'[Une] approche «Toscannienne», notamment à travers le tempo, le refus du pompiérisme comme de l'effusion complaisante, le tout tenu d'une main de fer—orchestre et chœur se plient admirablement, galvanisés' (Diapason, France)

‘Proceedings are launched in fine style with a supremely affectionate and agreeably lithe account of the immensely personable concerto that Walton conceived for the great Jascha Heifetz. Anthony Marwood proves an enviably secure and articulate soloist’ (Gramophone)

‘Anthony Marwood's un-flashy individualism seems to be operating at an opposite pole to the Heifetz way, and generates memorable results of its own. While Marwood has all the virtuosity that the music demands, nothing is rushed’ (BBC Music Magazine)» More

‘Beautifully sung throughout, here is an utterly moving union of sentiment and music that will have you listening repeatedly. Definitely music to die for’ (Limelight, Australia)» More

'Tritschler is een geboren liedvertolker, met een lyrisch geluid dat de dynamische schakeringen van deze breekbare vignetten weet te volgen, waar nodig met behulp van een exquis toegepast falsetregister. Het aandeel van Graham Johnson is van de grote klasse die we van hem gewend zijn' (Opus Klassiek, Netherlands)» More

‘A fine recording and an animated performance from the BBC Scottish Symphony. The strings sound very rich, and the recording is realistic without over accenting instruments. It represents my ideal of how an orchestra should be recorded, and it is particularly nice when the musical program is nicely put together, the musicians are playing at their peak, and the recording is done to the best practices of the day’ (Audiophile Audition, USA)» More

‘Osborne has a great time with the Spanish dance flavour of the [Falla], perfectly complementing the concertos of the composer’s slightly older contemporary’ (The Sunday Times)» More

„Das Duo Osborne-Morlot sucht aber eher nach Farben, nach Poesie (und Osborne findet sehr viel davon!), so dass eine ungemein fantasievolle Interpretation zustande kommt“ (Pizzicato, Luxembourg)» More

‘Ludovic Morlot’s BBC Scottish Symphony Orchestra are deft partners, the jazzy central section nicely pointed. Osborne's thunderous cadenza is magnificent, and the work’s close overwhelms’ (TheArtsDesk.com)» More

‘Both the Ravel Concertos are perfectly suited to Osborne’s piano playing and in particular the Piano Concerto for the left hand; he captures the sweep of this music with an incredible sense of structure and where it’s going. It’s a very intellectual and well thought-out performance’ (BBC Radio 3 CD Review)» More

‘A thrilling new recording of this piano-concerto-in-all-but-name from Steven Osborne and the BBC Scottish Symphony Orchestra under the suave baton of the French conductor Ludovic Morlot’ (The Times)» More

'Paul McCreeshs neue 'Season'-Aufnahme ist vielleicht nichts für empfindliche Puristen, dafür aber für alle, denen der Zauber der 'Jahreszeiten' bislang entgangen sein mag' (Klassik.com, Germany)» More