‘What is, or are, conductus? The body of anonymous medieval songs, usually sacred but not liturgical and mostly forgotten, flowered in France in the mid-13th century around the time of the Notre Dame school. This new Hyperion disc … should reawaken interest in this beguiling repertory. The poems are about life, death, salvation and, naturally, the frail virtues of women ('He who strives to keep and lock in a roving young woman/Is washing a brick'). Three tenors—John Potter, Christopher O'Gorman and Rogers Covey-Crump—deliver these explorations with unerring skill and conviction’ (The Observer)