‘I can't imagine an aficionado of 19th-century piano music who wouldn't want Martin's two recordings … I hope we don't have to wait another three years for the next step in what is turning into an exceptional series’ (Fanfare, USA)
‘The pre-eminent Gottschalk interpreter of the 1980s and 1990s. Again the piano sound from the fastidious Hyperion team is absolutely flawless. Don't forget to buy the other two volumes’ (Gramophone)
‘The shining brilliance of Gottschalk is superbly captured by Martin’s wonderful pianism. This musician’s personality, intelligent, technically transparent, and subtly colored, matches those traits in Gottschalk with unerring sympathy. I can only join the chorus of critical praise for previous instalments in this series’ (Fanfare, USA)