‘Coote demonstrates the sexiest quality any singer can possess: complete attention to the text … pianist Graham Johnson … identifies the difference between moonlight, candlelight and sunlight. As a sequence, it is brilliantly programmed’ (BBC Music Magazine)» More

‘Shelley has the ideal touch and tone for Mendelssohn: fleet-fingered, light and clear, with a fine balance between the energy and élan of this often very busy music and the clarity of its elegant melodic lines and supremely civilised phrasing. This match of performer and composer slides smoothly and smilingly into place from the start’ (BBC Music Magazine)» More

'Fresh, engaging performances of works spanning the church year, from a choir moving swiftly up the Oxbridge pecking order. The Rorem and MacMillan pieces get especially fine performances' (BBC Music Magazine)

'Come ho già comentato in sede di recensione dei due dischi precedent, una integrale discografica di un autore come Dohnányi, pianist e compositore vissuto nell’epoca d’oro del virtuosismo post-romantico, dovrà risultare necessariamente assai generosa' (Musica, Italy)» More

'The airy acoustic of the chapel coupled with the fine Harrison & Harrison (mostly) organ help to define a peculiarly and uniquely English sound, especially suited to the repertoire on this fine disc … this is King's playing to its considerable strengths at all levels' (Gramophone)

'It’s a joy to hear the Gabrielis give us Handel again. The attention to detail, the vibrant tone, the briskly invigorating tempi, and the seamless ensemble are everything you could wish for' (Hi-Fi Plus)

‘A fascinating and enjoyable selection, played with panache and style by top musicians’ (Classic FM)» More

'The King’s Singers are on top form, singing with a sunny freshness appropriate to this happy music, blending beautifully, and moving as one into crescendos and decrescendos, ranging in dynamic from a whispering pianissimo to declamatory episodes of high drama' (Early Music Review)» More

'Lo stakanovista Howard Shelley, specialista del repertorio ramntico, macina senza sosta note su note in sala di registrazione, con precisione, eleganza et gusto' (Musica, Italy)» More

‘Is it really twenty years since Marc-André Hamelin set down these famous recordings for Hyperion in a London church? The record company’s website lists some of the recommendations and awards it soon acquired, and some of the overwhelmingly favourable reviews it attracted. The centenary of the composer’s death might be a good moment to look back at this achievement and assess its current standing’ (MusicWeb International)» More

‘All the music here is dispatched with a combination of nuanced feeling and perfect attention to the colour of the restricted sound palette’ (CD Choice.co.uk)» More

‘Together, the sonatas form a freewheeling ride to the limits of violin technique, often recalling Bach but more often not. Alina Ibragimova is a superb advocate; nothing here sounds like a mere showpiece, and her performances brim with lyricism and wit’ (The Guardian)» More