'Beethoven verkent hier alle mogelijkheden van de piano, experimenteert met klanken en toont zich een meester van de fuga, een muzikale figuur die in zijn late werk een voorname plaats inneemt' (Kerknet.be, Belgium)» More

‘Enthusiastically recommended’ (Gramophone)

'Deze cd geeft ons een mooi voorbeeld van werk voor piano en orkest van Henri Herz' (Kerknet.be, Belgium)» More

'Het Westminster Abbey Choir brengt de hymne naast andere befaamde koorwerken van Parry' (Kerknet.be, Belgium)» More

‘Osborne revels in the youthful virtuosity of the fast variations and the songful melodies of the slower ones. The Impromptus benefit from his remarkable clarity, a sure sense of the music’s arching structures and a refusal to make the shifting moods sound either too neurotic or dreamy. Invigorating Schubert by any standards’ (The Sunday Times)» More

‘Hewitt delivers everything from the crispest staccatos to the gentlest lifts in defining the inner voices that Beethoven weaves throughout … a terrific disc’ (The Whole Note, Canada)» More

‘The entire experience is captured in a recording of extraordinary clarity, balance and dynamics including the thunder of this vast array. It’s all there without any audible spotlighting. I consider this to be a most significant release and thoroughly recommendable’ (The Whole Note, Canada)» More

‘Everywhere here Gerhardt is at his most eloquent, technically exceptional and interpretatively satisfying. It would be hard to imagine finer support than that provided by the world class Deutsches Symphonie-Orchester Berlin under Stefan Blunier who holds everything together with adept assurance. The sound quality was wholly satisfying with an especially splendid balance between soloist and orchestra’ (MusicWeb International)» More

‘These 28 settings are largely taut, compact and full of elegant simplicity … to all these songs Renata Pokupić brings a truly convincing tonal assurance and she is excellently partnered by Roger Vignoles’ (MusicWeb International)» More

‘Unfailingly expressive, a miracle in itself’ (Limelight, Australia)» More

‘It can be difficult to find space to let this music speak when Janáček’s mind is darting so restlessly from thought to thought, but the Takács players know its every twist and turn, and the result is like being caught in an irresistible eddy of emotions’ (Financial Times)» More

‘This disc stands up to all the competition … it is the quality and character from each individual player, even when they are blended into a single entity, that once again sets the Takács apart’ (The Guardian)» More