‘Zadora’s affinity for and commitment to this repertoire certainly cuts through the sonic grime. With so many reissues of reissues of reissues on the market, it’s heartening that APR continues to lavish considerable time and effort on 'virgin territory’ (Classics Today)» More

‘The performances by Guildhall Strings are energetic and precise. Though a relatively small ensemble of 11 strings, they possess a Protean ability to convey a much plusher sound as required … dare we hope this CD will mark the beginning of a break for Milford? He's long overdue one’ (Fanfare, USA)

‘This is music for an English summer evening, with a glass of wine to hand—rewarding in its unpretentious, melodious, nicely crafted way; especially when played with sympathy and elegance by Robert Salter and the excellent Guildhall Strings and so naturally balanced and recorded by Andrew Keener. Don't miss it’ (Gramophone)

‘This is a cracker of a disc, full of vitality, fabulous tunes, lashings of uncontrollable high spirits. All the players enter into the spirit of the music—tremendous fun’ (Gramophone)

‘I know of no finer introduction to Milhaud's lighter orchestral work’ (International Record Review)

‘If you like two-piano music you'll love this disc. There is simply so much to enjoy. Piano discs as uninhibited and infectious as this are few and far between’ (Gramophone)

‘Sparkling performances of catchy music’ (The Guardian)

‘Performances are simply marvellous. They're quite simply the finest on disc to date for Milhaud's piano music, and in sensational sonics too. Highly recommended’ (In Tune, Japan)

‘A hugely entertaining new disc from Hyperion and a superb introduction to the work of a currently rather underrated composer’ (BBC Record Review)

‘An entertaining and delightful issue’ (The Penguin Guide to Compact Discs)

‘This is an album for those who love the acoustic, the atmosphere and the traditions of the Roman Catholic Cathedral in London … the pacing and cohesion of the Agnus Dei of Palestrina's Missa Emendemus in melius is accomplished and moving, and their singing of plainsong with organ second-to-none’ (BBC Music Magazine)

‘The choir is on excellent form and the recorded sound seems perfectly to capture a sense of place, of atmosphere’ (Gramophone)