‘An imaginatively planned programme … [Eben Trio] the work of a man with a keen ear and a probing spirit … this is the sort of score that the Florestans seem to relish, music full of subtle shades, many of them tucked carefully within subsidiary voices … [Smetana] is an immensely imposing piece, written in the wake of great personal loss, and the Florestans do it justice … this is an excellent programme, beautifully recorded’ (Gramophone)