‘Liebeck is certainly equal to all the challenges, moving from impeccable double-stopping one moment to the sweetest, most ardent of tones in some of the more impassioned passages. His playing is immaculate in every single bar, and he brings the concerto to a highly impressive conclusion’ (Presto Classical)» More

‘[Jack Liebeck's] fine-grained playing gets exemplary support from Martyn Brabbins and the BBC Scottish Symphony Orchestra’ (The Guardian)» More

‘Eloquently played … Lawrence Power's sensuous sound transports the listener instantly to a sophisticated salon of the Belle Époque’ (The Strad)» More

‘Alina Ibragimova is, in many ways, an ideal interpreter … her sense of period taste conforms very much to current expectations of Mozart performance—the sound, delivered with immaculate cleanliness, is well-balanced and translucent, with sparing vibrato, intelligent, small-scale phrasing’ (The Strad)» More

‘For his 25th recording on the Hyperion label, Osborne gave us tender, dauntless performances of late-period Beethoven sonatas including a searing account of the Hammerklavier. High-definition élan makes this wildest of Beethoven sonatas sound even wilder. Osborne’s playing is steely and emotional, unguardedly personal but never about him’ (The Herald)

‘The recording quality is excellently judged. There is more than enough in this beautifully played disc to attract viola aficionados and Francophiles alike’ (MusicWeb International)» More

«C’est Martyn Brabbins le véritable héros de cet enregistrement: jamais les Variations «Enigma» op. 36 ne se sont déployées avec autant de noblesse et de grandeur … Le chef parvient à leur conférer avec un naturel confondant l’évidente et nécessaire unité qui glorifie ce chef-d’œuvre, ainsi que la grandeur requise lorsque nécessaire» (ResMusica.com, France)» More

'In the wrong hands it could be ghastly, but it works, thanks to the quality of arrangements by Alexander L’Estrange, Keith Roberts and Robert Rice—and, of course, the excellence of the singing' (The Guardian)

‘A finely sung and well recorded offering, this can only further Guillaume de Machaut’s position in the pantheon of the greats of medieval music and poetry’ (MusicWeb International)» More

„Diese musiziert diskret, zart, unaufdringlich, als hätte sie die klassische Terminologie—'Sonate für Klavier und Violine'—als Aufforderung gesehen, sich zurückzunehmen. Doch gerade die Diskretion ihres Spiels macht es so kostbar: Mozarts Musik ist absolut nichts für Selbstdarsteller“ (Ö1, Austria)» More

‘The world seems to be awash in brilliant young Russian pianists just now, but Pavel Kolesnikov stands apart. His recording for Hyperion of Chopin's intimate dances is daringly original—a revelation’ (The Daily Telegraph)

‘If I say that these recordings of Cantatas Nos 170 and 82 can hold up their heads in the most exalted company—for me that’s Janet Baker and the ASMF conducted by Neville Marriner, on Decca Eloquence 4762684, with Cantata No 159, that’s really all that need be said’ (MusicWeb International)» More