‘Glitteringly performed’ (Daily Mail)

‘Once again we have Stephen Hough lavishing his exciting gifts upon a splendid Mendelssohn programme. I cannot envisage this splendidly recorded disc being absent from the year's honours list’ (Classic CD)

‘You can tell this is special from the first chord … I don't think [Stephen Hough] has an equal on record in this music, even with competitors like Andras Schiff and Murray Perahia. Issues like this add to the feeling that the great Mendelssohn reappraisal is underway at last. It's long overdue’ (The Independent)

‘The Choir of St John's College, Cambridge, under David Hill, simply outsings all the current competition in sacred music by Mendelssohn’ (Fanfare, USA)

‘This is one special record’ (American Record Guide)

‘Some lovely—indeed memorable—performances here; including a gorgeous account of Mendelssohn's richly opulent Ave Maria, Op 23 No 2 (Allan Clayton the wonderfully yearning tenor soloist) and a gloriously magisterial Warum toben die Heiden? from Op 78 … Quentin Beer is an impressively clear and pure-voiced treble in that most famous of all treble solos—O, for the wings of a dove … the recording is a triumph. Hyperion has come up with a far more rewarding sound than either Decca or Naxos was ever able to achieve at St John's’ (International Record Review)

‘Outgoing, excitingly resonant, spirited singing’ (Gramophone)

‘I doubt that you would find a better performance of Mendelssohn's sacred choral music than this. Finely executed with immaculate phrasing sensitively performed, it is clear that David Hill is leading the choir of St John's to even greater heights while it maintains its own highly individual sound. The whole production is worthy of the highest praise’ (Choir & Organ)

‘An exceptionally engaging disc’ (Classic CD)

‘The most attractive programming of the Mendelssohn duets yet devised’ (Fanfare, USA)

‘Attractively and intelligently presented by Sophie Daneman and Stephan Loges … the warm baritone of Loges making a particularly strong impression’ (BBC Music Magazine)

‘There is much to recommend in this collection. First of all, the songs themselves, some deeper than others, are sweet and forthright, and shown to their best advantage by the equally sweet and forthright playing of Eugene Asti. Displaying a remarkable ease at the keyboard and a deep sense of these pieces, he seems to be the inspiring and unifying force behind the entire enterprise’ (Fanfare, USA)