'This is an impressively disciplined account of the mighty score, with expressive Italian soloists, a superb choir … and the LSO on top form' (The Sunday Times)

'This is an excellent recording all round, with the LSO responding superbly well to the many technical and expressive challenges posed in performing Adès’s orchestral music' (Gramophone)

‘Tiberghien and François-Frédéric Guy are each masters of both refinement and power’ (MusicWeb International)

‘[The] interpretation is well defined, stylish, and shapely. [Danny Driver is] aided in his reading by the inspired, colorful playing of the BBC Scottish Symphony Orchestra and conductor Rebecca Miller, who turn in an accompaniment that seems intent on proving this music belongs in the repertoire’ (The Arts Fuse, USA)

‘An attractive outing for these concertos, which are well played and recorded’ (MusicWeb International)

‘Czerny charms rather than challenges—don't expect to be bowled over by this prolific Austrian composer's daring and invention here. That said, there's nothing wrong with a little good humour, especially when the concertos are so immaculately performed’ (BBC Music Magazine)

'The interplay between spoken and instrumental sections is smoothly engineered and the young actors keep things moving. But it's Mendelssohn's lyricism that wins overall: how do you sum up nearly an hour's music with just a slow, high, softly descending E major scale? Genius' (BBC Music Magazine)

'Ian Page’s Mozart cycle has been greatly admired … the Orchestra of Classical Opera is a band steeped in the recent tradition of authenticity and they produce a sound that is at the same time full and meaty but also slim and transparent. They play with verve and involvement' (MusicWeb International)

‘This triple-bill of chamber works amply demonstrates how much more there is to [Bruch] than just his famous crowd-pleasing Concerto’ (Presto Classical)» More

‘The Orlandos sensibly espouse the music’s rough edges … courting roughness themselves in a good cause’ (Gramophone)

'Het Goldner String Quartet behandelt beide werken met veel respect en speelplezier en dat biedt veel luistergenot' (Klassieke Zaken, Netherlands)» More

‘There is a palpable and invigorating rapport between Hamelin and Jurowski … few can illuminate or clarify complex textures quite as well as Marc-André Hamelin’ (Gramophone)