«Howard Shelley connaît ce répertoire mieux que personne et maîtrise parfaitement le canto spianato, les traits perlés, et le brio vif-argent de cette musique» (Classica, France)» More

'A bridge between baroque and classical … fevered passions and exhilarating energy' (The Times)» More

'These energetic committed performances of five symphonies dating from between 1757—when Haydn was first writing in the genre—and 1780 show the period band has lost none of its verve and enthusiasm for this strange, dramatic music from the dawn of the 'classical' era' (The Sunday Times)» More

'These are vividly coloured, gripping live performances. Antoine Tamestit's viola offers silky sound in the Byron-inspired symphony Harold en Italie … [in La mort de Cléopâtre] Karen Cargill is deeply affecting' (The Sunday Times)

‘Conductor Stephen Layton, along with the Choir of Trinity College Cambridge, should be commended not just for this excellent performance, but also for raising the profile of [Ēriks Ešenvalds], whose ability to write music that deeply affects listeners not just in Latvia, all over the world is a rare talent’ (The Baltics Today, Latvia)» More

‘Hewitt's Liszt interpretations are both exquisite and dramatic … her feeling for the work's grand architecture is manifest’ (The Sunday Times)» More

‘[Pianist Angela Hewitt] elucidates the B minor sonata's structural subtleties and balances its boarding power with scintillating details … in the three Petrarch sonnets, the kaleidoscope of emotions is exquisitely traced’ (The Times)» More

‘Effortless virtuosity and total musical command’ (The Guardian)» More

‘Suited to the composer’s rare moments of overt virtuosity, Hamelin executes the intricate passagework with fluidity and ease, exposing an array of subtle tone colours’ (The Whole Note, Canada)» More

‘In [this album], Hamelin has harnessed his technical facility in the service of Debussy’s own impressionistic essence. I can’t wait to see what he will do with Schubert’s masterwork’ (The Whole Note, Canada)

‘The British-Canadian pianist Angela Hewitt has a refreshing attitude to Liszt … in the B minor sonata and in the three youthful Petrarch Sonnets, Hewitt is magisterial. For many years Bach has been her calling card. Her Liszt is, if anything, yet more compelling’ (The Guardian)» More

‘[Angela Hewitt's] approach to the Sonata is both dramatic and deliberate … this release … confirms Hewitt is continuing to grow and mature as an artist and as an intellectual’ (ConcertoNet, Canada)» More