„Wer das Label Hyperion kennt, vor allem dessen Reihe „The Romantic Piano Concerto“ 2, weiß, dass hier in der Regel Höchste Qualitlät in allen Kategorien zu erwarten ist“ (Piano News, Germany)» More

‘These are generally powerful readings of this mainly familiar material … and sustained passages of magnificently sonorous singing’ (Early Music Review)» More

‘This is an ideal recording’ (Early Music Review)» More

'Each track seems to be more lovely than the next, and it has a lot to do with the artists here, a real 'Rolls-Royce' of a voice here, she's able to do anything that she wants, beautifully matched by the burnished sound of her clarinettist, really first-class music-making' (BBC Radio 3 CD Review)

'Clarinettist Julian Bliss and the Carducci Quartet are most sensitive and elegaic' (Financial Times)» More

‘This brings out the best in both players (including piano playing of incredible softness), and the unresolved harmonic tensions of the close will surely tempt listeners to hope for more Mozart from the same team very soon’ (The Europadisc Review)» More

‘The fluidity of the partnership between Ibragimova and Tiberghien is key to the success of this album … the result is simply effortless listening, with the two musical roles complementing each other perfectly’ (Presto Classical)» More

'Tenebrae Consort perform with impeccable professionalism under director Nigel Short' (Choir & Organ)» More

'A superbly performed, thoroughly enjoyable disc' (Choir & Organ)» More

‘Layton … has honed his mixed-voice choir into an impressive body of singers: the entire programme is richly satisfying, perfectly judged and one that anyone interested in the development of the Anglican choral tradition in the last century will want to hear’ (Choir & Organ)» More

‘I have to confess that I have a weak spot for Cooke in my listening preferences … she commands a broad repertoire that allows her to avoid “type casting;” and, regardless of repertoire, I never fail to be drawn into her ability to seek out just the right style of execution for anything she chooses to sing’ (The Examiner, USA)» More

‘Cooke is very much alert to [the later songs] introversion and sadness. The way she encompasses small gradations in volume over a relatively narrow dynamic range impresses, while Drake makes every chord and phrase shiver with meaning’ (Gramophone)