‘An exemplary recording … an excellent place to become familiar with Ešenvalds's attractive output’ (Choir & Organ)» More

‘Graffin is, as usual, superb in every respect … with a luscious tone, expansive and nuanced phrasing, and sensitivity and passion to burn. He is given terrific support by Brabbins and the orchestra’ (The Whole Note, Canada)» More

«Philippe Graffin et Martyn Brabbins y mettent partout beaucoup de cœur et de couleurs» (Diapason, France)» More

«Philippe Graffin est l'indispensable interprète des raretés … bien que les musiques qu'il joue soient extrêmement expressives, il les aborde sans appuyer le son, toujours élégant, toujours délié» (Classica, France)» More

‘Angela Hewitt seamlessly draws Liszt's ideas together in a continuous, flowing musical landscape’ (The Telegraph)» More

‘[A] superbly serious performance … that eschews all personal vanity, all preening mannerism and flamboyance but which, with strength in abundance, locates the still centre at the heart of Liszt’s raging heroics … this is possibly the very finest of Angela Hewitt’s many recordings’ (Gramophone)

«Le baryton canadien a du style, du lyrisme dans la confidence … de la théâtralité sans excès quand le ton plus extraverti tend à franchir les frontières du lied» (Diapason, France)» More

‘Not least, where most players of the natural horn seek to minimise the difference in tone of those pitches that can only be got out of the instrument by hand-stopping and tricks of breathing, Pip Eastop positively flaunts them, suggesting how Mozart may have actually relied upon the effect of a muffled note here or a chromatic snarl there to help shape and colour his phrasing’ (BBC Music Magazine)» More

«Le violoncelliste anglais privilégie une approche sévère, austère quoique toujours très variée et colorée. Le caractère extraverti, sans faiblir, se nuance d'une teinte fauve et d'irisations assez inattendues. La partie soliste est jouée de façon hallucinante, avec un phrasé merveilleux et une grande maîtrise technique» (Diapason, France)» More

‘Scriabin's microcosmic soundworlds, powered by chains of augmented and chromatically liquefied harmonies, require a transcendental technique and the ability to conjure up simultaneously myriad differentiated sounds and textures. Ohlsson possesses remarkable facility … unleashes immense reserves of power … has the required delicacy of touch’ (BBC Music Magazine)» More

‘The music is … very fine and full of interest. The singing is as excellent as we’ve come to expect from this ensemble. The ambience of the Fitzalan Chapel in Arundel Castle and the singing itself has been beautifully captured in the recorded sound’ (MusicWeb International)» More

‘[Gerhardt shows himself] at home in the music's more sensational moments (serving up a remarkable level of detail without sacrificing a sense of line) and in its more expressive passages (his ardent performance of the middle movement of the Vieuxtemps First is especially beautiful) … all in all, a welcome release’ (International Record Review)» More