'De bas Matthew Rose en het ensemble Arcangelo onder leiding van Jonathan Cohen brengen aria's die voor de man geschreven werden, zowel door Salieri als Mozart' (Kerk & Leven, Belgium)» More

‘The ever-reliable English cellist Steven Isserlis is back with yet another delightful CD … the result is playing of grace, lightness and warmth’ (The Whole Note, Canada)» More

«Le style très articulé de la pianiste anglaise, hérité de sa longue fréquentation de Bach, sied assez bien à ces quatre œuvres, et les amateurs d'un piano clair et vif y trouveront leur bonheur» (La Libre Culture, Belgium)» More

‘As we have come to expect over the years the standard of performance achieved by Ex Cathedra is very high indeed’ (MusicWeb International)» More

‘The performances of both works here are all that you could want them to be’ (The Whole Note, Canada)» More

‘The choir performs as if born to this music and an excellent solo quartet for the Magnificat emerges from its ranks, including a treble solo of great clarity by the young Alexander Kyle’ (The Whole Note, Canada)» More

‘Marc-André Hamelin, who has long been an eloquent champion of the composer’s keyboard work, joins forces with the Pacifica Quartet to give both pieces’ (SFGate, USA)» More

‘Well-shaped melodic gestures and sensitive playing of accompanying parts’ (The Whole Note, Canada)» More

‘The Janáček interpretations are right as raindrops on a loft window in autumn and the Scriabin has about it a hint of the young Horowitz on the verge of breakdown. Each performance is wonderful in its own right’ (Sinfini Music)» More

'As this fabulous recording shows, Taverner's music lives on, praising God in its own way.The music floats rapturously, as it should, but even so you can feel the pulse underneath' (The Daily Telegraph)» More

«Howard Shelley est à l’aise dans ces pièces tant comme chef que comme soliste. Il en transmet l’exubérance et la spontanéité. L’éditeur Hyperion qualifie ces oeuvres de pop music de son temps; il n’a pas tort» (Crescendo Magazine, Belgium)» More

‘Despite the richness of Osborne’s tonal palette, clarity and definition are excellent, which means you can clearly delineate the degree of pedal pressure, variety and strength of touch (not the same as loudness) and no register dominates’ (Audiophile)» More