‘The singers more than adequately realise their stated aim of bringing the opulent Court of Savoy to life … the singing on the CD is mellifluous and animated, the pronunciation authentic … and both the liturgical context and the confidence of the performance make this a valuable addition to our understanding of Dufay's output’ (Early Music Review)

‘Se la face ay pale remains Dufay's most approchable mass … this is easy, effortless musicianship  … the balance is superb, and all lines are presented in a free and supple manner that projects the music very well’ (Gramophone)

‘Dufay's Missa Se la face ay pale provides the backbone for this gloriously performed disc from the eight male voices of the pure-toned Binchois Consort. Contrasting motets and mass propers, works of sublime clarity, are rewardingly interspersed … the results are mesmerising’ (The Observer)

‘Dufay was one of the greatest composers of the 15th century … half a dozen recordings of Dufay's Missa Se la face are available but Kirkman's sweeps the board … performances of great clarity, pliancy and historical value … a confirming display of excellence and insight’ (BBC Music Magazine)

«Hamelin joue le jeu de la vivacité à fond et n'y a aucun rival. Son 4e mouvement est lui aussi fort impressionnant, et, en tous cas très lisztien … un disque utile, passionnant et référentiel» (Classics Today France)

‘This musician has made a career of seeking out the forgotten gems of the pianistic past. His brilliant performance of Dukas's mammoth and technically daunting Piano Sonata was one of the more enjoyable discoveries of 2006’ (The Boston Globe, USA)

‘Hamelin is a cult figure to pianophiles, his phenomenal technique matched by an intellectual musicality that's second to none. Dukas's gargantuan Sonata, light years away from The Sorcerer's Apprentice, could seem a white elephant, but Hamelin's magic touch transforms it into a masterpiece. And the weird world of Decaux is a relevation … symphonic in scope, Dukas's four long movements present pianists with an unusual challenge. The music doesn't show off technique, but it's nonetheless fiendish to play, and unless delivered by a thinking virtuoso it sounds rather unspectacular. A clear case of 'send for Hamelin' … this is edgy stuff, played with tenderness and flamboyance, atmospherically recorded’ (BBC Music Magazine)

«Cette version remarquable de Marc-André Hamelin … enrichira ta discothèque et ta culture» (ResMusica.com, France)

‘This has to be one of my ‘Records of the Year 2006’. Hamelin is known for his explorations of the piano repertoire, but this borders on genius … simply stunning’ (MusicWeb International)

«Hamelin n’a pas son égal pour clarifier les plans sonores et en dégager la clarté et la beauté … ce formidable pianiste qu’est Marc-André Hamelin se livre ici à une démonstration de ses talents: mise en place des plans sonores, compréhension de l’architecture musicale, puissance expressive et maîtrise technique parfaite» (Créscendo, France)

«Avec la prodigieuse faculté que possède Hamelin de clarifier les textures, de mettre en relief quelques articulations décisives du discours, de différencier les voix en jouant de l'extraordinaire diversité de timbres de son toucher, cette redoutable sonate acquiert une simplicité biblique la mettant au niveau d'un nouveau-né … la maîtrise est totale, olympienne, presque surnaturelle tant la vélocité vertigineuse se soumet aux exigences de l'expression» (Classica, France)

‘Hamelin brings his characteristic virtues to both works. There's his ability to maintain momentum without sacrificing detail … and his variety of colour evoked in each hand … in short, this one's a must’ (Fanfare, USA)