‘This is a wonderful recording by Westminster Cathedral Choir’ (The Portal)» More

„Superb“ (Piano News, Germany)» More

„Angela Hewitt nutzt eine Art von Terrassendynamik, die fasziniert, aber vor allem weiß sie die Agogik, den Atem, das Volkstümliche sowie die Akzente so geschickt miteinander zu verbinden, dass der Zuhörer aufmerksam und gespannt lauscht“ (Piano News, Germany)» More

'Gergiev goes for atmosphere, and delivers engaging and stimulating readings. The London Symphony Orchestra is on top form throughout, with the strings producing a weighty, dark tone and the woodwind solos a particular delight' (Classical Ear)» More

‘This is the third collection of songs on the theme of courtly love by Guillaume de Machaut by the the Orlando Consort, who are proving the most committed of guides to the music and mores of fourteenth-century France. Each work in this album makes for alluring listening’ (The Northern Echo)

‘Pianist Vladimir Kiradjiev is joined by the BBC Scottish Symphony Orchestra for the first recording of Moritz Moszkowski’s long-lost early Piano Concerto. This important addition to the Romantic Piano Concerto series is coupled with another rarity in the shape of the Russian Rhapsody by Adolf Schulz-Evler’ (The Northern Echo)

‘The Westminster Abbey Choir and James O’Donnell present two of the undisputed choral masterpieces from sixteenth-century England, by one of the greatest English composers. John Taverner’s Missa Mater Christi sanctissima has an expansive melodic style that is laid out in all its splendour on this album, while the rendering of the Western Wynde Mass is quiet sublime’ (The Northern Echo)

‘Beautifully sung. A most welcome release, which should win many converts to this repertoire’ (Choir & Organ)» More

‘This is a superb record, of rare musical integrity and commitment’ (International Piano)» More

'Luister maar eens naar de Mis van André de Salval Gomes prachtige barokmuziek uit de vroege romantiek!' (Katholiek Nieuwsblad, Netherlands)» More

«Une interprétation engagée» (Diapason, France)» More

«Même admirablement jouée par Ludmil Angelov, l'œuvre peine à retenir l'attention, ou plutôt elle souffre de nombreux tunnels, où le compositeur ne nous prend pas par la main pour rêver en sa compagnie. L'humeur générale est sombre, plus introvertie que tourmentée, et l'écriture plus solide qu'économe» (Diapason, France)» More