‘Mestre's playing is limpid and convincing, with Martyn Brabbins and the BBC Scottish Symphony Orchestra giving discreet support’ (BBC Music Magazine)» More

‘Here is a stimulatingly well-contrasted programme. Each sonata benefits from Angela Hewitt's beautifully clean-cut pianistic command, in which every score marking is placed within a precisely articulated interpretative overview’ (BBC Music Magazine)» More

‘With just one voice to a part, polyphonic lines are sharply etched and perfectly weighted throughout, rhythms are buoyant and full of momentum. Words cut easily through the texture, throwing into high relief the contrasts and colourful word painting that characterise Lassus's style’ (BBC Music Magazine)» More

‘This is a rare opportunity to judge for yourself if Tomášek is indeed unjustly neglected … his delightful, often salonesque, piano writing is palpably enjoyed by Roger Vignoles, and Renata Pokupić's winey mezzo whose slightly accented German and rolled 'r's has an apt flavour and timbre, especially for the six Bohemian songs’ (BBC Music Magazine)» More

„Barbara Haveman ist … eine der führenden Interpretinnen, wenn es um zeitgenössische Musik geht. Mit ihrem flexiblen, durch alle Extremlagen gleichmäßig geführten Sopran und dem aparten Timbre ist sie der Fixstern dieser Einspielung“ (Stuttgarter Zeitung, Germany)» More

‘Hewitt's detailed and helpful sleeve notes demonstrate her superb attention to the details of every moment of these four works, and the formidable intelligence with which she tackles them’ (Classic FM)» More

‘The Orlando Consort take the brave step of focusing almost exclusively on [Compère's] songs [which] are … very exposing of a singer’s technique: there really is nowhere to hide … this project is a confident affirmation that all-vocal recordings of 15th-century songs are well worth making’ (Gramophone)

‘Full-blooded, melodious, Romantic stuff, expertly and sensitively performed and definitely worth getting to know’ (Presto Classical)» More

‘Cinquecento, pure-toned but never over-polished, are willing to take risks, which gives this ethereal music energy and life’ (The Observer)» More

'A big, deeply reflective statement … Pappano, the baritone Markus Butter and the London Symphony Orchestra and Chorus perform it brilliantly' (The Sunday Times)» More

„Warum gerade ein englisches Label diese Konzerte mitgeschnitten hat, bleibt ein Rätsel, wichtig ist nur, DASS hyperion es getan hat, denn das Ergebnis ist grandios“ (Rondo, Germany)» More

«Les Four Motets de Copland sont la grande découverte d’un CD remarquable et précieux pour les amateurs, capté dans une vaste acoustique d’église» (Le Devoir)» More