‘Excellently recorded and scrupulously played performances … 'The Romantic Cello Concerto’ series … is going from strength to strength’ (MusicWeb International)» More

‘The Mass requires singers of the highest calibre and the Scholars rise magnificently to the challenge—both literally and figuratively speaking. The sopranos sing with razor-sharp precision, producing a remarkably boyish sound’ (BBC Music Magazine)» More

‘If sublime interpretation of Bach's violin concertos is what you seek, then the impressive subtle performance of Alina Ibragimova will touch your soul and this recording is my most desirable choice for Christmas’ (Elite)

„Die Hörer, die Hamelin (völlig zu Recht) für einen der herausragenden Pianisten unserer Zeit halten, werden zumindest am Quintett ihre Freude haben“ (Klassik.com, Germany)» More

‘Simply take residence in your favourite armchair and let the vocals soothe your soul’ (Elite)» More

‘The recorded sound is warm and immediate. A fascinating concept album that genuinely does shine new light on both composers’ (Classical Ear)» More

'The posthumously published Symphoniae Sacrae collection contains the most magnificent music from Venice in the early 17th century. This choice selection includes, besides works such as the 14-part In ecclesiis and the 10-part Jubilate Deo, Hugh Keyte’s luxuriant reconstruction of the unfinished Quem vidistis pastores. Stephen Cleobury’s forces give opulent readings' (The Sunday Times)

'Gergiev and the LSO give thrilling live performances and one senses the rarely achieved, special connection between performers and Scriabin’s enigmatic sound-world' (MusicWeb International)

‘Ibragimova infuses the concertos with an improvisational freedom that is true to Bach's time, and Jonathan Cohen and the period ensemble Arcangelo supply an energetic accompaniment that gives the music vigor and interest’ (AllMusic, USA)» More

‘Markus Becker's performances of both sonatas on piano … show sympathy and commitment, and Reubke's ideas and expressions come across as genuine, thanks to Becker's avoidance of showiness, which is a difficult thing to pull off in such effusive works’ (AllMusic, USA)» More

'Steven Isserlis nærmer sig gambens udtryk ved at sætte tarmstrenge på sin cello I stedet for at bruge moderne stålstrenge—og ved at spille så elegant. Han er en virkelig delikat musiker' (DR P2 Klassisk, Denmark)» More

‘This is a powerful work of great individuality and distinction, and is here given a suitably masterful and breathtaking performance by Markus Becker’ (Gramophone)