‘[Steven Osborne's] playing is quietly sensitive … precise and thoughtful’ (Financial Times)» More

‘Time and again whilst listening I had to dash to my score to check that everything I could hear was actually being played by just the one hand! More importantly, though, Osborne doesn’t just treat it as a series of notes: he always manages to maintain the line, and to bring out each phrase effortlessly, no matter what else may be going on at the same time!’ (Presto Classical)

‘There's an assured sense of collective playing here … The Nash Ensemble reveals a touch of drama’ (The Strad)» More

‘Shelley excels in all departments. He plays with informed authority and class, taking time to shape and place events, his fingerwork and trills glistening at every turn’ (Classical Source)» More

‘With Johnson’s discerning support, Tritschler confirms his credentials as a natural in Lieder. His is a voice of spring, fresh and easy on the ear, produced with a care both for clarity of diction and a true singing line’ (Gramophone)

‘Sublime from start to finish, this a very special listening experience. You can allow it to roll over you as a delicious atmosphere. You can also descend into it for an immersive aural/intellectual journey’ (MusicWeb International)» More

'McCreesh revels in Haydn's masterly skills in writing for orchestra, choir and soloists borne of decades of experience and sheer hard work—as well, of course, as innate genius' (BBC Music Magazine)

‘Their reading of K547 is persuasive, Ibragimova adding subtleties of nuance and rubato and occasionally taking some of the limelight. Her silky-toned, lyrical playing in the expressive central movement of K306 is an aural delight, and both protagonists revel in the humour, drama and sheer invention of the ensuing operatic finale’ (The Strad)» More

‘It’s a strangely compelling journey. Once you get on, it’s hard to get off’ (Gramophone)

'Both concerto performances emanate from concerts at London’s Royal Festival Hall and deserve the warmest plaudits' (Gramophone)

‘Osborne’s power and compassion … offers a library-choice version that is partnered intensely and with a wide dynamic range by Morlot’ (Classical Source)» More

‘The 'Concerto for the Left Hand' is done with élan and rhythmic zest, and Osborne flies through the massive challenges of the grand coda. The BBC Scottish SO is a sensitive partner’ (Pianist)» More