‘The pulse races in Danny Driver’s wholehearted playing, strongly supported by Rebecca Miller and the BBC Scottish Symphony Orchestra’ (Financial Times)» More

‘Both instructive and beautifully performed’ (Lark Reviews)» More

‘Danny Driver plays [Beach's Piano Concerto] with clarity and steel, absolutely unsentimental but flecked through with empathy’ (The Guardian)» More

‘Dorabella’s hesitant lisp is gorgeous and the Nimrod variation, traditionally the spiritual focal point of the work, is suffused with quiet dignity … great playing and sound’ (Limelight, Australia)» More

„Getrennt von Solisten und Orchester zu sprechen, verbietet sich daher eigentlich—und dennoch kann man nicht umhin, die Eleganz von Altstaedts Spiel besonders zu rühmen, dessen sinnlich-legeren, aber ungeheuer intensiven Duktus, den treffend ausgespielten Facettenreichtum, die Dichte und expressive Kraft der Tonbildung“ (Klassik.com, Germany)» More

‘An admirable performance of the Sonata for two pianos and percussion, where Tiberghien is both goaded and kept in check by fellow pianist François-Frédéric Guy, with sensitive support from the percussionists Colin Currie and Sam Walton. Superb sound sees to it that every kicking syncopation and drum tap is clearly focused’ (Gramophone)

‘Danny Driver is a highly accomplished soloist, if occasionally lacking in Romantic flexibility; the BBC Scottish Symphony Orchestra under Rebecca Miller makes a telling contribution’ (BBC Music Magazine)» More

‘The Amy Beach Concerto  … is a big, virtuoso vehicle demanding great endurance and a bravura technique … Driver surmounts these demands with real artistry and, in the lovely slow movement, immense sensitivity’ (Gramophone)

‘Undoubtedly the most approachable music in this fascinating programme is Ligeti’s Sonata, already a firmly established favourite amongst cellists. Clein’s performance is exemplary, bringing requisite warmth and tenderness’ (BBC Music Magazine)» More

‘A winning lyrical touch, well-projected energy and an instinctive feel for the musical language’ (Gramophone)

‘[Performances] are delivered with great consistency, technical accuracy and well-balanced orchestral playing’ (The Strad)» More

‘A superb achievement … the choral singing is of the highest standard … a special word must be reserved for sub-organist Daniel Cook, who accompanies throughout with impeccable musicianship and sensitivity’ (Choir & Organ)» More