‘It would be hard to think of a more fitting work to celebrate The Tallis Scholars' 40th Anniversary’ (BBC Music Magazine)

‘Two sopranos, flying the extremities of their range with a security, purity and silvery gleam that is absolutely breathtaking’ (The Times)

‘Marvellous music … well worth reissuing’ (Early Music Review)

‘These reissues epitomise the qualities that make The Sixteen one of Britain's outstanding choral groups: distilled purity of sound: impeccable ensemble and intonation; long-breathed lines. Harry Christophers takes an introspective view of Taverner's monumental Missa Gloria tibi Trinitas, producing a performance of untrammelled serenity’ (BBC Music Magazine)

‘These reissues epitomise the qualities that make The Sixteen one of Britain's outstanding choral groups: distilled purity of sound: impeccable ensemble and intonation; long-breathed lines. Harry Christophers takes an introspective view of Taverner's monumental Missa Gloria tibi Trinitas, producing a performance of untrammelled serenity’ (BBC Music Magazine)

‘Marvellous music … well worth reissuing’ (Early Music Review)

‘Excellent sound and an informative booklet help make this disc a must for Taverner fans … a splendid introduction for those who have yet to discover the riches of early Tudor music’ (CDReview)

‘Splendid’ (Fanfare, USA)

‘If you don't know this score, I urge you to grab this recording hurriedly: for a mixture of unhurried lyricism, gentle good humour, capable but lightly handled counterpoint, you'll find it hard to beat’ (Fanfare, USA)

‘This disc—accessible in every sense of the word—is a useful addition to the discography of music written during the Soviet era. The sound is clean and bright. Worth exploring’ (International Record Review)

'The young Romanian pianist Alexandra Dariescu … has much to say about the music she plays' (MusicWeb International)» More

‘Hough has virtuosity to burn and shows it on his recording of the three concertos and Concert Fantasia. But he is also an artist of uncommon sensitivity and taste. Moreover, his recording has the advantage of offering the uncut Second Concerto plus, on supplemental tracks, the seriously cut version of the second movement by Alexander Siloti and his own uncut, but modified, version of the same movement’ (Pittsburgh Tribune-Review, USA)