‘Chamber-music playing of the highest order, empathetic and warm-hearted’ (Birmingham Post)

‘Ross Pople and the London Festival Orchestra provide crisp, lyrical, enthusiastic performances that capture the composer's humour’ (Classic FM Magazine)

‘The warmth and depth of the London Festival Orchestra's string section is amazing. Pople's interpretations lean toward the emotional if not quite the sentimental side. Joined together in Hyperion's clear and round acoustic, Pople and the LFO make Mendelssohn's string symphonies sound lush and lovely and altogether innocent’ (AllMusic, USA)» More

‘Ross Pople and the London Festival Orchestra provide crisp, lyrical, enthusiastic performances that capture the composer's humour’ (Classic FM Magazine)

‘The warmth and depth of the London Festival Orchestra's string section is amazing. Pople's interpretations lean toward the emotional if not quite the sentimental side. Joined together in Hyperion's clear and round acoustic, Pople and the LFO make Mendelssohn's string symphonies sound lush and lovely and altogether innocent’ (AllMusic, USA)» More

‘Ross Pople and the London Festival Orchestra provide crisp, lyrical, enthusiastic performances that capture the composer's humour’ (Classic FM Magazine)

‘The warmth and depth of the London Festival Orchestra's string section is amazing. Pople's interpretations lean toward the emotional if not quite the sentimental side. Joined together in Hyperion's clear and round acoustic, Pople and the LFO make Mendelssohn's string symphonies sound lush and lovely and altogether innocent’ (AllMusic, USA)» More

‘I know of no finer introduction to Milhaud's lighter orchestral work’ (International Record Review)

‘This is a cracker of a disc, full of vitality, fabulous tunes, lashings of uncontrollable high spirits. All the players enter into the spirit of the music—tremendous fun’ (Gramophone)

‘Impeccable and committed performances’ (Organists' Review)

‘Music of exhilarating inspiration, superbly performed. A recording as near as may be to the ideal … a very remarkable recording indeed. For audiophile and music-lovers, this is essential’ (Hi-Fi News)

‘One of the most beautiful records I have heard this year’ (The Guardian)