‘Hamelin gives dazzling performances of eight of Mozart’s divinely inspired Piano Sonatas. Two Rondos, a Fantasia, and a decidedly quirky Gigue complete this appealing double album’ (The Northern Echo)

‘Isserlis draws out great contrasts in mood and tone, with lyrical moments that are quite sublime’ (The Northern Echo)» More

‘Paweł Szymański is represented by short pieces for string quartet with delicate and beguiling textures, while a Paweł Mykietyn quartet draws the listener into captivating soundworld. Well worth the plunge’ (The Northern Echo)» More

‘Graffin’s tonal transparency, ear-ringing intonation and phrasal intuitiveness … are a constant source of pleasure, captured in alluringly tangible sound’ (The Strad)» More

«Le pianiste canadien Marc-André Hamelin … possède sans conteste le sens aigu de l'architecture, de la beauté pure et de la volupté de l'instant. Un disque de référence» (Pianiste, France)» More

‘There is any amount of magic in these miniatures … Hough’s set is a worthy successor to Gilels, and that’s saying a lot’ (Sinfini Music)» More

‘Hewitt brings the requisite combination of flowery ornaments and brilliant cadenza passagework’ (Audiophile Audition, USA)» More

‘The great Soviet composer's chamber music is new to the discography of the Takács, arguably the world's most versatile string quartet. Here they strike up a tingling rapport with one of Hyperion's 'house' pianists: sparks fly between the French-Canadian and the British/Hungarian string players, especially in the sizzling Scherzo and witty Allegretto Finale, even if they don't plumb the melancholic depths of Sviatoslav Richter and the Borodins in their famous reading. The turbulent A major Quartet makes one hanker for more’ (The Sunday Times)

'It’s a fascinating collection, and Jane Chapman uses the nasality available from her Kirckman harpsichord to suggest the drones of some of the original to great effect' (The Irish Times)» More

‘The twelve-member Brabant Ensemble is excellent in all respects in this music, captured at the Church of St. Michael and all Angels at Oxford. This album fills a needed gap in the moderate yet undernourished Brabant discography’ (Audiophile Audition, USA)» More

‘Deranged nuns, inveterate gamblers and fairytale princesses are stock-in-trade characters for Prokofiev’s operas, and it doesn’t take a wild imaginative leap to hear such fantastical characters peopling the busy, welcoming sprawl of his Cello Concerto like a comic-book city. It's thanks to Steven Isserlis, who makes a piece with a chequered history and ‘difficult’ reputation sound like a masterpiece completely characteristic of its creator’ (Sinfini Music)» More

‘This performance is up with the best; Isserlis’s warm, sonorous tone [is] a real asset’ (TheArtsDesk.com)» More