‘Terrifying virtuosity, scorching pianism, ineffable beauty and a mind equal to his fingers, Hamelin is one of 19th-century piano music's most meteoric talents ever to blaze the pianistic firmament’ (Soundscapes, Australia)
‘The multifaceted sound world is intoxicating, and the best parts are indisputably great … Thierry Fischer conducts the superb Netherlands Radio Philharmonic Orchestra in a definitive performance’ (Opera News)
‘Frank Martin’s Der Sturm, a setting of Shakespeare’s The Tempest is a revelation. By turns ethereal and richly textured, melodic and atonal, mysterious and literal, it is indeed such stuff as dreams are made on. Why it is not better known? … Robert Holl is a commanding Prospero, his resonant voice laden with authority, wisdom and all the cares of the world. At the end of a long opera his massive central role closes with an extended Epilogue that would test fainter hearts, but Holl never falters’ (Classical Source)