‘Hyperion’s panoramic aural perspective, warmly detailed in quieter moments and tumultuously filled at the frequently frenzied, makes a best sonic case for these overloaded blockbusters, the glistening, profound orchestral capture rendering Florent Schmitt’s fin de siecle contrivance of luridly empurpled passages with varieties of violet and mauve, so to speak, as seen through smog in a Los Angeles sunset … enthusiastically recommended’ (Fanfare, USA)