‘Isserlis’s playing of the solo part in the Elgar evokes an elegy for a lost world, while he captures perfectly the bittersweet languor of the Walton’ (The Sunday Times)» More

‘Isserlis’s playing of the solo part in the Elgar evokes an elegy for a lost world, while he captures perfectly the bittersweet languor of the Walton’ (The Sunday Times)» More

«Une excellente manière de (re)-découvrir les trios de Lalo» (Deuzio (l'Avenir), Belgium)» More

‘Hewitt respects his Baroque sense of proportion and scale. She plays a selection of 16 sonatas with expert control—perfect clarity, interplay of parts, clean tone, but also a delight in the music’s quick intelligence and vivacity’ (Financial Times)» More

‘All in all, Isserlis’s is the most trenchant and tasteful account of the Elgar to have come my way since Paul Watkins’s with Andrew Davis and the BBC Philharmonic … an unmissable release’ (Gramophone)

‘All in all, Isserlis’s is the most trenchant and tasteful account of the Elgar to have come my way since Paul Watkins’s with Andrew Davis and the BBC Philharmonic … an unmissable release’ (Gramophone)

‘Some of Stephen Hough's greatest triumphs are to be found in Hyperion's wondrous Romantic Piano Concerto series. In a sense he has returned to that territory with the Dvorak Concerto, a work heinously neglected after it was condemned as being unpianistic … Andris Nelsons and the CBSO clearly relish the symphonic nature of the piece and their playing is one of the great pleasures here’ (Gramophone)

‘[Hewitt's] notes are as intelligent and insightful as her playing, drawing upon the opinions and practices of others who have analysed or played this music in the past. She comes to her own conclusions about each piece, demonstrating a lifetime of sensitive reflection and performance of this music, and that personality shines through in every track. She indicates her desire to make further recordings of Scarlatti—let us hope that we do not have to wait long’ (MusicWeb International)» More

‘The three singers are impressive … I hope this will be popular!’ (Early Music Review)» More

‘These are pieces well-worth getting to know. They are thoroughly well-served by the performers and the production values and also by Roger Nichols’s enlightening booklet note’ (Classical Source)» More

'It’s attractive, without ever being too comfortable, and backward looking. It’s very cleverly scored for large orchestra, and will give much pleasure' (Classic FM)» More

‘Hewitt's performances are thoughtfully phrased, polished in tone, and rhythmically precise with a modicum of rubato, and she is alert to the subtleties that make this music so beguiling … highly recommended’ (AllMusic, USA)» More