'The music weaves together diverse themes and styles encompassing sparse, clear writing with subtle use of harmony portraying the text … it is a tour de force and absolutely stunning' (Choir & Organ)

‘Hyperion again! For sheer enterprise, a disc comprising nonets by Parry and Stanford takes some beating … it almost goes without saying that the recording is first class, and so are the performances’ (Gramophone)

‘I cannot conceive of a better performance of these two long-neglected concertos … [I] urge you to take a first step in the rehabilitation of two highly attractive piano concertos by acquiring this wonderful disc’ (Fanfare, USA)

„Ein Muß für Liebhaber des abseitigen romantisch-schwelgenden Repertoires“ (Fono Forum, Germany)

'Dos conciertos magistralmente interpretados por Piers Lane' (CD Compact, Spain)

«Sa virtuosité étourdissante, sa fougue, sa large palette sonore, son sens poétique confirment sa position étoile montante du piano britannique» (Diapason, France)

‘Splendid, eloquent performances in clear, warm sound plus Jeremy Dibble's scholarly notes full of insights about the period of these compositions makes this an issue not to be missed. One is left dumbfounded that the [Parry] concerto could have lain neglected for so long’ (Classic CD)

‘Likeable works which are given performances of such conviction that one is thoroughly carried along’ (The Scotsman)

„The Stanford emerges as an absolute delight“ (Piano, Germany)

‘A work of real quality and originality. A major addition to the Parry discography’ (Classic CD)

‘A fine recital’ (Gramophone)

«Une heure d'absolu ravissement» (Diapason, France)