'An awe-inspiring sound' (Classic FM Magazine)

'This is a worthy Millennium tribute to the musicians of St Paul’s. A disc to treasure' (Organists' Review)

‘A collection of Italian delights … [Durante's] Concerto No 8, La Pazzia, sounds like Vivaldi gone bananas … The Raglan Baroque Players aren't the starriest of groups but on the evidence of this disc they ought to be’ (The Times)

‘A delightful aural dessert cart … will offer much pleasure, even on repeated hearings, and the legendary Hyperion sound is another plus’ (Fanfare, USA)

‘Another superb release. Absolutely first-rate’ (Goldberg)

‘Thoroughly recommended’ (Early Music Review)

‘What the whole disc profitably explores is the sensuousness and versatilty of a unique instrumental voice. Modern composers ought to start exploiting its gifts again’ (Gramophone Early Music)

'A brilliantly played Romantic recital on an oft-recorded organ … with its 101 stops spread over five manuals this organ offers an incredibly rich palette of sounds he greatest revelations on the disc are the linked pair of pieces by Thalben-Ball … the Poema floats exquisitely and atmospherically preparing the ear for the distinctly Francophile and sparkling flavours of the Toccata Beorma' (Gramophone)

'The five manual Cavaillé-Coll in St Sulpice is a fine vehicle for the French and German romantic repertoire but a more challenging choice for works by Elgar and Thalben-Ball. Joseph Nolan’s approach … allows the music greater breadth and sensitivity … a very fine performer' (The Organ)» More

'There are 11 firecrackers on this disc, written by 10 composers who have been nurtured by the LSO’s Panufnik Young Composers Scheme' (The Daily Telegraph)

'The Panufnik Legacies is an extremely valuable release, demonstrating the London Symphony Orchestra’s commitment to contemporary music, François-Xavier Roth’s dynamic and committed conducting, and that music being written right now is in very good health' (Classical Source)

'There are plenty of imaginative sounds in The Panufnik Legacies, a CD from the LSO showcasing works by young composers. In Flēotan, Charlie Piper creates the sense of sounds suspended in the air, while in Christopher Mayo’s Therma, earthy rumblings gradually erupt. A highlight for me, though, was Eloise Nancie Gynn’s Sakura (cherry blossom) in which darker forces emerge and subside against a backdrop of atmospheric shimmers' (BBC Music Magazine)