‘Given David Atherton's proven expertise with Weill, I am not surprised to hear him so comfortable with Hindemith, and the BBC Scottish Symphony Orchestra plays with precision and wide-eyed clarity. Hyperion's engineering is first-class in every way’ (International Record Review)

‘Now on the third instalment of his Hindemith survey for Hyperion, Lawrence Power tackles the works with orchestra, and once again he projects a splendidly warm and rounded tone, bringing compelling focus to these performances’ (BBC Music Magazine)

‘Tanja Becker-Bender and Péter Nagy are well matched and give thoroughly forthright performances of real integrity, vitality and intelligence. The sound engineers have excelled themselves providing satisfyingly clear and well balanced sonics. For those looking for something away from the mainstream but accessible and of high quality this set of Hindemith violin sonatas fits the bill’ (MusicWeb International)

‘Overall these are insightful and communicative performances, flouting the notion that Hindemith’s music lacks emotion or energy. In fact, the opposite is altogether truer! These readings are complemented by an extremely informative booklet note from Malcolm MacDonald that helpfully places the music in a political context—which with Hindemith is doubly important’ (Classical Source)

‘One for the end of year awards. An outstanding issue in every way’ (Classic CD)

‘Hamish Milne plays "to the manner born" in his elegant and mesmerizing realization of both scores. A must for the "Romantic" collector’ (Fanfare, USA)

‘Marvellous performances and recording’ (Hi-Fi News)

‘The playing is first class and the recording is super’ (American Record Guide)

‘Superlative performances of two forgotten British gems … an altogether exemplary release’ (Gramophone)

‘Extremely well played by Hamish Milne and the excellent BBC Scottish Symphony. If you are attracted by the repertoire, give it a try: you will not be disappointed’ (International Record Review)

‘This two-piano transcription and elaboration of Bach’s Goldberg Variations might be enjoyed equally (and simultaneously) for its musical range and for the wonderful playing of Nigerian pianist Glen Inanga and, from Malta, Jennifer Micallef’ (Hi-Fi News)

‘What a delight this recording is! … I think Holloway’s fanciful new construction using Bach’s bricks inspires deep admiration’ (Chamber Music Magazine)