‘Outstanding. The whole package is quite superb’ (Hi-Fi News)

‘Fresh … colourful … beguiling … Inspired and imaginative, the whole experience is fun’ (The Musical Times)

‘This stunning disc … immense fun, brimming over with real affection for the music. A disc of rare beauty and a gem in any collection’ (The Good CD Guide)

'Ibragimovas andet forsøg med komponisten rummer to rigtigeviolinkoncerter og tre omskrevne fra tangeninstrumneter I tæt samarbejde med det lille engelske barokband Arcangelo. Den lille gruppe er homogen og stærkt musikalsk I arbejdet med dynamiske udsving, så der er optimale rammer for den 30-årige russers formfuldendte spil' (Politiken, Denmark)» More

‘Bach at his most tuneful and diverting and Herrick's style is particularly suited to them’ (Soundscapes, Australia)

‘An indispensable collection and one I should not be happy to be without’ (Organists' Review)

‘Not only has Herrick found a simply ravishing Swiss organ which he uses with impeccable good taste, but the Hyperion team have come up with a top-notch recording. Once again they've given us a disc which combines consummate musical insight and technical mastery with sheer unalloyed listening pleasure’ (Gramophone)

‘Herrick has once again shown that his command of the Bach idiom is as total as any other contemporary organist's … an impressive addition to a milestone collection’ (Classic CD)

‘This disc brings a most welcome surprise, the rarely heard late set for baritone, choir, and orchestra, Five Poems of the Spirit (1944). Written during the dark days of the war, these radiate the assurance we also hear in Vaughan Williams' Five Mystical Songs … Roderick Williams sings the generous baritone solos clearly and with conviction and the Britten Sinfonia provides a solid support’ (Fanfare, USA)

‘Bairstow was several notches above the typical organ loft composer. His best work shows a keen sense of drama and a secure grasp of musical architecture … his music has a warmth and grandeur that continues the best of the great tradition of English cathedral music … the performances here are first rate … the present recording amply demonstrates that St John's has one of the finest choirs in England. In addition, the quality of the recorded sound is delightful. It is a spacious and sumptuous sound with good presences. The Hyperion engineers manage again and again to find the formula that seems to elude so many others’ (American Record Guide)

‘The very first track on the disc for instance, 'Jesu, the very thought of thee' is quite beautifully written. The choice and use of texts was of paramount importance to Bairstow and he sets these with great care … 'Blessed city' is on a grander scale and has real passion … most surprising of all is the sheer harmonic austerity. To those expecting tedious old Anglican Church music: think again! … the real revelation is Five Poems of the Spirit … these are perhaps a close relation of the Five Mystical Songs of Vaughan Williams and inhabit the same sort of rather reflective, and, yes, mystical soundworld, setting texts by the Metaphysical Poets Richard Crashaw and George Herbert as well as a beautiful poem by Sir Walter Raleigh, 'Purse and Scrip'. Bairstow responds to this with music that is confident, bracing, imaginative, and, at times, quite magical … the wistful ending of the last setting makes one regret all the more that Bairstow didn't spend more time or have the confidence to set his mind to these larger projects. Anyone who loves English choral music will respond positively to every moment of these settings. As for the performances—the ever-reliable and versatile Roderick Williams is as eloquent as always and the Choir makes some wonderful sounds—the entry in the fourth part of Poems of the Spirit is alone worth the price of the CD alone. Warmly and enthusiastically recommended’ (Classical Source)

‘Having praised David Hill and the Choir of St John's College, Cambridge in April 2007 for their disc of works by Jongen and Peeters, I find it a pleasure to give an emphatic nod to this new release as well … the choir's intense sound is spot-on for this repertoire; no doubt Bairstow himself would have approved’ (International Record Review)