‘Steven Isserlis and Stephen Hough move things up to another level of intensity and technical command’ (BBC Music Magazine)» More

'There's much to savour in Gardiner's urgently driven account' (BBC Music Magazine)» More

‘[A] spirited and affectionate performance heard here from the lithe violin of Ilya Gringolts, the sometimes-stratospheric cello playing of Nicolas Altstaedt, the bucolic oboe of Alfredo Bernardini and the mischievous bassoon of Peter Whelan, with the resplendent ensemble Arcangelo under Jonathan Cohen’ (BBC Music Magazine)» More

‘The star of the set is undoubtedly tenor Brandon Jovanovich as Waldemar; his baritonal timbre suits the piece well, particularly the relatively low writing given to him for his first entry, but his top notes ring when necessary … the Cologne woodwind are on top form, as indeed is everyone in this fine new recording of a wonderfully colourful and dramatic piece’ (Presto Classical)» More

„Das ‘Colorado Symphony’ und sein Chor sind hingebungsvolle Interpreten unter der zupackenden Leitung von Andrew Litton, so dass man diese CD mit einer attraktiven Werkkopplung als vollen Erfolg ausdrücklich empfehlen kann“ (Pizzicato, Luxembourg)» More

‘With this Ysaÿe recording, Alina Ibragimova enters a surprisingly well-populated field—and she's up there with the best’ (BBC Music Magazine)» More

‘The peerless choir offer meticulously blended and shaped performances of 20th-century a cappella American choral works’ (The Sunday Times)» More

'Thomas Allen, Thomas Oliemans, Joshua Ellicott, Catherine Wyn-Rogers, Ann Murray and Sarah Fox are all secure and idiomatic Poulenc connoisseurs' (The Observer)» More

‘This superb performance crowns Stenz's tenure as Cologne's general music director, with opulent playing from the Gurzenichers and six Cologne and Dutch choirs. Brandon Jovanovich's thrilling Waldemar and Claudia Mahnke's plangent Wood Dove are the pick of a fine team of soloists’ (The Sunday Times)» More

‘The live recording’s Wagnerian cast is swept along with élan by conductor Markus Stenz and his orchestra’ (Financial Times)» More

'Walton makes a good case for [the Glazunov], using a lightish, sweeping tone that means that the long, rhapsodic melodies don’t get too bogged down … Tchaikovsky’s Rococo Variations are given in the composer’s original version, and Walton’s poised playing suits them well' (The Guardian)» More

‘A perfect marriage of sublime music and pristine artistry, every note executed by the Montreal-born pianist with finesse’ (Winnipeg Free Press, Canada)» More