‘These performances by Gerhardt with the Royal Flemish Philharmonic under Josep Caballé-Domenech never fail to hold one’s attention’ (Gramophone)

„Nirgends, weder in der Sonate noch in den magistral gespielten Sonetten oder in der Dante-Sonate fehlt es an Dramatik und Virtuosität, aber die Gesamtarchitektur, die Hewitt immer im Auge hat, beinhaltet auch das Reflektive, das Intime, und sie legt alles mit äußerster Klarheit dar, mit jener Souveränität, die aus einer langen Beschäftigung mit der Musik erwächst und es Hewitt erlaubt, zu ihrem Kern vorzudringen“ (Pizzicato, Luxembourg)» More

‘Eastop combines the incisive and the lyrical in perfect proportion’ (The New Zealand Herald)» More

‘All in all, then, this is an attractive disc which will certainly not disappoint’ (MusicWeb International)» More

‘Technical brilliance almost taken for granted, [Angela Hewitt's] approach is essentially analytical, fully understanding the structure, the relationships of parts to the whole, the thematic, harmonic and rhythmical subtleties, avoiding excesses so the work feels an integral whole and shines in all its majesty’ (The Whole Note, Canada)» More

‘Ottawa-born Angela Hewitt's first all-Liszt solo album is as much further proof of her renowned pianism as it is a personal mission … this new Hyperion release by one of the world's top Bach players also proves to be an eye-opener of Hewitt's sheer versatility and artistic range’ (Winnipeg Free Press, Canada)» More

'Truly exceptional performances, whose transparency, virtuosity and sheer vocal perfection are beyond compare' (Musica, Italy)» More

‘The programme is nicely varied in mood and scoring, ranging from four-voice ballades and motets to a single-voice virelai, and every combination in between … a thoughtful essay by Anne Stone makes audible sense of the many connections between the pieces on this valuable, impressive recording’ (Gramophone)

‘In their performance The Tallis Scholars have presented their chosen repertoire in the way they have always done best—as a sound world of profound beauty’ (Gramophone)

‘An essential recording, not to be missed’ (Sinfini Music)» More

‘The Orlando Consort … do their best to make the music as accessible to the modern listener as it would have been to Machaut’s contemporaries without compromising on authenticity … lovers of Machaut’s music are becoming more fortunate all the time’ (MusicWeb International)» More

'Rees's choir brings an intensity of sound and dramatic dynamics, in music that contemplates the pain of death in ecstatic elation and sublime devotion' (The Sunday Times)» More