‘In the opening Agnus Dei soprano Sarah Fox is immediately intense and focused, the Colorado Symphony coiled and ready to spring on the explosive tutti that rips forth from the softer textures’ (BBC Music Magazine)» More

‘Nowhere does Hamelin permit a gilded, “rococo” sensibility to detract from the vocalism of the Mozart lyricism or the virile character of his outer movements’ (Audiophile Audition, USA)» More

‘The natural sheen of the playing and a true feeling of ensemble are qualities that have long been hallmarks of the Takács’s performances … the Quintet has long been one of Shostakovich’s most popular works, but here it is refreshed with sensitivity and expressive insight’ (The Telegraph)» More

‘Pianophiles should note immediately that this is a reissue of APR7029, first released around two decades ago … if you missed it before, you should get it now’ (MusicWeb International)» More

‘It's an enormously attractive work, by turns exhilarating, as in the obsessive rhythms of the Presto second movement, and rhapsodic, as in the warmly atmospheric melismatic patterns of the Adagio sixth movement. Roscoe relishes these contrasts in mood with playing that is both exuberant and expressive’ (BBC Music Magazine)» More

‘Martin Roscoe's Dohnányi series on Hyperion is a remarkable venture, and one clearly born of love for this composer’ (International Piano)» More

‘The result is a collection that in terms of imagination and aural allure is beyond anything I have heard since the halcyon age of the young Benjamin Britten … full of small gems’ (The Oldie)» More

'Contrapunctus play a long game with this often slow-paced, meditative repertoire … director Owen Rees shows his experience here, making a case for a conductor in a climate in which musical democracy is increasingly king' (Gramophone)

‘The account of the Missa brevis is if anything even better, Leighton's elliptical languages parsed with extreme acuity by conductor Stephen Layton. He elicits great subtleties of expression from his young singers, in a work which like many of its abbreviated kind could easily glide in by an instant, leaving not so much trace behind it’ (BBC Music Magazine)» More

‘It may well turn out to be one of the finest choral recordings I’ll hear this year!’ (Gramophone)

‘There is much to admire in this release … plenty to enjoy, particularly the 'Midsummer Night's Dream'-like fantasy and lightness of the Scherzo and the Scherzo à cappricio’ (International Piano)» More

‘Ohlsson need fear no comparisons. He has the technique for this music and sounds entirely in sympathy with it’ (MusicWeb International)» More