‘His playing is unerringly musical in its intentions … this is a disc of the highest musical and interpretative quality whose appeal lies as much in the quality of the pianism as in the fascinating repertoire’ (Hi-Fi News)

‘Hough's playing is glorious’ (BBC Music Magazine)

‘Everything about this production (including recorded sound of almost palpable realism) deserves the highest praise’ (International Piano)

‘Astonishingly (especially considering the enquiry of so many German specialist and boutique labels), Simon Callaghan's debut solo disc for Hyperion, is a Nicodé first. And most welcome and generous it is … befitting his passion for discovery, Simon Callaghan acquits himself superbly. This is a classy album of deep musicality and sensitivity, pianistically compelling’ (Classical Source)» More

'A youthful addition to the many excellent versions of the Mozart already available, and a fine introduction to the Nielsen for those who are not familiar with it' (Classic FM)» More

'Flair, intimacy and spontaneity' (Gramophone)

‘Martin Roscoe demonstrates throughout this revealing double CD set [that Nielsen's piano music] is a canon of work that desperately needs attention … fantastic playing of compelling authority by one of Britain's finest pianists. A wonderful discovery’ (The Herald)

‘The piano music of Carl Nielsen is notable not only for its striking emotional power and radicalism but also for its transparency—for the writing is always unmistakably Nielsen … the album as a whole is a treasure-chest; it presents an entirely new slant for those not acquainted with Nielsen's music and broadens the field of vision significantly for those who are … this deserves to become a most conspicuous recording, and Hyperion's usual excellence in achieving a full-bodied, crystal-clear sound continues boldly forward’ (International Record Review)

‘These new recordings are sonically the best yet. Roscoe is famed for his touch and his playing's delicacy and finesse is evident throughout’ (Gramophone)

‘Apart from Grieg, no Scandinavian composer has written for the piano with more individuality and insight than Nielsen … Martin Roscoe is right inside this music and guides us through its marvels with great subtlety and authority. His is the most eloquent account since the pioneering set by Arne Skjøld Rasmussen. Hyperion gives him vivid and natural recorded sound and there are outstanding notes by Daniel Grimley’ (BBC Music Magazine)

‘The Symphonic Suite, the Chaconne, the magnificent Theme and Variations … are powerful, poetic, original in both idea and structure, widely varied in mood, impressively organic and as important in their way as any of Nielsens' remarkable symphonies. Martin Roscoe's technique withstands everything that the composer throws at it. He obviously belives in every note, as well he might’ (The Sunday Times)

'Davis and the LSO triumph in this recording … in this gripping performance, it [Symphony No 6] emerges as one of the twentieth century’s most beguilingly original works' (The Sunday Times)