‘The playing of the accompanying ensemble shares the distinction of the flautist … congratulations are well deserved all round’ (Early Music Review)

‘In virtually every way—flute playing, sonics, and accompaniment—this new original-instrument version of the Sonatas bests my former original-instrument reference … Beznosiuk and her accompanists really feel this music as well’ (Classics Today)

‘These are performances I am going to be returning to again and again’ (International Record Review)

‘Splendid. A wonderful achievement, one that only renews our admiration for Bach. It has been six, maybe twelve months since I heard a record that impressed me as much as this one. Don't pass it by’ (American Record Guide)

‘Performances of exceptional grace and beauty … Angela Hewitt's version of Book I eclipses all others; hers will become the benchmark recording … special and uniquely enchanting’ (BBC Music Magazine)

‘An inspirational set’ (The Penguin Guide to Compact Discs)

‘The first recorded performances by a pianist of Book I that have made me want to hear them many times over. Strongly recommended’ (Gramophone)

‘The Canadian pianist may not regard herself as a Bach specialist, but her brilliant and profoundly musical playing of the first 24 preludes and fugues of the "48" goes straight to the top of available piano versions’ (The Sunday Times)

‘Authoritative performances, impeccable technique, brilliant recorded sound—a winner’ (Church Music Quarterly)

‘If you only have one disc of organ music in your collection this must be it’ (The Good CD Guide)

‘Masterly interpretations’ (Organists' Review)

‘Stupendous organ sound … one of the three Bach CDs I will turn to over and over again for sheer enjoyment’ (Gramophone)