‘The sound, recorded in the Royal Concert Hall, Glasgow during January last year is excellent, especially as auditioned as high resolution 24-bit flacs. This is an astonishingly fine release of music which will continue to enthral over and over again, each successive listening revealing more of Nenov’s genius. This will surely be one of my recordings of the year’ (Audiophile Audition, USA)» More

‘Nenov’s epic, craggy Piano Concerto is an extraordinary work, containing huge swathes of music which genuinely sound like nothing you've ever heard … buy this and hope that Varbanov will exhume more of Nenov’s music’ (TheArtsDesk.com)» More

‘Diminutive Cipriani Potter ('Little Chip' to his chums) was an early 19th-century British star of the keyboard, introducing London audiences to the piano concertos of Mozart and Beethoven and writing four of his own, plus nine symphonies—but who knows his name today? Howard Shelley does him proud in this effervescent recording of two Potter concertos, one a semi-homage to Mozart, the other a much broader and more expansive corker. Shelley adds a Rossini-themed showpiece for good measure, while all the while directing the sprightly Tasmanian Symphony Orchestra. Another gem from Hyperion’s Romantic piano concerto series’ (The Guardian)

‘Anthony Marwood is the incisive, poetic soloist in Walton’s Violin Concerto …, a work bursting with shrill, spiky exuberance and gleams of lyricism’ (The Guardian)» More

‘Marwood is a thrilling, virtuosic soloist in the ever-seductive concerto, and the orchestra matches his power’ (The Sunday Times)» More

'Ce qui impressionne surtout, c'est la maîtrise de l'agogique pour passer d'un état à un autre et articuler les plans qui se meuvent à des vitesses différentes. La remarquable prise de son révèle les moindres détails, laisse respirer les textures, et met en valeur les solistes du LSO, qui se couvrent de gloire tour à tour' (Diapason, France)

‘The disc provides a compelling insight into the chamber music of [Borodin]’ (MusicWeb International)» More

«Les Nash s’y coulent avec le brio et l’élégance mendelssohnienne qui siéent à ce style délicieusement suranné. Très séduisant» (Diapason, France)» More

‘Excellently recorded, these performances of the Leçons approach perfection’ (BBC Music Magazine)» More

«Howard Shelley est impeccable» (Diapason, France)

'The second instalment of Malcolm Martineau’s survey of Fauré’s songs is exceptionally beautiful, both in choice of material and quality of performance' (Gramophone)

«La souplesse de Terry Wey, qui tient la partie supérieure, la richesse et l’ampleur non forcée des basses, la qualité des timbres et la perfection des intonations, la fluidité des phrasés et la diversité des couleurs: c’est bien simple, tout est là, comme aux plus belles années de la Capilla Flamenca, dans un style un peu plus précieux et élégant mais non moins éloquent. Longue vie à Cinquecento!» (Diapason, France)» More