1 January 1900
Fanfare, USA
Bruckner: Symphony No 3
CDH55474 

‘This is one of the best Bruckner-symphony recordings I have ever heard … a searing, electrically charged performance. Quite simply, it is stunning … one of the most exciting Bruckner performances on disc—and certainly the best Third I have ever heard. This is one that you simply have to have. Recommended with all the breath in my lungs … it has been a pleasure to review, and now to recommend’ (Fanfare, USA)
1 January 1900

Bruckner: Symphony No 4
Studio Master: LSO0716  Download only  Studio Master FLAC & ALAC downloads available

‘‘Haitink’s late, live Bruckner Fourth is not only the most sumptuously beautiful, it’s also the most satisfying … few performances capture so well the sense of mystery at the heart of this symphony’’ (BBC Music Magazine)
1 January 1900
Audiophile Audition, USA
Bruckner: Symphony No 4
Studio Master: LSO0716  Download only  Studio Master FLAC & ALAC downloads available

'I've been something of a stickler with preferring Günter Wand’s recordings of the Bruckner symphonies ... but I think I've found an even better version in Haitink’s No 4, not to mention the improved sonics' (Audiophile Audition, USA)
1 January 1900
Hi-Fi News
Bruckner: Symphony No 4
Studio Master: LSO0716  Download only  Studio Master FLAC & ALAC downloads available

'[Haitink's] authority in Bruckner is unquestionable’’ (Hi-Fi News)
1 January 1900
Liverpool Daily Post
Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘Here is Bruckner superbly paced, but also showing … warmth and romance. This is a notable debut by Runnicles with his Orchestra in glowing Hyperion sound’ (Liverpool Daily Post)
1 January 1900

Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘This resplendent account of the Seventh … Runnicles keeps the whole sublime first movement at a steady, subtly flexible two in a bar; and, in the finale, he takes the chorale second subject at the same pace at the frisky opening theme, with consequent benefit to the music's structure’ (The Sunday Times)
1 January 1900

Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘This Bruckner Seventh can stand comparison with the best. Runnicles paces it patiently, drawing long, lyrical lines and creating a strong sense of musical architecture: you can sense his Wagner experience coming to the fore in his pacing of the Adagio. The playing is excellent’ (Financial Times)
1 January 1900

Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘Thoughtful, radiant and eminently musical: the modesty as well as the humanity of Bruckner's vision is faithfully realised’ (Gramophone)
1 January 1900

Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘Donald Runnicles' debut recording for Hyperion is a very impressive achievement. He has established a strong rapport with the BBC Scottish Symphony Orchestra, inspiring them to deliver playing of great refinement … Hyperion's recording is eminently satisfying: it encompasses a wide dynamic range while enabling inner details to come through the texture … highly recommended’ (BBC Music Magazine)
1 January 1900
Classics Today
Bruckner: Symphony No 7
Studio Master: CDA67916  Studio Master FLAC & ALAC downloads available

‘[A] carefully crafted reading … the BBC Scottish Symphony proves adept at Bruckner’ (Classics Today)» More
1 January 1900
The Observer
Bruckner: Symphony No 9
Studio Master: LSO0746  Download only  Studio Master FLAC & ALAC downloads available

‘‘This experienced Brucknerian—after some half century of devotion to the composer—holds all in control, and brings a welcome lightness and gleam to the second movement Scherzo. The LSO plays with a transparency and poise that cuts through even the most climactic, brass-laden fortissimos’’ (The Observer)

1 January 1900

Bruckner: Symphony No 9
Studio Master: LSO0746  Download only  Studio Master FLAC & ALAC downloads available

'This performance from last year with the London Symphony Orchestra on stupendous form seems to mark a pitch of understanding and communication which it wouldn’t be possible to surpass' (BBC Music Magazine)
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