing’ (BBC Music Magazine)
‘A rare opportunity to sample Chopin the song composer, here performed with real feeling by Polish mezzo Urszula Kryger. The dark core of melancholy in Kryger's voice is fine-tunes to the Slavic melodic contours of a song like The Sad Stream. And her instinctive grasp of both musical and verbal inflection makes for a beautifully understated performance of Melodya, Chopin's last, heartfelt song of exile’ (Gramophone)
‘Demidenko is one of the most outstanding modern Chopin players … as usual, Demidenko's superb technique is plainly at the service of the music, and he produces a breathtaking sense of mometum’ (International Record Review)
‘If your acquaintance with Clementi's output is limited to the Op 36 Sonatinas you dutifully practised in your youth, Demidenko's exalted interpretation of Clementi will come as nothing short of a revelation. This release serves as a landmark recording of these unjustly neglected masterworks’ (Soundscapes, Australia)
‘Demidenko brings enormous gravitas and spirituality. The fire and dash he lavishes on the quicker movements make this highly enjoyable disc no less exciting than any of his Medtner, Chopin or Rachmaninov releases on Hyperion’ (Hi-Fi News)
