1 January 1900
Piano, Germany
Mendelssohn: Double Concertos
CDA66567 

„Sensitive and enchanting“ (Piano, Germany)
1 January 1900
American Record Guide
Mendelssohn: Double Concertos
CDA66567 

‘The sheer joy of playing this music bubbles over in every measure’ (American Record Guide)
1 January 1900
CDReview
Mendelssohn: Double Concertos
CDA66567 

‘Fine talent is on display here … this programme makes ideal listening as well as offering welcome insight into Mendelssohn's great genius’ (CDReview)
1 January 1900
The Penguin Guide to Compact Discs
Mendelssohn: Double Concertos
CDA66567 

‘Coombs and Munro prove ideal advocates, playing with delectable point and imagination’ (The Penguin Guide to Compact Discs)
1 January 1900
Yorkshire Post
Mendelssohn: Piano Concertos
CDA66969 

‘Stephen Hough is a player of formidable talent, capturing the essence and spirit of Mendelssohn’s driving enthusiasm and creative wonder’ (Yorkshire Post)
1 January 1900
Stereo Review
Mendelssohn: Piano Concertos
CDA66969 

‘Stephen Hough searches out the lyrical essence of the music rather than going for glitz’ (Stereo Review)
1 January 1900
Soundscapes, Australia
Mendelssohn: Piano Concertos
CDA66969 

‘Stephen Hough is, undoubtedly, one of the most elegant pianists before the public today … Hough does not fail to underscore this in the brilliant pyrotechnics’ (Soundscapes, Australia)
1 January 1900
The Scotsman
Mendelssohn: Piano Concertos
CDA66969 

‘Expressive playing from this fine soloist – one has to marvel at anyone who can take on those devilish tempos’ (The Scotsman)
1 January 1900
The Observer
Mendelssohn: Piano Concertos
CDA66969 

‘Stephen Hough has the ideal qualities of sharp attention to rhythmic detail and an impeccable fluidity of line and phrase’ (The Observer)
1 January 1900

Mendelssohn: Piano Concertos
CDA66969 

‘He is all fleet-fingered exhilaration in the outer movements and relaxes appealingly when the music turns inwards’ (International Piano)
1 January 1900

Mendelssohn: Piano Concertos
CDA66969 

‘It should perhaps come as no surprise that Stephen Hough should prove so perfectly attuned to these works … if you opt for just a single recording, this would make an excellent first choice … the soft, stylish arpeggios that open the first work on the disc announce immediately that something special is on the way. Hough is now clearly first recommendation in the concertos’ (Gramophone)
1 January 1900
Fanfare, USA
Mendelssohn: Piano Concertos
CDA66969 

‘Hough offers far greater elegance and plusher tone … Hough is, as always, a delight to listen to, such as in his quicksilver scattering of thirds in the last movement of the Second Concerto’ (Fanfare, USA)
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