'Cleobury is on peak form. Clearly he has had the music in his fingers and feet for many years: one is left with the sense that all problems were solved long ago … and of course, the King's College organ is 'his' instrument. He exploits its full resources with taste, discernment and piquancy' (Gramophone)

„Vor einem Jahr hatte sich die kanadische Pianistin und Bach-Spezialistin Angela Hewitt im Anschluss an ihre 14-teilige Einspielung von Klavierwerken Bachs bei Hyperion noch einmal intensiv der 'Kunst der Fuge' zugewandt. Nun also folgen die große h-Moll-Sonate, die Dante-Sonate und drei Petrarca-Sonetten von Liszt in einer Interpretation, die in ihrer Ruhe und Strenge mit Hewitts Bach-Interpretationen in vielfacher Weise verwandt ist“ (Piano News, Germany)» More

‘Gerald Finley brings his fine sense of drama and theatre to these songs … [and] he easily alters tonal color to suggest authority, intimacy or despair’ (Opera Canada, Canada)» More

‘The rapport between Finley and Drake feels like twin-souls working together. Excellent recording, excellent liner notes by Susan Young. Couldn’t be better’ (MusicWeb International)» More

‘Grieg's Cello Sonata encompasses a wide-ranging emotional landscape, to which Steven Isserlis and Stephen Hough, a magnificent partnership, respond with big-hearted playing’ (The Strad)» More

„Ja, man fühlt sich fast an das Spiel eines Barock Orchesters erinnert, wenn man eine Sonate wie die B-Dur-Sonate KV 333 von ihm hört. Dabei ist nichts schwerfällig, sondern aufgrund der stupenden Technik des Pianisten alles von einer charmanten Leichtigkeit durchwirkt, die Mozarts Schreibweise zu einem neuen Erlebnis werden lässt“ (Piano News, Germany)» More

‘It's difficult to resist the spine-tingling monumentalism of the performance’ (BBC Music Magazine)» More

‘The real star of this recording is the ravishing sound of the harpsichord itself … what a great sound’ (The Toronto Early Music Newsletter, Canada)» More

‘The new version recorded in the Philharmonic in Cologne makes a vivid and spacious overall impression thanks to the alternately measured and passionate sway of Markus Stenz and the golden tones of the Gürzenich Orchestra’ (BBC Music Magazine)» More

‘Recommending a single version of Gurrelieder is not easy … Stenz's performance, however, is a fine achievement, which, despite minor reservations, takes its place among the best, and demands to be heard, for its conducting and playing above all’ (Classical Source)» More

„Wenn man die Poèmes … einzeln oder paarweise hört, dann erkennt man, welch grandioser Interpret Ohlsson für diese Werke ist“ (Piano News, Germany)» More

‘The Cardinall's Musick deliver a crystalline purity and direct aural sound from the 13 singers on this recording … an exemplary recording’ (The Toronto Early Music Newsletter, Canada)» More