«Tout au long de ce disque exigeant mais indispensable par sa qualité et son originalité, Steven Osborne est un guide unique et un conteur hors-pair de ces musiques qu’il parvient à rendre presque «classiques» par leur évidence» (Crescendo Magazine, Belgium)» More

‘[A] very impressive recital’ (Gramophone)

'Kortom, Ibragimova geeft een sublieme uitvoering van deze prachtige muziek van Bach. Daarbij voortreffelijk begeleid door het orkest Arcangelo van de jonge klavecinist en dirigent Jonathan Cohen. Een uitvoering om te koesteren' (Nederlands Dagblad, Netherlands)» More

‘Hewitt delivers throughout and her detailed and helpful sleeve notes demonstrate her superb attention to the details of every moment of each of these five works, and the formidable intelligence with which she tackles them’ (Classic FM)» More

'Aficionados of often challenging Anglican Church music should not hesitate' (Classic FM)» More

‘Everything is captured in fantastic sound: bright as an unexpected shaft of moonlight, potent as a blow to the solar plexus’ (Listen, USA)» More

‘Sensitive and thrilling playing … Angelov is very persuasive’ (Classical Source)» More

‘Bevan is a charming and committed advocate for these songs’ (Classical Source)» More

‘The singing of the Westminster Abbey choir is forthright and powerful, particularly in the Missa Mater Christi sanctissima, reflecting music that was clearly meant to impress. James O’Donnell keeps a healthy pace up, although always allowing space for the individual voices to be heard through the acoustic’ (AndrewBensonWilson.org)

‘The balance between singer and piano is also very good … needless to say clarity and definition are excellent and the dynamic range is very good, with some excellent variation at piano and below’ (Audiophile Audition, USA)» More

‘Bevan is characterful in the song quoting Mendelssohn's Wedding March ironically, as Mother advises her daughter to remain single’ (The Sunday Times)» More

'It's here that Gergiev's experience in the opera house really comes into play, as he knows just how to pace a long dramatic stretch … Gergiev strikes just the right note of noble optimism without spilling over into vulgarity' (Presto Classical)