‘These are performances I am going to be returning to again and again’ (International Record Review)

‘In virtually every way—flute playing, sonics, and accompaniment—this new original-instrument version of the Sonatas bests my former original-instrument reference … Beznosiuk and her accompanists really feel this music as well’ (Classics Today)

‘Beautifully executed … a perfect example of Beznosiuk’s dark, sweet tone and understated musicianship. Delicious’ (The Independent on Sunday)

‘Let me say without hesitation that Herrick’s performances are models of clarity, accuracy, precision and musicality … this is a complete Bach that has plenty of character and verve and which would bear repeated listening’ (Choir & Organ)

‘Herrick is one of the few organists who does justice to these difficult, elusive pieces … What a singular joy to hear the organ played with such infectious rhythm!’ (American Record Guide)

‘A fresh and gripping account … Herrick’s touch, his unfailing taste and his innate feeling for the dance rhythms at the heart of even the most austere pieces all make for a musical adventure with few parallels’ (San Francisco Chronicle)

‘Each time I’ve tried to sample a band or two, I’ve been drawn into listening to the end of the disc’ (International Record Review)

‘Hyperion has come up with another winner … Herrick has a feel for his subject and organs and Hyperion reflects this in good engineering … strongly recommended’ (Cathedral Music)

‘Herrick’s fingers embrace all technical hurdles with seeming ease … this is a fine mainstream, streamlined collection that invites repeated and lengthy listening’ (Fanfare, USA)

‘Beautifully played and recorded … exquisite interpretations’ (Music Week)

‘Definitely a "must have"’ (Organists' Review)

‘This is arguably the finest recording of these works on modern piano. Hewitt projects the different characters of individual dances, as well as those of entire suites, with great beauty, clarity and refinement … this might well be the finest set of English Suites on the piano’ (Goldberg)