‘With excellent sound quality … this is a release recommended without reservation’ (Classical Source)» More

‘Hypnotic recital of music by two of the 20th century’s American greats’ (The Sunday Times)» More

‘The Takács Quartet’s playing is always exemplary’ (Financial Times)» More

‘In the Franck Quintet Marc-André Hamelin's contribution displays a patrician elegance and unruffled authority … and he generates a magnetic rapport with the Takács Quartet’ (Classical Ear)» More

'Sober en haast minimalistisch, maar hoogst in drukwekkend' (Kerk & Leven, Belgium)

«Si Bartók, dont plusieurs enregistrements gardent trace au piano, abordait le clavier comme le sculpteur débite le bloc de pierre, Tiberghien taille surtout des diamants» (Diapason, France)» More

«Le couplage avec le concerto de Schumann est aussi habile qu'original. Ici encore, Hough préfère un ton rigoureux a l'abandon lyrique auquel invite, à notre sens, la partition. Le dialogue avec l'orchestre est tissé en dentelle» (Diapason, France)» More

‘There is a powerful hypnotism going on here drawing you in, willingly and consciously … Steven Osborne plays with commendable concentration and belief as well as subtlety of touch and volume’ (Classical Source)» More

'Under Paul Brough's confident direction, the choir give strong performances of the highly varied music on the disc' (Planet Hugill)

«La voix chaude et phonogénique de Sasha Cooke illumine de ses reflets mordorés le quatrième volume de cette intégrale» (Diapason, France)» More

‘Westminster Cathedral Choir is at its best in large-scale drama of the Credo of the mass … a convincing introduction to a neglected composer’ (BBC Music Magazine)» More

‘Ibragimova sounds, perhaps, surprisingly mystical by virtue of the studied musical presence she evinces in her readings. But the very directness and clarity of Mozart’s style defies an attempt at any definitive execution and this set is as captivating as any, and true to Mozart’s spirit’ (MusicWeb International)