‘The Holst Singers create great clouds of texture, which surge, form, and melt before your ears … for a bag of musical bonbons à la violette, this disc can't be beaten’ (BBC Music Magazine)

‘These are wonderfully inventive additions to the unaccompanied violin repertoire’ (American Record Guide)

‘An entertaining recital set down with a winning lightness of touch … Wallfisch’s playing is a model of stylishness, her violin, tuned a tone below modern pitch, producing a mellow, expressive sound’ (Gramophone)

‘Playing of poise and sensitivity’ (The Independent)

‘There’s no questioning the wonderful sound picture, or the indisputable quality of these performances’ (Early Music Review)

‘I hope that a sequel has been planned’ (The Strad)

‘The high quality of the works together with Elizabeth Wallfisch's stylish playing and intelligent programming make this a thoroughly captivating recital’ (Goldberg)

‘An infectious CD bringing to life a neglected period and its forgotten music. What fun parish music must have been for the likes of Jane Austen, William Wordsworth, Blake or Thackeray’ (Classic CD)

‘Once again Peter Holman's scholarship offers a fascinating glimpse of a neglected repertoire’ (BBC Music Magazine)

‘Jonathan Cohen's performances are nothing short of phenomenal; his dazzling agility and artistic insight truly make the cello sing … a disc to relish and enjoy in excellent sound and exemplary annotations’ (Classical.net)

‘Lovely, extensive, crisp, melodic lines from The King's Consort strings … this album makes a sterling debut in my book’ (Audiophile Audition, USA)

‘If there is any recording that might persuade our editor that there is some virtue to early music performance practice, this might be it. I find myself unusually involved by this release, in several respects, and I recommend it to your attention … the cello seems to have inspired him to write some of his deepest music—and I am not speaking registrally. This is a good selection from his 28 concertos for the instrument, performed with satisfying intensity’ (American Record Guide)